Rakka is a science fiction short film from director Neil Blomkamp. After being propelled to fame by District 9, Blomkamp went on to make Elysium, a less well-received and overtly preachy movie that has rightly drawn the ire of White Nationalists; both Gregory Hood and Kevin MacDonald have ably covered its breathtakingly arrogant subtext and narrative shortcomings. Following up Elysium with the poorly reviewed Chappie, a multiculturalist movie about rappers and a police robot, (more…)
Month: April 2019
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1,946 words
It is well known that death is as much a part of life as taxes, and yet there are very few creative works that deal with the mechanics of death. Who digs the grave? Who cuts and engraves the headstone? What happens behind the scenes at a funeral parlor? What is it like to grow up in a house where the remains of the recently departed are embalmed in the basement? (more…)
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2,304 words
Translated by Guillaume Durocher
Translator’s Note: The following is an excerpt from the concluding chapter of Jean-Marie Le Pen’s Mémoires: Fils de la nation (Paris: Muller, 2018), pp. 391-396. The title is editorial.
In France, the man who marked the twenty-five years between 1944 and [President Georges] Pompidou was De Gaulle, who also maintained a complex relationship with Communism – sometimes opposing it, sometimes allying with it, sometimes seeking a consecration from the masters of Moscow. (more…)
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4,880 words
A novelist can have tremendous influence beyond his own time if he depicts major historical trends and invents characters that react in conflicting ways to these trends. If a story is vivid enough, readers might come to identify with or even emulate such characters, since the historical pressures bearing down on them bear down on the readers as well. William Faulkner accomplishes such a feat in his 1942 novel of interrelated short stories, Go Down, Moses.
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962 words
Dear Friends of Counter-Currents,
March was a very strong month for Counter-Currents. We added 63 pieces to our webzine and 30 videos and nearly five hundred subscribers to our YouTube channel. If you have not yet subscribed, please do so today. (more…)
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Dragged Across Concrete, S. Craig Zahler’s latest film, is a hardboiled, slow-burning neo-noir crime thriller that examines the plight of white men in modern America and the circumstances under which ordinary men are driven to crime. It further establishes Zahler (Bone Tomahawk [2015], Brawl in Cell Block 99 [2017]) as a highly talented filmmaker who is willing to take creative risks and deal with controversial ideas.