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  • Recent posts

    • Why The Prisoner Still Matters

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  • Classics Corner

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    • Posthuman Prospects:
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      5

    • Earnest Sevier Cox:
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      15

    • Remembering Jack London
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      Greg Johnson

      2

    • Remembering Robinson Jeffers:
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      John Morgan

      3

    • Remembering Pierre Drieu La Rochelle:
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      Greg Johnson

    • Remembering Rudyard Kipling (December 30, 1865-January 18, 1936)

      Greg Johnson

      10

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      Greg Johnson

      34

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    • What’s Wrong with Diversity?

      Greg Johnson

      10

    • Redefining the Mainstream

      Greg Johnson

      3

    • Edward Alsworth Ross:
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      8

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      19

    • Christmas & the Yuletide:
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      William de Vere

      3

    • Thanksgiving Special 
      White Men Meet Indians:
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      Thomas Jackson

    • Colin Wilson’s The Outsider

      Sir Oswald Mosley

      4

    • Dostoyevsky on the Jews

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      4

    • Jefferson &/or Mussolini, Part 1

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    • I Listened to Chapo Trap House So You Don’t Have To

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    • The Homeric Gods

      Mark Dyal

      13

    • Toward a Baltic-Black Sea Union:
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      55

    • The Politics of Nuclear War, Part 3

      John Morgan

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    • The Politics of Nuclear War, Part 2

      John Morgan

      6

    • Columbus Day Special
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    • The Politics of Nuclear War, Part 1

      John Morgan

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      Alan Smithee

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      Thomas Steuben

      3

    • The Populist Moment, Chapter 12: Liberty — Equality — Fraternity: On the Meaning of a Republican Slogan

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    • Counter-Currents Radio Podcast No. 519 An Update on South America on The Writers’ Bloc

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    • The Populist Moment, Chapter 10, Part 2: The Ambiguity of “Communitarianism”

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    • Counter-Currents Radio Podcast No. 518 Blair Cottrell & Josh Neal on The Myth of Mental Illness

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  • Recent comments

    • Beau Albrecht

      Harry Potter & the Prisoner of the Trans Phenomenon

      It's like this.  Personal idiosyncrasies are one matter, not such a big deal.  However, surgical...

    • DarkPlato

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      That was a good show.  Burnhams book is one of my favorite political treatises.I have a...

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      Yeah, all those interracial gangs were a huge trope in the 70s and 80s.  They were ubiquitous in...

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      You really think that his description here of Western civilization, whites, and non-whites is...

    • SerapeumSaqqara

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      You can also watch it here: https://www.shoutfactorytv.com/series/the-prisoner

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      I’ve seen or heard Jared Taylor attribute it to him a number of times, most notably in his chapter...

    • Fire Walk With Lee

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      Among which is a very young Jeff Goldblum.

    • Beau Albrecht

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      Much of what you say is correct.  Still, that doesn't mean it's legitimate to intrude on very...

    • James Dunphy

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      I was wrong about agreeableness because IQ is positively associated with agreeableness, so yes, that...

    • Alexandra O.

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      "As an intermediate step, what are the leading international Pro White organizations and events?  It...

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      That quote is so good I'm having a hard time believing it's real.  

    • Vehmgericht

      The Worst Week Yet: March 12-18, 2023

      The Socialist Workers Party (UK), though a fringe Trotskyist outfit, are remarkably resilient and...

    • Michael

      The Worst Week Yet: March 12-18, 2023

      Funny thing about that movie is the two "hoodlums" are both White. Even in 67 that would've been a...

    • Michael

      The Worst Week Yet: March 12-18, 2023

      I don't know about that 5-30 percent number. I was a personal trainer back in the 90s and about 90%...

    • Razvan

      Harry Potter & the Prisoner of the Trans Phenomenon

      The war was pushed by FDR who armed USSR to the teeth. FDR and Stalin are the main culprits.

    • Collin Cleary

      Why The Prisoner Still Matters

      Thank you very much!

    • Mort

      Harry Potter & the Prisoner of the Trans Phenomenon

      The war was pushed by Churchill, who was funded by Jewish interests.

    • Fire Walk With Lee

      Joseph Sobran on Envy and Anti-White Hatred

      Readers of Counter-Currents will more than likely be familiar with this quote from Joe, but it’s...

    • Desert Flower

      Joseph Sobran on Envy and Anti-White Hatred

      Classic.

    • Razvan

      Joseph Sobran on Envy and Anti-White Hatred

      Envy was the dominant historical force of the XX-th century. Envy was instrumented in two stages...

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Author: Steven Clark

  • March 6, 2023 Steven Clark 13 comments

    Donna Tartt’s The Goldfinch

    3,096 words

    After Donna Tartt’s prize-winning novel The Little Friend, she published The Goldfinch in 2013, a novel that won her a much-deserved Pulitzer. The novel has been described as a latter-day Dickensian work, hailed as “a soaring masterpiece” by the Washington Post and as “a triumph” by Stephen King. Does it soar? Is it a triumph?

    The Goldfinch does fly, although there are times when it hovers. It is nevertheless a remarkably beautiful, well-crafted Bildungsroman about Theo Decker, a pre-adolescent youth in New York City who is on the cusp of a new beginning. (more…)

  • February 22, 2023 Steven Clark 3 comments

    My Salinger Year:
    Chamber Music for a Writer

    2,194 words

    Joanna Rakoff is a writer, and My Salinger Year is Philippe Falardeau’s film of her memoir about 1995, when she is on a visit to New York from Berkeley, fresh from university. The visit becomes permanent, however, because Joanna is a writer; she’s determined to make it, especially to get published in The New Yorker. Joanna, played by Margaret Qualley, is determined, a bit shy, and has a slurred, squeaky voice that hints English major. God knows, I heard enough of them. (more…)

  • February 20, 2023 Steven Clark 7 comments

    The Little Friend:
    A Southern Epic, Tartt & Spicy

    2,373 words

    Southern writing may be the last American literature in that it has retained a true Anglo-Saxon base in terms of its authors, themes, and relation to history — specifically, white history.

    Donna Tartt’s The Little Friend, published in 2015 and winning a justly-earned Pulitzer Prize for best novel, has a real command of writing, and her prose is a roller coaster dipping and rising from sad to exuberant that keeps you reading. (more…)

  • January 30, 2023 Steven Clark 4 comments

    The Whale

    1,731 words

    In Darren Aronofsky’s new film The Whale, Moby Dick gets referenced a lot, but its subject isn’t an actual whale. Charlie (Brendan Fraser), the protagonist, is rather a monstrous human leviathan whose massiveness can easily disgust others, much like the monstrously-deformed John Merrick, who was depicted in David Lynch’s 1980 film The Elephant Man. Merrick had to live masked and wrapped in canvas so as not to shock people. (more…)

  • January 18, 2023 Steven Clark 2 comments

    The Secret of My Success

    2,687 words

    As I was doing my usual TV-watching in 1965, waiting for the Three Stooges to pop up, the screen suddenly erupted with a flashy, peppy ad for The Secret of My Success. Revolution! Suspense! Giant spiders on the loose! Rescue beautiful girls from horrible spiders! Rescue horrible spiders from beautiful girls! It looked like a barrel full of sixties kookiness that I couldn’t wait to see.

    But I lived 65 miles south of St. Louis at the time, and the film never made it to our local theater. I longed for it, always recalling that goofy commercial and its promise of nuttiness. (more…)

  • January 6, 2023 Steven Clark

    Tár:
    Reflections on the Artist vs. the Hive

    4,106 words

    Gore Vidal once said to Dwight McDonald, “You realize we have nothing more to say; only to add.”

    I feel the same way in this review of Todd Field’s Tár, the recent film so artfully described in Trevor Lynch’s review (“The Talented Miss Tarr”), but the film made an immediate impression on me in terms of how it dealt with life and power when applied to art. I recall Lynch’s discomfort with Tár’s opening monologues which could, by virtue of their length and the fact of there being two in sequence, could easily kill a film. (more…)

  • December 26, 2022 Steven Clark 3 comments

    The Banshees of Inisherin

    1,359 words

    In Bruges (2008) was a dark, funny, sad, and violent film by Martin McDonagh using Colin Ferrell and Brenden Gleeson’s talents to play two hitmen, a kind of Laurel and Hardy meet Harold Pinter. In his latest film, The Banshees of Inisherin, the two are paired again: a wise, older man and his younger, more immediate partner. But here the pairing has strains of tragedy, commenting upon existential human solitude at war with the need for society and companionship.

    Set on Inisherin, an island off the coast of Ireland, in 1923, life is dull and predictable despite pops of gunfire and explosions on the Irish mainland. (more…)

  • December 14, 2022 Steven Clark 3 comments

    Bardo:
    Mexican & American Non-Existence

    3,127 words

    Bardo. Not Bardot. Certainly not Bridget. Bardo is a Buddhist concept referring to a limbo state of existence, and this concept is the theme of Alejandro Inarritu’s latest film, a stream-of-consciousness story where fantasy and reality intermingle in the mind of its protagonist, much like mind and matter did in Birdman, another Inarritu film.

    In Birdman, Riggins (Michael Keaton), a superhero movie star, forsook the money and glory of making Birdman IV for the dubious honor of presenting a Raymond Carver story on stage in a New York that seemed to ignore and despise him. (more…)

  • November 7, 2022 Steven Clark

    Johnny Whistletrigger
    Music of the Civil War in Missouri

    3,718 words

    “I’ve just got a new record of Civil War music,” my brother recently bragged over the telephone.

    He wanted some snappy tunes to listen to, and mentioned that the Nazi marches he is so fond of have been banned from YouTube. “I’ve discovered Italian Fascist marches,” he said. “They’re very melodic and . . . so operatic.” He referred to a long-ago record cover. “They’re so warm.” (more…)

  • October 6, 2022 Steven Clark 1 comment

    See How They Run

    1,690 words

    It seems ironic that Tom George’s 2022 film See How They Run was released in England a day before Queen Elizabeth’s death. The film, a whodunit that follows the genre’s steps like following footprints in the snow, wants to be funny and breathe life into the old form. But, like recent events with the monarchy, this film is a kind of death watch on England and English culture, especially that middlebrow artifact known as the murder mystery. (more…)

  • September 29, 2022 Steven Clark 5 comments

    Jesse James: Last Rebel of the Civil War

    4,125 words

    Jesse James was a man
    He was known throughout the land
    He was bold, he was bad, but he was brave;
    But that dirty little coward
    That shot down Mr. Howard
    Has gone and laid poor Jesse in his grave . . .

    T. J. Stiles
    Jesse James: Last Rebel of the Civil War
    New York: Chelsea House, 1993 (more…)

  • September 23, 2022 Steven Clark 1 comment

    Decision Before Dawn:
    The Good German

    3,266 words

    I first saw Decision Before Dawn on TV in the mid-sixties on Saturday Night at the Movies, seemingly banal filler that offered a surprisingly good row of early fifties movies such as The Big Carnival (previously reviewed by me), The Desert Fox, and others that were gritty, blunt, and full of Cinéma vérité. This one always stuck with me, and I recently saw it again on YouTube.

    What sticks? The realistic setting of this 1951 film in a battered Germany during the Second World War holding off the inevitable, and the strong performance of Oskar Werner as Corporal Mauer, a POW who is convinced by the Americans to go back into Germany on a mission that could supposedly end the war (don’t they all?). (more…)

1 2 3 … 5 Next›
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