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The Austrian band Der Blutharsch will certainly be familiar to Counter-Currents readers, whether through their neofolk influences, distinctive music, or musical collaborations. The latter include their 2003 split album with the classic Italian fascist rock band Zetazeroalfa, and their 2008 split album with the Italian experimental nationalist band Sottofasciasemplice. (more…)
2,656 words
Right-wing music: Is there such a thing? Dissident rock, anyone? I imagine our enemies picture us sitting around all day thumbing through our well-read copies of Mein Kampf and listening to Wagner, Joy Division, and the “Horst Wessel” song — sort of Reich ‘n’ roll. But, as with the rest of culture, I have found that people on the Right tend to listen to music they instinctively enjoy, rather than what their ideological commissars tell them they may listen to. (more…)
Album art from Kvitravn by Wardruna, showing the band’s rune-based logo.
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Norwegian folk group Wardruna released their fifth album, Kvitravn, in January of this year. The band is an impressive example of prominent white Europeans embracing aspects of their own traditional culture. As the band puts it, they are “dedicated to creating musical renditions of ancient Norse and Nordic traditions.” (more…)
Van Morrison
1,600 words
The new groups are not concerned
With what there is to be learned.
They got Burton suits. Ha!
You think it’s funny?
Turning rebellion into money. — The Clash, “White Man in Hammersmith Palais”
Is it not wonderful to see Britain still shining as a beacon of youthful rock ‘n’ roll rebellion, with bands telling it like it is and generally sticking it to The Man? Oh, wait. My mistake. I was thinking of 1979. (more…)
3,253 words
Who are the greatest underachievers in music history? A few names come to mind. Of course, you have The Sex Pistols, who became a national cultural phenomenon in Britain and then broke up after one album. The Stone Roses are also strong contenders for the cup. Their earth-shattering 1989 debut album regularly shows up on Greatest Albums Ever lists (in 2000, NME placed it #1). When their sophomore effort finally emerged five years later in an entirely changed musical landscape, The Roses had transformed into banal Led Zeppelin clones before imploding with a most undignified whimper. (more…)
Laure LePrunenec performing live with Igorrr.
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Laure LePrunenec is one of the most impressive artists in any genre in the past 15 years. The classically-trained French singer is known for her work with several bands including the avant-garde metal group Öxxö Xööx, the difficult-to-classify Igorrr, and Corpo-Mente. The latter two are collaborations with fellow French musician Gautier Serre and others, and she has also released two very interesting solo albums under the name Rïcïnn. (more…)
Nick Holmes, singer/songwriter for Paradise Lost.
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For many rock musicians, the quality of their output tends to go downhill for good after a certain point. It is not clear whether this is due to age, or whether there is a limit on how many good original ideas one person can produce, but in any case, Paradise Lost is an interesting exception to this trend. Singer and songwriter Nick Holmes was 46 years old when the band’s 15th album was released, and it is their best work yet. (more…)
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Mara Ros is a vocalist from Spain, someone whose heart is in the right place. She doesn’t have a public presence, which may well be sensible after their government has become increasingly globalist. I’ll assume that she’s a very private person, so I won’t speak of what little I do know about her. (more…)
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Modest Mouse was formed in Issaquah, Washington, in the year 1992. Issaquah was formerly a sleepy community removed from the sprawl of the Seattle metropolitan area, but is now another far-flung bedroom town swallowed whole by the Microsoft and later Amazon-centered tech boom and its ensuing concreting of the Puget Sound (more…)
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Kid A belongs on an end-times list of anti-modern records. How is that possible? Radiohead is, by any measure, one of the most successful recording groups in the world and also one of the most reliable when it comes to mainstreaming alternative and experimental music. Does it make sense to call a record like this one (more…)
Hollósy Simon, Zrínyi’s Charge on the Turks from the Fortress of Szigetvár, 1896.
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Nikola Šubić Zrinski is an opera written in 1876 by Croatian composer Ivan Zajc that retells the Siege of Szigetvár. It is Zajc’s most accomplished work and is considered the national opera of Croatia. An excellent recording of the opera was released in late July featuring the Rijeka Symphony Orchestra (more…)
