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Part 1 of 2 (Part 2 here)
The following is a transcript of Charles Krafft‘s interview with Tim Murdock, aka Horus the Avenger, on EndGame Exotica at White Rabbit Radio. The interview was originally broadcast on January 30, 2015. We would like to thank Hyacinth Bouquet for the transcript. (more…)
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Much could be said about Laibach (and has been, here at Counter-Currents). The name is the German form of Ljubljana, Slovenia’s capital city. The language choice references their Austro-Hungarian past, and depending on who you ask, maybe some other era, too. Their sound is one of a kind, as unique as that of Laure LePrunenec. Laibach is best described as an industrial band with heavy martial and totalitarian influences. One notable characteristic of their unique presentation is walking a tightrope between fascist aesthetics and socialist realism. (more…)
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Rammstein was formed in 1994 in Berlin by six men who were originally from East Germany. Their name came from the 1988 Ramstein air show disaster. They created a new musical genre called Neue Deutsche Härte (New German Hard Rock), which was basically a combination of hard rock with elements of techno. (more…)
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Editor’s note: This is the transcript of Charles Krafft’s talk at the 2015 London Forum, November 27, 2015. We wish to thank Buttercup Dew for finding a copy of this video after it had been deleted from YouTube and Hyacinth Bouquet for the transcription. (more…)
Charles Krafft, “Von Dutch” windmills
Charles Krafft, “Von Dutch” windmills
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Editor’s note: The following is the transcript of Charles Krafft’s appearance on Counter-Currents Radio, no. 38.
GJ: I’m Greg Johnson, welcome to Counter-Currents Radio. My guest today is Seattle artist Charles Krafft. Charlie, welcome back to Counter-Currents Radio.
CK: Thank you, Greg. Good to be back. (more…)
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On the Counter-Currents Radio fundraiser livestream for July 26th, 2020, Greg Johnson is joined by special guest Morgoth to discuss culture, nostalgia, individualism, music, television, and the End of History. (more…)
3,128 words / 20:43
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When I discovered that the Slovene fascist/Communist/anarchist (depending on who you ask) band and art project Laibach was going to be performing in Slovenia’s capital, Ljubljana – which, until a century ago, was known by its German name of Laibach – on September 7 with the Lviv Philharmonic Orchestra, as a longtime devotee, I knew I had to be there. (more…)
Laibach in Trbovlje, October 29, 2017.
Laibach in Trbovlje, October 29, 2017.
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When I’ve tried to describe Laibach to the uninitiated, the best analogy I’ve come up with is, “Laibach is what would emerge if you were to take a group of industrial musicians and a group of political scientists and lock them in a gallery containing nothing but fascist, Communist, and modernist art for a year and then released them.” (more…)
458 words / 58:49
Audio version: To listen in a player, use the one above or click here. To download the mp3, right-click here and choose “save link as” or “save target as.” To subscribe to the CC podcast RSS feed, click here.
Greg Johnson, John Morgan, and Michael Polignano reconvene for a new weekly Counter-Currents Radio podcast. This week, we discuss last weekend’s White Lives Matter rally in Shelbyville and John and Mike’s recent visit to Slovenia. (more…)
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Whenever a person of any prominence expresses interest in or agreement with tabooed ideas like White Nationalism, anti-Semitism, or Holocaust revisionism, the standard Judeo-Leftist strategy is to destroy him socially and economically — unless, of course, there are no legal barriers to outright murder. (more…)
