713 words
“A slave is one who waits for someone else to free him.” — Ezra Pound
One of the ongoing projects of the North American New Right is the recovery of our tradition. One does not have to go too far back before one discovers that every great European thinker and artist is a “Right Wing extremist” by today’s standards.
1,492 words
Sometimes the myths and legends of a person overshadow their real characteristics. Yet both aspects are important. Without the real-life person and his actions, the myths and legends of that person would never be created. (more…)
707 words
“A slave is one who waits for someone else to free him.” — Ezra Pound
One of the ongoing projects of the North American New Right is the recovery of our tradition. One does not have to go too far back before one discovers that every great European thinker and artist is a “Right Wing extremist” by today’s standards.
985 words
Ezra Pound’s Guide to Kulchur (1938) is one of those unfortunate great books (think Spengler’s Decline of the West and any book by Henry Adams) that is often mentioned but seldom read. The book was meant as a guide to the essential philosophy, art, economics, history, and ethics from Confucius to the 20th century as uniquely interpreted by Pound.
This and the ABC of Reading (1934) constituted the core texts of the “Ezra-versity,” the informal seminars that Pound held before World War II for those acolytes who came to visit him in Rapallo, Italy. (more…)
702 words
“A slave is one who waits for someone else to free him.” — Ezra Pound
One of the ongoing projects of the North American New Right is the recovery of our tradition. One does not have to go too far back before one discovers that every great European thinker and artist is a “Right Wing extremist” by today’s standards.
2,381 words
The following is the text of a talk given in London on May 27, 2018 at The Poet at War, an event convened by Vortex Londinium.
“We want an European religion. Christianity is verminous with semitic infections. What we really believe is the pre-Christian element which Christianity has not stamped out . . .”[1] (more…)
1,092 words
Ezra Pound: “Make it new!”
The great monologist Jean Shepherd used to remark, “In four thousand years, no one will know that you ever existed.” This statement is shocking for modern man, who — while not believing in an immortal soul — is convinced that technological advances will soon grant immortality to his physical being. Mortality might come as a shock to deracinated modern man — who is never more than a few feet away from a hand sanitizer or a “safe zone” to protect him from the challenges of bacteria or differing opinions — yet this was not always the case. (more…)
698 words
“A slave is one who waits for someone else to free him.” — Ezra Pound
One of the ongoing projects of the North American New Right is the recovery of our tradition. One does not have to go too far back before one discovers that every great European thinker and artist is a “Right Wing extremist” by today’s standards.
What is even more remarkable is the number of great 20th century figures who belong in our camp as well. (more…)
Jean-Simon Berthélemy, Prometheus Creating Man in the Presence of Athena, 1802
3,561 words
Jason Reza Jorjani
Prometheus and Atlas
London: Arktos Media, 2016
Editor’s Note: Andrew O’Donnell is a poet, writer, editor, and teacher. He edits his own poetry and metaphysical journal named The Fiend.
Prometheus. . . . Know ye not me,
The Titan? He who made his agony (more…)
1,971 words
Ezra Pound
Jefferson and/or Mussolini
London: Stanley Nott Ltd., 1935
Ezra Pound liked his books charged with meaning. “Man reading should be man intensely alive. The book should be a ball of light in one’s hand,” he wrote in his Guide to Kulchur, another one of his, shall we say, B-Sides.
691 words
“A slave is one who waits for someone else to free him.” — Ezra Pound
One of the ongoing projects of the North American New Right is the recovery of our tradition. One does not have to go too far back before one discovers that every great European thinker and artist is a “Right Wing extremist” by today’s standards.
What is even more remarkable is the number of great 20th century figures who belong in our camp as well. (more…)
691 words
“A slave is one who waits for someone else to free him.” — Ezra Pound
One of the ongoing projects of the North American New Right is the recovery of our tradition. One does not have to go too far back before one discovers that every great European thinker and artist is a “Right Wing extremist” by today’s standards.
What is even more remarkable is the number of great 20th century figures who belong in our camp as well. (more…)
5 830 думи
English original here
Бележка на редактора:
Като възпоменание по повод смъртта на Езра Паунд на 1-ви ноември, 1972 г., ние публикуваме глава 7 от “Artists of the Right: Resisting Decadence“ на Кери Болтън, публикувана от Counter-Currents.
“Роб е този, който чака някой друг да го освободи.”—Езра Паунд[1] (more…)
4,584 words
Part 2 of 2
An Unexpected Party
The Fortean Society was founded on January 26, 1931, with a great fanfare of sounding brasses, tinkling cymbals, after-dinner speeches, and press releases. Thereafter the Society did practically nothing for six years.
T.T. with Pet Python, 1930
Circus Day Was Not Yet Over
2,062 words
Part 1 of 2
An unlikely linchpin of Postwar America’s Far Right was a slick-haired, grinning ad copywriter and ex-actor with the mad moniker of Tiffany Thayer (1902-1959). Thayer earned a handsome pile as scribe of radio jingles (Pall Mall cigarettes) and “meretricious bestsellers” (Time, May 26, 1956)—quite enough for an apartment on swank Sutton Place and a summer house on not-yet-swank Nantucket—but his most enduring legacy was likely his Fortean Society, (more…)
1,277 words
Editor’s Note:
I am reprinting Colin Liddell’s 2011 interview with CasaPound’s Gianluca Iannone because it has many things to teach our readers, particularly in North America, about metapolitics.
Henry Williamson
2,566 words
A talk by Adrian Davies to the Traditional Britain Group on October 18th, 2014
This morning I shall talk to you about differing perspectives upon the involvement of artists and writers in politics in France and England. Why France and England? Partly because it is necessary to keep this talk in some bounds, partly because I know a little more about the relationship between high culture and low politics in France than in Germany or Italy or Spain, and will stick to what I know, often a prudent course. (more…)
3,813 words
English original here
Kerry Bolton
The Banking Swindle: Money Creation and the State
[L’arnaque du système bancaire : la création d’argent et l’Etat]
London: Black House Publishing, 2013
Le livre de Kerry Bolton, The Banking Swindle, est une excellente introduction à la vision économique de la vraie Droite, qui s’oppose aux forces de l’usure. (more…)
382 words
LOQUITUR: En Bertrans de Born.
Dante Alighieri put this man in hell for that he was a stirrer up of strife.
(more…)
691 words
“A slave is one who waits for someone else to free him.” — Ezra Pound
One of the ongoing projects of the North American New Right is the recovery of our tradition. One does not have to go too far back before one discovers that every great European thinker and artist is a “Right Wing extremist” by today’s standards.
What is even more remarkable is the number of great 20th century figures who belong in our camp as well. (more…)
3,397 words
French translation here
Kerry Bolton
The Banking Swindle: Money Creation and the State
London: Black House Publishing, 2013
Kerry Bolton’s The Banking Swindle is a great introduction to the economics of the true Right, which aligns itself against the forces of usury. The topic of economics is quite neglected in the discourse of the modern Right, especially in the Anglosphere. (more…)
1,645 words
Robert Casillo
The Genealogy of Demons: Anti-Semitism, Fascism, and the Myths of Ezra Pound
Evanston, Ill: Northwestern University Press, 1988.
Robert Casillo’s The Genealogy of Demons is unique in Pound studies because the explicit purpose of it is to give critical insight into Pound’s anti-Semitism, and it accomplishes this by way of multiple techniques, which it must employ, because Pound’s anti-Semitism is prismatic. (more…)
8,814 words
Editor’s Note:
The following text is a transcript by D.B. of Jonathan Bowden’s lecture to the 33rd New Right meeting in London on June 11, 2011. In editing this transcription, I introduced punctuation and paragraph breaks. I also deleted a couple of false starts, added the first names of some figures, and included full correct versions of the poems read. You can view the lecture at YouTube here. (more…)
9,093 words
Editor’s Note:
The following text is a transcript by V. S. of Jonathan Bowden’s lecture on Wyndham Lewis which was delivered to the 8th New Right meeting in London on May 28, 2006. There are a number of passages marked unintelligible. These passages appear in the recording at 4:00, 34:21, 40:12, 41:52, and 46:28. (You can listen to the lecture using the player below or by downloading the lecture.) If you can understand these words, please post a comment below.
The rarely-photographed Harald Keith Thompson, Jr. in 1954
10,255 words
Editor’s Note:
The following interview with H. Keith Thompson is based upon a typewritten transcription of the the original taped interview. Unless otherwise noted, additions in square brackets are in the typescript as well. There are also a number of hand-written corrections and additions on the typescript. Since the typescript was seen by Thompson, I am assuming that either he made these corrections himself or at least approved of them, so I have incorporated them where legible. For more on Thompson’s life and work, see Kerry Bolton’s excellent essay “H. Keith Thompson, Jr.“
6,724 words
English original here
Wyndham Lewis, 1882 – 1957
Corrigé 22 novembre 2011
Note du Rédacteur:
Cette version très enrichie d’un essai précédemment publié sur Wyndham Lewis est le chapitre 8 du livre de Kerry Bolton, Artists of the Right: Resisting Decadence, [Artistes de la Droite : Résister à la Décadence] qui devrait être publié prochainement par Counter-Currents.
