Tag: anti-modernism

1,139 words

I would like to introduce the Italian neofolk band Ianva (translated as Genoa) and their album La Mano di Gloria. Ianva started playing around 2003, bringing together different musical styles such as classical music, weird-sounding gothic, progressive rock, Black Metal, and music from the 1920s and ’30s. (more…)

All the rage in L.A.

6,994 words

English original here

Μετάφραση: Λόενγκριν

1. Εισαγωγή

Οι ανήκοντες στη Νέα Δεξιά συνδέονται εν μέρει μέσω κοινών πνευματικών ενδιαφερόντων. Στον κατάλογό μου αυτών των ενδιαφερόντων θα κατέτασσα σε υψηλή θέση τα έργα του Μάρτιν Χάιντεγγερ  και εκείνα της Παραδοσιοκρατικής [1] [2] σχολής , ειδικά του Ρενέ Γκενόν και του Ιουλίου Έβολα. Η δική μου δουλειά επηρεάστηκε σε μεγάλο βαθμό τόσο από τον Χάιντεγγερ όσο και από την Παραδοσιοκρατία. (more…)

Mr. Gurdjieff

7,589 words

George Ivanovich Gurdjieff was born on this day in 1866, 1872, or 1877 — depending on whom you ask. [1] Much else about his biography is equally uncertain. We do know that his father was Greek, his mother Armenian, and that he was born in Alexandropol which was then part of the Russian Empire (it is now in Armenia and is called Gyumri). (more…)

Plato and Aristotle, detail from Raphael’s The School of Athens, 1510-1511.

8,701 words

1. Introduction

In my essay “Heidegger Against the Traditionalists,” I sketched a critique of Guénon and Evola from a Heideggerian perspective. Although I raised several objections to Traditionalism, the crucial one was this: Guénon and Evola are thoroughly (and uncritically) invested in the Western metaphysical tradition.  According to Heidegger, however, it is precisely the Western metaphysical tradition that is responsible for all the modern ills decried by the Traditionalists. (more…)

6,918 words

Greek version here

1. Introduction

Those on the New Right are bound together partly by shared intellectual interests. Ranking very high indeed on any list of those interests would be the works of Martin Heidegger and those of the Traditionalist [1] school, especially René Guénon and Julius Evola. My own work has been heavily influenced by both Heidegger and Traditionalism. (more…)

1,182 words

Rome is the project of Luxembourgish multi-instrumentalist Jerome Reuter. Genre-wise, one could call Rome “neofolk,” if one assumes that “neofolk” as a genre simply describes reedy guitars and deliberately vague attempts at mysticism. That describes the music of Rome to a T, a project that attempts to synthesize the often-complicated (more…)

Gertrude Stein.

6,991 words

Barbara Will
Unlikely Collaboration: Gertrude Stein, Bernard Faÿ, and the Vichy Dilemma (Gender and Culture Series)
New York City: Columbia University Press, 2011

The joy of the body, the most honorable and fecund joy of all, reign[s] in America.

— Bernard Faÿ (more…)

2,550 words / 15:56

Part 1 of 2 (Part 2 here)

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Some friends recently asked me to draw up a list of a few films that have made a lasting impression on me, aesthetically, emotionally, intellectually, or however, over the course of my life thus far. (more…)

159 words / 1:25:24

In the latest installment of Guide to Kulchur, Fróði Midjord and John Morgan discuss Andrei Tarkovsky’s Russian science fiction classic, Stalker, which is about three men living in an industrial wasteland who venture into a Zone that was left on Earth by mysterious extraterrestrials, a wilderness filled with deadly traps, at the center of which is a room that grants the innermost desires of anyone who enters. The duo discuss the film both as an allegory of a spiritual quest as well as an indictment of modernity. (more…)

Percy Grainger, 1882–1961

2,413 words

Percy Grainger was a polymath: a pianist, composer, conductor, ethnomusicologist, inventor, artist, polyglot, and man of letters. He was one of the most celebrated pianist-composers of the early twentieth century. His work and writings reflect a worldview marked by both racial consciousness and an opposition to modernity that coexisted alongside radical artistic modernism.  (more…)

1,963 words

There are two purposes for this article. The first is to introduce the ideas of Nicolás Gómez Dávila to the English-speaking American and European Right. The second is to motivate a more profound approach to his works, in their original Spanish editions and in Italian and German translations. (Sadly, the English translation is deficient.)

His Life

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10,723 words

English original here

Thomas Sheehan
Making Sense of Heidegger: A Paradigm Shift
New York: Rowman & Littlefield, 2014

Darle sentido a Heidegger se volvió mucho más fácil.

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