I would like to introduce the Italian neofolk band Ianva (translated as Genoa) and their album La Mano di Gloria. Ianva started playing around 2003, bringing together different musical styles such as classical music, weird-sounding gothic, progressive rock, Black Metal, and music from the 1920s and ’30s. (more…)
Tag: anti-modernism
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April 4, 2022 Ondrej Mann
Ianva, the Kiss of Italian Neofolk
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October 15, 2021 Collin Cleary
Χάιντεγγερ εναντίον Παραδοσιοκρατών
6,994 words
English original here
Μετάφραση: Λόενγκριν
1. Εισαγωγή
Οι ανήκοντες στη Νέα Δεξιά συνδέονται εν μέρει μέσω κοινών πνευματικών ενδιαφερόντων. Στον κατάλογό μου αυτών των ενδιαφερόντων θα κατέτασσα σε υψηλή θέση τα έργα του Μάρτιν Χάιντεγγερ και εκείνα της Παραδοσιοκρατικής [1] [2] σχολής , ειδικά του Ρενέ Γκενόν και του Ιουλίου Έβολα. Η δική μου δουλειά επηρεάστηκε σε μεγάλο βαθμό τόσο από τον Χάιντεγγερ όσο και από την Παραδοσιοκρατία. (more…)
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7,589 words
George Ivanovich Gurdjieff was born on this day in 1866, 1872, or 1877 — depending on whom you ask. [1] Much else about his biography is equally uncertain. We do know that his father was Greek, his mother Armenian, and that he was born in Alexandropol which was then part of the Russian Empire (it is now in Armenia and is called Gyumri). (more…)
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8,701 words
1. Introduction
In my essay “Heidegger Against the Traditionalists,” I sketched a critique of Guénon and Evola from a Heideggerian perspective. Although I raised several objections to Traditionalism, the crucial one was this: Guénon and Evola are thoroughly (and uncritically) invested in the Western metaphysical tradition. According to Heidegger, however, it is precisely the Western metaphysical tradition that is responsible for all the modern ills decried by the Traditionalists. (more…)
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Greek version here
1. Introduction
Those on the New Right are bound together partly by shared intellectual interests. Ranking very high indeed on any list of those interests would be the works of Martin Heidegger and those of the Traditionalist [1] school, especially René Guénon and Julius Evola. My own work has been heavily influenced by both Heidegger and Traditionalism. (more…)
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1,182 words
1,182 words
Rome is the project of Luxembourgish multi-instrumentalist Jerome Reuter. Genre-wise, one could call Rome “neofolk,” if one assumes that “neofolk” as a genre simply describes reedy guitars and deliberately vague attempts at mysticism. That describes the music of Rome to a T, a project that attempts to synthesize the often-complicated (more…)
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Gertrude Stein.
Gertrude Stein.
6,991 words
Barbara Will
Unlikely Collaboration: Gertrude Stein, Bernard Faÿ, and the Vichy Dilemma (Gender and Culture Series)
New York City: Columbia University Press, 2011The joy of the body, the most honorable and fecund joy of all, reign[s] in America.
— Bernard Faÿ (more…)
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Part 1 of 2 (Part 2 here)
To listen in a player, click here. To download the mp3, right-click here and choose “save link as” or “save target as.” To subscribe to the CC podcast RSS feed, click here.
Some friends recently asked me to draw up a list of a few films that have made a lasting impression on me, aesthetically, emotionally, intellectually, or however, over the course of my life thus far. (more…)
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In the latest installment of Guide to Kulchur, Fróði Midjord and John Morgan discuss Andrei Tarkovsky’s Russian science fiction classic, Stalker, which is about three men living in an industrial wasteland who venture into a Zone that was left on Earth by mysterious extraterrestrials, a wilderness filled with deadly traps, at the center of which is a room that grants the innermost desires of anyone who enters. The duo discuss the film both as an allegory of a spiritual quest as well as an indictment of modernity. (more…)
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2,413 words
Percy Grainger was a polymath: a pianist, composer, conductor, ethnomusicologist, inventor, artist, polyglot, and man of letters. He was one of the most celebrated pianist-composers of the early twentieth century. His work and writings reflect a worldview marked by both racial consciousness and an opposition to modernity that coexisted alongside radical artistic modernism. (more…)
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There are two purposes for this article. The first is to introduce the ideas of Nicolás Gómez Dávila to the English-speaking American and European Right. The second is to motivate a more profound approach to his works, in their original Spanish editions and in Italian and German translations. (Sadly, the English translation is deficient.)
His Life
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English original here
Thomas Sheehan
Making Sense of Heidegger: A Paradigm Shift
New York: Rowman & Littlefield, 2014Darle sentido a Heidegger se volvió mucho más fácil.