2,049 words
Part 3 of 7 (Full series here.)
To return to Bosch & his tableaux of the end of the world — namely, The Last Judgement — one sees the guitar playing ape — the mammalian sentinel in the foreground — ahead of the picture — abreast of these developments — abandoned of an arrested fate: shirking his duty: not to be foretold — an unhallowed promontory of Hell-cat witches — the Christian Agape reversed and stood upon its head — with a fellow mammalian excrescence — not a lion or a sheep — a beast of God — staring at the ground — the sub-text of the picture — its border and foreground — tucked away in the corner. (more…)












