118 words / 57:22
Greg Johnson welcomed Alexander Adams (WordPress, Substack), author of the recently-published book from Imperium Press Blood, Soil, Paint, to the latest broadcast of Counter-Currents Radio, where they discussed Romanticism and modern art. It is now available for download and online listening. (more…)
A self-portrait by Flemish painter Anthony van Dyck (1599-1641), whose work has been deemed too beautiful by the National Museum of Wales such that cardboard boxes have now been placed in front of it.
A self-portrait by Flemish painter Anthony van Dyck (1599-1641), whose work has been deemed too beautiful by the National Museum of Wales such that cardboard boxes have now been placed in front of it.
2,418 words
Royal Air Farce
As seasoned military historians will know, many of Britain’s Royal Air Force (RAF) pilots during the Second World War were Polish. Today, however, those plucky air aces from a country that historically has been more warred against than warlike (and so know how to defend like furies) would find no place for them in the RAF, and they would be unlikely to get their wings not because of any aerial incapacity, but because they are the wrong color. (more…)
You can buy Christopher Pankhurst’s Numinous Machines here.
You can buy Christopher Pankhurst’s Numinous Machines here.
2,455 words
Christopher Pankhurst
Numinous Machines
San Francisco, Calif.: Counter-Currents Publishing, 2017
Whenever I read a book with the intention of writing a review, I like to underline certain passages as well as jot notes in the margins. This quickly became an untenable approach for Christopher Pankhurst’s Numinous Machines, as there was simply too much to pull from the text. The book is a collection of essays that seeks out the numinous spirit in arts and culture in an era that is devoid of almost anything vital whatsoever. (more…)
Salvador Dalí, Perpignan Train Station
Salvador Dalí, Perpignan Train Station
5,557 words
Part 3 of 3 (Part 1 here, Part 2 here)
With Young Virgin Auto-Sodomized by Her Own Chastity, Dalí returned to his paranoiac-critical concerns (i.e., autoeroticism), but now transformed. The paranoiac origin is Dalí’s obsession with Vermeer’s The Lacemaker, which in turn he believed to “consist” in rhinoceroses’ horns. (more…)
Salvador Dalí, The Persistence of Memory
Salvador Dalí, The Persistence of Memory
5,672 words
Part 2 of 3 (Part 1 here, Part 3 here)
This excursus has prematurely broached The Gala Situation, so let’s go back to where we started, with Dalí beginning to apply his method: “For the next few years Dalí’s paranoiac process remained preoccupied with fetishist obsessions, including masturbation and his fear of heterosexual sex.”[1] (more…)
6,241 words
Part 1 of 3 (Part 2 here)
Christopher Heath Brown, Jean-Pierre Isbouts
The Dalí Legacy: How an Eccentric Genius Changed the Art World and Created a Lasting Legacy
Apollo Publishers, 2021
“The only difference between me and the Surrealists is that I am a Surrealist.” — Salvador Dalí (more…)
Marinetti in the First World War.
Marinetti in the First World War.
176 words
Those on the Right who believe that modern art is always “decadent” need to come to grips with Italian Futurism. In commemoration of the birthday of Filippo Marinetti, the founder of Italian Futurism and one of the prophets of Fascism, I would like to draw your attention to several writings on this website.
By Marinetti:
4,116 words
Visiting an art gallery in Washington, DC long ago, I gazed at amorphous shapes for a good while. Some abstract art is good, speaking directly to the subconscious mind, but this stuff just wasn’t doing it for me. The only message I got out of it was a mild scolding from my superego about wasting a few bucks. However, one exhibit in the entire exhibit actually looked like something. That’s probably the reason why it’s the only item I remember. In fact, it was obvious that some effort went into making it, setting it apart from much of the other Entartete Kunst. (more…)
Marcel Duchamp, Mona Lisa with Moustache, 1919.
Marcel Duchamp, Mona Lisa with Moustache, 1919.
5,752 words
I’m a recent transplant in this city. And as far as cities go, this one isn’t terrible. We live just over the hill from Erie, one of those giant inland seas carved from North America’s heartland, and it’s like having our own, muted stretch of coast for the quiet. (more…)
Marinetti in the First World War.
Marinetti in the First World War.
176 words
Those on the Right who believe that modern art is always “decadent” need to come to grips with Italian Futurism. In commemoration of the birthday of Filippo Marinetti, the founder of Italian Futurism and one of the prophets of Fascism, I would like to draw your attention to several writings on this website.
By Marinetti:
5,798 words
5,798 words
Editor’s note: The following is the transcript of Charles Krafft’s speech at the Inaugural Meeting of the Northwest Forum in Seattle on November 12, 2016. (more…)
The Contemporary Art Museum of Estonia (EKKM), Tallin, Estonia
The Contemporary Art Museum of Estonia (EKKM), Tallin, Estonia
1,615 words
When You Say
We Belong to the Light
We Belong to the Thunder
July–October 2019
First of all, the actual building and location of the Contemporary Art Museum of Estonia has a great, youthful, Do-It-Yourself aesthetic. It’s informally known as the EKKM (cool). Its entrance is a dirt trail (keeps the art snobs away). It’s located in a small cluster of falling down Communist-era factory buildings (awesome). (more…)
Marinetti in the First World War.
Marinetti in the First World War.
173 words
Those on the Right who believe that modern art is always “decadent” need to come to grips with Italian Futurism. In commemoration of the birthday of Filippo Marinetti, the founder of Italian Futurism and one of the prophets of Fascism, I would like to draw your attention to several writings on this Website.
1. Marinetti’s own “Futurist Manifesto” of 1909.
2. Kerry Bolton’s essay “Filippo Marinetti,” which has also been published in his book Artists of the Right: Resisting Decadence. (Portuguese translation here.)