Visiting an art gallery in Washington, DC long ago, I gazed at amorphous shapes for a good while. Some abstract art is good, speaking directly to the subconscious mind, but this stuff just wasn’t doing it for me. The only message I got out of it was a mild scolding from my superego about wasting a few bucks. However, one exhibit in the entire exhibit actually looked like something. That’s probably the reason why it’s the only item I remember. In fact, it was obvious that some effort went into making it, setting it apart from much of the other Entartete Kunst.(more…)
I’m a recent transplant in this city. And as far as cities go, this one isn’t terrible. We live just over the hill from Erie, one of those giant inland seas carved from North America’s heartland, and it’s like having our own, muted stretch of coast for the quiet. (more…)
Those on the Right who believe that modern art is always “decadent” need to come to grips with Italian Futurism. In commemoration of the birthday of Filippo Marinetti, the founder of Italian Futurism and one of the prophets of Fascism, I would like to draw your attention to several writings on this website.
Editor’s note: The following is the transcript of Charles Krafft’s speech at the Inaugural Meeting of the Northwest Forum in Seattle on November 12, 2016. (more…)
The Contemporary Art Museum of Estonia (EKKM), Tallin, Estonia
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When You Say
We Belong to the Light
We Belong to the Thunder
July–October 2019
First of all, the actual building and location of the Contemporary Art Museum of Estonia has a great, youthful, Do-It-Yourself aesthetic. It’s informally known as the EKKM (cool). Its entrance is a dirt trail (keeps the art snobs away). It’s located in a small cluster of falling down Communist-era factory buildings (awesome). (more…)
Those on the Right who believe that modern art is always “decadent” need to come to grips with Italian Futurism. In commemoration of the birthday of Filippo Marinetti, the founder of Italian Futurism and one of the prophets of Fascism, I would like to draw your attention to several writings on this Website.
Counter-Currents Book Editor John Morgan joins Fróði Midjord on the new podcast series, Guide to Kulchur, to discuss The Square, a recent Swedish film (available in English) which mocks and critiques the intensely politically-correct culture of modern-day Sweden. The film depicts the director of a modern art museum in Stockholm whose pride in his liberal beliefs is challenged when his wallet and phone are stolen, and he is forced to venture into an immigrant area in order to attempt to retrieve them.
Nietzsche was a seminal influence on the brothers Norman and Lionel Lindsay, as he was on many other contemporary aesthetes, artists, and literati of the Right, including their fellow Australian, P. R. Stephensen, who was cured of his Communism at Oxford by the Philosopher.[1] When Stephensen returned to Australia, after a publishing venture in Britain, he did so as an avid Australian nationalist, and soon as an “Australian National Socialist,” (more…)
Otto Dix was a German artist who is now celebrated as one of the great painters of the twentieth century, probably in no small part because he was put on the National Socialists’ list of degenerate artists, as, to the unthinking postmodern Left, anything the National Socialists hated is automatically considered good. Equally though, the postmodern cultureless cartoon Nazis of today’s corrupted Right consider him a degenerate artist also simply because his artworks were deemed Entartete Kunst by the NSDAP. (more…)
In 1683 the troops of the Ottoman Empire marched to the gates of Vienna, in the very heart of Europe. Their intention was clear: sack the city, rape and kill the inhabitants, and use it as a staging base for their expansion into the rest of Christendom. Although the Poles under John III Sobieski saved the day, (more…)
For the love of money is the root of all evil: which while some coveted after, they have erred from the faith, and pierced themselves through with many sorrows.
–1 Timothy 6:10 (KJV) (more…)
Many readers will be familiar with John David Ebert from his excellent podcast (with Darryl D. Cooper), Decline of the West. In an early episode of the show, Ebert called the US presidential election for Trump even before Trump had won the Republican nomination. (more…)
Austrian arthouse film Egon Schiele: Tod und Mädchen is perhaps most disappointing in that Egon Schiele led a very interesting life, yet the scriptwriter Hilde Berger and director Dieter Berner have succeeded in making it appear rather dull, in the same way as Mike Leigh served up a snore-fest about J. M. W. Turner a couple of years ago. Perhaps the two most interesting aspects of Schiele’s life, his trial for pedophilia and his experiences in the First World War, are completely glossed over (more…)
Since Hillary Clinton’s mention of the Alternative Right in one of her speeches, there have been countless discussions about what the Alt Right is and represents, with everyone and anyone, no matter how inappropriate, suddenly declaring they are part of the Alt Right. I think it is quite easy to define what the Alt Right is: it is the postmodern manifestation of what Julius Evola termed the True Right. (more…)
Last Saturday night in Manhattan, a few good shitlords made art history. At the “Daddy Will Save Us” art show, event organizer Lucian Wintrich stated that this was “the first conservative art show in America.” But there really wasn’t anything typically “conservative” about this event — rather, it was the most radically avant-garde art show possible in The Current Year. If this was conservatism, it was revolutionary conservatism. (more…)
Francis Bacon was an extraordinary and extreme artist and one of the greatest painters of the twentieth century. He was also a Right-wing elitist and individualist who approached the problem of creating art in the twentieth century with an honesty and intensity that have not really been matched. Generally speaking, it is probably true to say that most of the Right dismiss Bacon along with other contemporary artists mainly because of his unique treatment of the human form. But in my view his art enunciates a violent assault on the complacency of conventional thinking and perception that should be seen as deeply consonant with the project of the Alt Right. (more…)
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John Morgan of Arktos joins Greg Johnson to interview David Yorkshire, editor of Mjolnir Magazine, a print journal dedicated to cultivating artistic creativity from a European identitarian perspective. (more…)
Oswald Spengler’s radical contribution to the philosophy of history was to observe that different Cultures and Civilizations are discrete life forms and that they all have a certain life-expectancy. The linear progression of history, from the Stone Age to the prevailing Western liberalism, is a myth. There is no single line of history running through all of humanity. Instead, Cultures are born, they grow to maturity, they age, and they die. (more…)
Damien Hirst’s The Physical Impossibility of Death in the Mind of Someone Living
Editor’s Note:
This is the transcript by V. S. of the audio of Jonathan Bowden’s short film Against the Turner Prize. Unfortunately, only the audio is available on YouTube. If anyone has access to the video version, please contact me at [email protected]. Bowden talks about 25 illustrations. Without the video, however, I have had to try to provide new illustrations based on Bowden’s descriptions, frequently without success. (more…)
Those on the Right who believe that modern art is always “decadent” need to come to grips with Italian Futurism. In commemoration of the birthday of Filippo Marinetti, the founder of Italian Futurism and one of the prophets of Fascism, I would like to draw your attention to several writings on this website.
The English sculptor Andy Goldsworthy is a practitioner of Land art, a practice that seeks to create art from natural materials and settings. Other practitioners of Land art include Richard Long, Robert Smithson, and David Nash. Whilst there is this common element of setting art in (or creating it from) the landscape, there is also a particularly striking quality to Andy Goldsworthy’s work that sets him apart from other Land artists. In short, this particular quality of his work might be termed sacred or numinous. For this reason he is both lauded as a contemporary shaman and derided as a twee pastoralist. Neither extremity really reveals much about Goldsworthy’s art. (more…)
My very first question to him, a living, breathing, Beatnik legend in the flesh was . . . “Tell me about magick?” William was not in the least surprised by my question. “Care for a drink?” he asked. Putting on the TV to watch The Man from U.N.C.L.E., he explained “Reality is not really all it’s cracked up to be, you know . . .”—Genesis P-Orridge (more…)
Part 1 of this article explained how the line between the domain of the religion and culture of Europe and the degenerate art of our invaders has been dramatically crossed after years of stability. (more…)
Jeff Koons’ Balloon Dog at Versailles, Property of François Pinault
For most of my lifetime, the visual culture of France was not in dispute. It is not like in the United States, where nativity scenes were only recently ripped from the public square. Perhaps there was not a mutually accepted border, but for decades there has been a kind of line of control between all that was rooted in our culture and traditions and all garbage of the culture distorters. (more…)
Prampolini’s portrait of Filippo Marinetti, 1876-1944
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Those on the Right who believe that modern art is always “decadent” need to come to grips with Italian Futurism. In commemoration of the birthday of Filippo Marinetti, the founder of Italian Futurism and one of the prophets of Fascism, I would like to draw your attention to several writings on this website.
In the month of August the American press turned its spotlight on the suffering of two women. The attention they were given did not correspond to the depth of tragedy of each but rather to the priorities of the parasites occupying the positions of power.
Given my interests in topics covered in my Nietzsche’s Coming God book review, as well as my Overman High Culture essay, I thought it useful to take a look at Daniel Forrest’s new book, Suprahumanism.
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