Tag: Christopher Pankhurst

Levicová politika jako dobrovolná komodifikace lidské identity – zcela v souladu se zájmy kapitálu.

1.875 slov

English original here

Snad jedině slepec by si nevšiml, jak se současná levice svými stále nesmyslnějšími a nesrozumitelnými formami protestu odcizuje vlastním potenciálním voličům takřka spektakulárně. Jistě, halasně odsuzují Trumpa coby fašistu a Brexit jako projev jakéhosi ur-nacionalismu, ale jakou se doopravdy pokoušejí předložit alternativu? (more…)

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After reading Doug Huntington’s insightful review of It Follows, David Robert Mitchell’s excellent horror film, I watched the movie for the first time. Set in Detroit, its austere, derelict cityscape was an eerie amalgam of crumbling industry and disused grandeur which was juxtaposed with a near-idyllic white suburbia.

Detroit’s dark inner-city denizens, distant shambling creatures, are relegated to the background; they are viewed in passing from afar by the film’s main characters as they drive into the city in search of answers. (more…)

You can buy Christopher Pankhurst’s Numinous Machines here.

2,455 words

Christopher Pankhurst
Numinous Machines
San Francisco, Calif.: Counter-Currents Publishing, 2017

Whenever I read a book with the intention of writing a review, I like to underline certain passages as well as jot notes in the margins. This quickly became an untenable approach for Christopher Pankhurst’s Numinous Machines, as there was simply too much to pull from the text. The book is a collection of essays that seeks out the numinous spirit in arts and culture in an era that is devoid of almost anything vital whatsoever. (more…)

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On the Counter-Currents Radio fundraiser livestream for July 26th, 2020, Greg Johnson is joined by special guest Morgoth to discuss culture, nostalgia, individualism, music, television, and the End of History. (more…)

1,397 slov

English original here

Fakta sice jsou důležitá, mnohem důležitější ale bývají příběhy. Fakta – izolovaná data – lze snadnou zapomenout, ale příběhy se shlukují do infrastruktury našeho světonázoru. Jejich prostřednictvím si utváříme tento světonázor, který následně ovlivňuje, jaké příběhy vyslechneme v jakési nekonečné smyčce zpětné vazby – a právě proto má kontrola nad narativem tak nenahraditelný význam. (more…)

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Paul Christensen
Greybeard
Createspace, 2017

Greybeard is the new novel by Paul Christensen, author of The Hungry Wolves of Van Diemen’s Land, The Heretic Emperor and Reveries of the Dreamking (the first two of which are reviewed here at Counter-Currents). (more…)

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Charles Manson was a scapegoat for the sixties counter-culture and he became a false Messiah for the seventies, eighties, nineties, and naughties counter-cultures. His real meaning can only be discerned by understanding these two equally imaginary poles of social function that he was compelled to occupy during his decades of imprisonment. The fact that Manson himself was keenly aware of this process of projection and that he actively sought to manipulate it does not attest to evidence of demonic powers but neither does it attest to the machinations of a victimized magus. (more…)

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J. A. Nicholl
Venus & Her Thugs: Fifteen Weird Tales
San Francisco: Counter-Currents, 2017

What is a weird tale? To keep the question manageable, it makes sense to think only about modern, literary tales. In that respect, then, the weird tale is a scion of the ghost story family. The modern, literary ghost story is widely acknowledged to have been created by M. R. James. James’ stories followed a formula of a cerebral, monastic academic discovering some sort of occult object, and subsequently being assaulted by a supernatural emanation connected to that object. (more…)

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War for the Planet of the Apes is the third film of the rebooted series and one of the best. With its austere visual palette and dark tonal mood it could so easily have been a flawless masterpiece. Unfortunately, a couple of trivial missteps get in the way of its overall quality and undermine the film’s otherwise brutal solemnity.

War begins 15 years after the simian flu outbreak that wiped out much of the human species. (more…)

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One of the exhibits in Manchester Art Gallery’s True Faith exhibition is a notebook in which Joy Division’s manager, Rob Gretton, used to write thoughts and reminders concerning the band’s schedule and ethos. Presented in a glass case, it is open at a page where Gretton muses on certain questions asked of him by the journalist Paul Morley. (more…)

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“Only the dead can know what it means to be dead.”—Ananda Coomaraswamy[1]

Philip Larkin’s poem “Aubade” articulates his fear of death in chilling terms. It describes a man who hates his job and gets drunk every night. Then, before dawn, he wakes, and with the gathering light, he fixates on the certainty of his own death and what it will mean for him. Larkin is clear that it means complete cessation of the self, that there is no possibility of an afterlife, and that this absence of the self is the most terrifying thing in the world. (more…)

1,661 words

Czech version here

Facts are important, but stories are more important. Facts are isolated data that can easily be forgotten, but stories coalesce to form the infrastructure of our worldview. The stories that we learn inform our worldview and our worldview filters the stories that we hear in an ongoing feedback loop. This is why it’s so important to control the narrative.

When Grenfell Tower went up in flames on the morning of 14th June, the narrative practically wrote itself. (more…)