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Howard Hawks’ Red River (1948) is one of the greatest Westerns. Red River has it all: charismatic performances by John Wayne and Montgomery Clift, a solid ensemble cast to back them up, a beautifully economical script, dramatic black-and- white cinematography, and a surprisingly good score from Dimitri Tiomkin, who had always struck me as a hack. All of these elements are masterfully drawn together by Hawks. His sense of pacing and visual drama never fails. He grabs your attention with stark contrasts between dark and light, vast landscapes and closeups. He’ll sweep you up in action, then stop you dead in wonder. (more…)
. . . Julius Evola outlines the nature of the State as constituted by Authority from above (as opposed to from below, as in democracy or party dictatorship), as represented by an Order of men, “who differentiate themselves from the masses as the bearers of a complete and legitimate authority,” originating in the primitive Männerbünde.