Tag: science fiction

1,792 words

Equilibrium is a 2002 science fiction film that was poorly received and underviewed, largely seen as an also-ran to 1999’s The Matrix, which set the tone and style of cyberpunk thrillers to follow. Equilibrium is unjustly forgotten, a sleeper non-hit that deserves revisiting; a thoughtful and condensed statement on huge volumes of preceding dystopian literature and cinema.

Equilibrium plays to the strength of film as a medium in its ability to succinctly put salient points into character narratives that otherwise require full-length novels and academic treatises. (more…)

3,667 words

Frank Herbert’s six Dune novels fall into three pairs. Dune (1965) and Dune Messiah (1969) chart the rise and fall of Paul “Muad’Dib” Atreides, a man who becomes a superman and the God Emperor of the known universe. Children of Dune (1976) and God Emperor of Dune (1981) narrate the rise and fall of Paul’s son, Leto II, a superman who transforms himself into a monster and rules for 3,500 years. Heretics of Dune (1984)[1] and Chapterhouse: Dune (1985)[2] are set 1,500 years after God Emperor and focus on the Bene Gesserit Sisterhood’s struggle with their evil twin, a sisterhood that calls itself the Honored Matres. (more…)

9,202 words

There is an elective affinity — a relationship of reciprocal attraction and mutual reinforcement — between a) John Locke’s argument that a child’s mind initially resembles an “empty cabinet” or a “white paper void of all characters” which can be shaped by controlling the education impressed upon the child’s mind, and b) the origins of a literature specifically written for children in the 1700s in England. (more…)

5,043 words

Beau Albrecht is one of Counter-Currents’ funniest authors. I personally enjoy reading his articles on topics such as music, bizarre books, humor, and current events. I haven’t seen any interviews with Beau, so I decided to do one. Maybe you’ll read something unexpected. (more…)

Battle of the ironclads, the Merrimack vs. the Monitor

4,699 words

Part 2 of 2 (Part 1 here)

II. Out of Space: Fever

The thickened present manifested also in both a more expansive and a more constricted space during Gothic Science Fiction wars. (more…)

Grahame Baker-Smith’s 2017 Folio illustration for War of the Worlds.

3,882 words

Part 1 of 2 (Part 2 here)

Introduction

It was perhaps the most famous description of a (space) alien in English literature. The narrator felt an “utter terror [grip] him” as a thing from a nightmare emerged slowly, slowly from the pit that its smoking spacecraft had cratered in the Earth. As its body “bulged up and caught the light, it glistened like wet leather.” A pair of huge, fathomless dark eyes regarded him intensely, “steadfastly. (more…)

Anatolij Solonicyn jako Spisovatel ve Stalkerovi

2,449 slov

English original here

Všichni studenti moskevské konzervatoře z Šostakovičovova ročníku byli zastřeleni. Do posledního, na Stalinův rozkaz. A když se ptali… čím tomuto osudu unikl, Stalin řekl: „Šostakovič um psát hudbu k filmům. Tu potřebujeme, protože potřebujeme film. (more…)

1,457 words

Larry and Andy Wachowski’s The Matrix (1999) is a science fiction classic. The setting is a devastated Earth in the far future. The premise is that humanity has been enslaved by artificial intelligences. Human beings spend our lives in what are essentially coffins while mechanical vampires drain our energy. We don’t know it, because we are asleep, dreaming that we are in a radically different world. This is the Matrix. Today we would call it a multiplayer online game.

Like many dystopias, The Matrix is actually too optimistic. The Wachowski brothers thought the human race would have to be forced into the pods. (more…)

You can buy Mark Gullick’s Cherub Valley here.

748 words

Before it was overshadowed by social media, click-bait, and online shopping, the internet provided the dawn of the twenty-first century with limitless potential. It’s worth noting that there was a dark side to it as well, and Mark Gullick’s Cherub Valley shows its readers the creepy underbelly of the “invisible world of information.”

The novel takes the genre of techno-dystopia to a whole new level and leads the reader down a rabbit hole they’d surely avoid in the real world. It’s descriptive without being dense with terminology, which is a common flub of science fiction and cyberpunk writers. (more…)

2,374 words

Denis Villeneuve’s Dune, Part I is now in theatres. I can’t recommend it. It isn’t terrible. It is merely mediocre. I found it dull to the eyes, grating to the ears, and a drag on my patience. Villeneuve spends 156 minutes and only gets halfway through the novel. David Lynch told the whole story in 137 minutes. Of course audiences are willing to sit through long movies if they are really good: Peter Jackson’s The Lord of the Rings trilogy, for instance. But this film isn’t in that league. (more…)

2,400 words

“War is a bad thing, but peace can be a living horror.” — Ray Bradbury, “The Concrete Mixer”

I trust I am not alone among Counter-Currents readers in my appreciation for the late Ray Bradbury, my favorite author as a boy. Though Bradbury is often categorized as a science fiction author, his stories are just as suffused with magic and myth as they are with the futuristic technology that so repelled and terrified him. (more…)

Anatoly Solonitsyn as Writer in Stalker.

2,759 words

Czech version here

Every musician that Shostakovich was at the Moscow Conservatory with in one particular year was shot. Every one, on Stalin’s orders. And when he asked . . . why he’d been spared, Stalin said, “Shostakovich can write film music. We need film music. Because we need film. (more…)