Frank Herbert
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Frank Herbert’s Dune (1965) is one of the masterpieces of science fiction, far eclipsing its five sequels in readership and reputation. But I wish to argue that the third and fourth Dune books, Children of Dune (1976) and God Emperor of Dune (1981), are equally audacious works of the imagination. [1] Both volumes tend to be underrated, partly due to the long shadow of Dune, partly because the sheer scope of Herbert’s vision boggles the mind, (more…)
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If movies can have previews, why can’t movie critics release “pre-reviews”? I ask because September 9th was the release date of the first trailer for the first half of Denis Villeneuve’s adaptation of Frank Herbert’s Dune.
Dune is one of the most-anticipated movies of 2020. Trailers can build up a lot of excitement for a film, but they are immediately forgotten when the movie actually appears. (more…)
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Frank Herbert’s Dune Messiah (1969) is the first of five sequels to his masterwork Dune (1965). It is the shortest of the sequels, and I found it one of the least satisfying. The best sequels are Children of Dune (1976) and God Emperor of Dune (1981). The worst are Heretics of Dune (1984) and Chapterhouse Dune (1985).
John W. Campbell, editor of Astounding Science Fiction magazine, rejected Dune Messiah because he did not like the transformation of Paul Atreides, the hero of Dune, into a sulking anti-hero buffeted about by forces beyond his control. (more…)
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Greg Johnson talks to Morgoth of Morgoth’s Review on the web, Bitchute, and YouTube about White Nationalist culture jamming, the Eternal Anglo vs. Tolkienism, Arts & Crafts, and Aestheticism, Roger Scruton, whiteness in classical and pop music, the 2019 UK General Election, (more…)
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Ben Novak
Hitler and Abductive Logic: The Strategy of a Tyrant
Lanham, Md.: Lexington Books, 2014
“Search your feelings. You know it to be true.”
Ben Novak’s Hitler and Abductive Logic is one of the most exciting academic books I have ever read, a daring and imaginative synthesis of philosophy, history, biography, and literature. (more…)
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David Lynch’s third feature film is his 1984 adaptation of Frank Herbert’s science fiction classic Dune. Herbert’s Dune is widely hailed as a masterpiece, while Lynch’s Dune has a much more mixed reputation, tending toward the negative. When I first saw Lynch’s Dune, I was deeply disappointed. Herbert’s novel had left a powerful and vivid impression on me, and Lynch’s vision was not my vision. (more…)
Lance Corporal James Blake Miller, USMC, during the Second Battle of Fallujah in November 2004.
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I don’t even have to check the comment section of Éordred’s excellent “Der Fall Amerika” to know that there’s going to be more than one claiming a variation of “not all Americans are like that.” I know this because this was at the back of my mind while reading it, and because, of course, not all Americans are like that. (more…)
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Jodorowsky’s Dune, Frank Pavich’s 2013 documentary, tells the story of the “greatest movie never made,” (more…)
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David Lynch’s Dune (1984) is a flawed masterpiece. When I first saw it, I was deeply disappointed. Frank Herbert’s original novel made a powerful impression on me. I could see Herbert’s world, and Lynch’s vision was not my vision. But when my initial impression faded and I returned to Lynch’s film with an open mind, I found it immensely imaginative and compelling. Even the score by Toto managed to grow on me. (more…)
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English original here
Wenn Science-Fiction typischerweise „progressiv“ und Fantasy-Literatur „rückwärtsgewandt“ ist, dann brauchen wir eine dritte Kategorie für die sechs Dune-Bücher von Frank Herbert (1920-1986) – gar nicht zu reden von George Lucas’ sechs Star Wars-Filmen –, die futuristische Sci-Fi-Elemente mit den archaischen Werten und magischen Welten der Fantasy verbinden.
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German translation here, Greek translation here
If science fiction is quintessentially “progressive” and fantasy literature is “reactionary,” then we need a third category for the six Dune books by Frank Herbert (1920–1986)—not to mention George Lucas’ six Star Wars movies—which combine futuristic, sci-fi elements with the archaic values and magical universes of fantasy.
