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Yukio Mishima (1925–1970) was one of the giants of Japanese letters as well as an outspoken Right-wing nationalist. Mishima shocked the world on November 25, 1970, when he and members of his private militia, the Tatenokai or Shield Society, took hostage the commander of the Japan Self-Defense Force’s Ichigaya Camp. Mishima then delivered a speech to the assembled soldiers and press, exhorting the Japanese to turn away from American-imposed consumerism back to their traditional aristocratic culture, which prized honor above life and comfort. (more…)
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David Lean’s The Bridge on the River Kwai (1957) is not just a great film, it is a nearly perfect one. Even better, it was recognized as such from the start by virtually everyone. The critics lionized it and continue to include it on their “best” lists. The movie business showered it with prizes. Bridge won seven Oscars, including best picture and best director. Audiences made it the biggest film of 1957 and a perennial favorite ever since. (more…)
Émile Betsellère, Forgotten!, 1872.
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Editor’s note: This article is adapted from the original post on Beau Albrecht’s blog here.
First of all, if you’re going to be a quitter, do it for the right reasons. (more…)
Otto von Bismarck memorial in Berlin
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Part I here, Part II here, Part III here, Part IV here, Part V here
The average European is not yet very concerned that his country is slowly sinking in the quicksand of the globalist system. Demographic collapse and deindustrialization are truly deadly threats, but their effects manifest themselves gradually. One can make adjustments and ignore impending danger, much like the proverbial frog being slowly boiled alive. (more…)
Curt Stoeving, Friedrich Nietzsche, 1894.
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The French philosopher René Descartes was a worried man. His concern was that his memory resembled a sheet of paper that was constantly being written over with his experiences, with facts and events. Realizing that it is in the nature of paper eventually to become filled with writing, he avoided wherever possible being told extraneous facts for fear that insufficient room would remain in his mind for things of importance to this polymath. Thus, he hoped to avoid the fate of Homer. Homer Simpson, that is. (more…)
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Part 1 here, Part 2 here
You can watch The Big Parade in its entirety here.
Released in 1925, The Big Parade would go on to become the 2nd largest-grossing film of the entire silent film era. Only Birth of a Nation made more money. The Big Parade was so popular that it played in some theaters continuously for a year and at the Astor Theater in New York for two years. (more…)
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Part 1 here, Part 3 here
The Four Horsemen of the Apocalypse is in the public domain. You can watch it here.
The Four Horsemen of the Apocalypse is best remembered today for being the film that launched the career of Rudolf Valentino. (more…)
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The Searchers (1956) has been acclaimed not just as one of John Ford’s greatest films, and not just as one of the greatest Westerns, but as one of the greatest films of all time. This praise is all the more surprising given that The Searchers is a profoundly illiberal and even “racist” movie, which means that most fans esteem it grudgingly rather than unreservedly. (more…)
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John Ford’s last great film The Man Who Shot Liberty Valance (1962) enjoys the status of a classic. I find it a deeply flawed, grating, and often ridiculous film that is nonetheless redeemed both by raising intellectually deep issues and by an emotionally powerful ending that seems to come out of nowhere. (more…)
Detail, Henry Arthur McArdle, Dawn at the Alamo, 1905.
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Say what you want about white nationalists, they play life on the highest difficulty.
— Some leftoid on twitter dot com
If you read Leftist and conservative treatments of why people join terrorist organizations like Al-Qaeda or ISIS, you see a lot of hand-wringing about poverty, lack of education, lack of opportunity, et cetera. (more…)
Caspar David Friedrich, Greifswald in Moonlight, 1817.
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As men and women of the Right, we are searchers for Truth. We believe that by finding Truth and living by Truth, we might know Beauty, and we might know ourselves. Essence is our mission and with it, survival. And so this essay will try to surface and then sketch three fundamental “lifeways,” (more…)
Frank Herbert
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Frank Herbert’s Dune (1965) is one of the masterpieces of science fiction, far eclipsing its five sequels in readership and reputation. But I wish to argue that the third and fourth Dune books, Children of Dune (1976) and God Emperor of Dune (1981), are equally audacious works of the imagination. [1] Both volumes tend to be underrated, partly due to the long shadow of Dune, partly because the sheer scope of Herbert’s vision boggles the mind, (more…)
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