Yukio Mishima (1925–1970) was one of the giants of Japanese letters as well as an outspoken Right-wing nationalist. Mishima shocked the world on November 25, 1970, when he and members of his private militia, the Tatenokai or Shield Society, took hostage the commander of the Japan Self-Defense Force’s Ichigaya Camp. Mishima then delivered a speech to the assembled soldiers and press, exhorting the Japanese to turn away from American-imposed consumerism back to their traditional aristocratic culture, which prized honor above life and comfort. (more…)
David Lean’s The Bridge on the River Kwai (1957) is not just a great film, it is a nearly perfect one. Even better, it was recognized as such from the start by virtually everyone. The critics lionized it and continue to include it on their “best” lists. The movie business showered it with prizes. Bridge won seven Oscars, including best picture and best director. Audiences made it the biggest film of 1957 and a perennial favorite ever since.(more…)
The average European is not yet very concerned that his country is slowly sinking in the quicksand of the globalist system. Demographic collapse and deindustrialization are truly deadly threats, but their effects manifest themselves gradually. One can make adjustments and ignore impending danger, much like the proverbial frog being slowly boiled alive. (more…)
The French philosopher René Descartes was a worried man. His concern was that his memory resembled a sheet of paper that was constantly being written over with his experiences, with facts and events. Realizing that it is in the nature of paper eventually to become filled with writing, he avoided wherever possible being told extraneous facts for fear that insufficient room would remain in his mind for things of importance to this polymath. Thus, he hoped to avoid the fate of Homer. Homer Simpson, that is. (more…)
You can watch The Big Parade in its entirety here.
Released in 1925, The Big Parade would go on to become the 2nd largest-grossing film of the entire silent film era. Only Birth of a Nation made more money. The Big Parade was so popular that it played in some theaters continuously for a year and at the Astor Theater in New York for two years. (more…)
The Searchers (1956) has been acclaimed not just as one of John Ford’s greatest films, and not just as one of the greatest Westerns, but as one of the greatest films of all time. This praise is all the more surprising given that The Searchers is a profoundly illiberal and even “racist” movie, which means that most fans esteem it grudgingly rather than unreservedly. (more…)
John Ford’s last great film The Man Who Shot Liberty Valance (1962) enjoys the status of a classic. I find it a deeply flawed, grating, and often ridiculous film that is nonetheless redeemed both by raising intellectually deep issues and by an emotionally powerful ending that seems to come out of nowhere. (more…)
Detail, Henry Arthur McArdle, Dawn at the Alamo, 1905.
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Say what you want about white nationalists, they play life on the highest difficulty.
— Some leftoid on twitter dot com
If you read Leftist and conservative treatments of why people join terrorist organizations like Al-Qaeda or ISIS, you see a lot of hand-wringing about poverty, lack of education, lack of opportunity, et cetera. (more…)
Caspar David Friedrich, Greifswald in Moonlight, 1817.
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As men and women of the Right, we are searchers for Truth. We believe that by finding Truth and living by Truth, we might know Beauty, and we might know ourselves. Essence is our mission and with it, survival. And so this essay will try to surface and then sketch three fundamental “lifeways,” (more…)
Frank Herbert’s Dune (1965) is one of the masterpieces of science fiction, far eclipsing its five sequels in readership and reputation. But I wish to argue that the third and fourth Dune books, Children of Dune (1976) and God Emperor of Dune (1981), are equally audacious works of the imagination. [1] Both volumes tend to be underrated, partly due to the long shadow of Dune, partly because the sheer scope of Herbert’s vision boggles the mind, (more…)
Michael Walsh Last Stands: Why Men Fight When All is Lost New York: Saint Martin’s Press, 2020
Last Stands is a good book. Its author, Michael Walsh, takes a look at the many examples of men fighting to the last and tries to understand their motivations. (more…)
He came from a world where soft music lilted through dining rooms and ballrooms and salons . . . it was played to make life sweeter and more festive, to make women’s eyes flash and men’s vanity throw sparks . . . [his] music on the other hand didn’t offer forgetfulness; it aroused people to the feelings of passion and guilt and demanded that [they] be truer to themselves . . . such music is upsetting . . . [1](more…)
John Singer Sargent, Ellen Terry as Lady Macbeth, 1889.
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Come, you spirits
That tend on mortal thoughts, unsex me here,
And fill me from the crown to the toe top-full
Of direst cruelty! make thick my blood;
Stop up the access and passage to remorse,
That no compunctious visitings of nature
Shake my fell purpose, nor keep peace between
The effect and it! Come to my woman’s breasts,
And take my milk for gall, you murdering ministers,
Wherever in your sightless substances
You wait on nature’s mischief! (more…)
Known mostly as a novelist, memoirist, and historian, Aleksandr Solzhenitsyn had actually completed four plays before his first novel, One Day in the Life of Ivan Denisovich, was published in 1962. He composed his first two, Victory Celebrations and Prisoners, while a zek in the Soviet Gulag (more…)
No man, for any considerable period, can wear one face to himself and another to the multitude, without finally getting bewildered as to which may be the true.
Like most Westerners, I got to know Akira Kurosawa through his classic samurai films: Seven Samurai, Throne of Blood, The Hidden Fortress, Yojimbo, Sanjuro, Kagemusha, and Ran. Thus I was surprised to discover that fully half of his thirty films are actually set in contemporary Japan over the stretch of Kurosawa’s long lifetime (1910–1998). High and Low (1963) is one of the best of these films, along with Drunken Angel, Stray Dog, and Ikiru. (more…)
Traduction de l’anglais : Pia Chantre; English original here
Précisions de l’auteur :
Il s’agit ici du texte de mon discours à la première Conférence du Réveil (The Awakening Conference), qui s’est tenue à Helsinki (en Finlande) le 8 avril 2018. Le sujet qui m’avait été donné de présenter était l’Esprit combatif européen. Comme à mon habitude, j’ai un peu improvisé à partir du texte que j’avais préparé. (more…)
Suomentanut Timo Hännikäinen, English original here
Puhe Awakening-konferenssissa Helsingissä 8.4.2018
”Laulaos, oi runotar, viha Peleun poian Akhilleun / turmiokas, mi akhaijeja löi lukemattomin tuskin, monta mi Hadeen luo väkivoipaa sielua syöksi / sankarien, heist’ itsestään teki koirien riistan, / lintujen eineen”. Näin alkaa Homeroksen Ilias, länsimaisen sivilisaation ensimmäinen kirja. (more…)
Az alábbi beszédet 2018. április 8-án Helsinkiben az első alkalommal megrendezett Ébredés Konferencián adtam elő. A szervezők arra kértek, hogy az európai harci szellemről beszéljek. Szokás szerint kicsit improvizáltam, és eltértem az előkészített szövegtől. Szeretnék köszönetet mondani a szervezőknek, a találkozó mintegy 200 résztvevőjének, és annak a Counter-Currents olvasónak, akinek az adománya lehetővé tette, hogy a konferenciára utazzak. (more…)
Leonardo da Vinci, Study of Two Warriors’ Heads for the Battle of Anghiari
Author’s Note:
This is the text of my talk from the first Awakening Conference, which was held in Helsinki on April 8, 2018. The topic I was asked to speak on was the European fighting spirit. As usual, I improvised a bit and departed from my prepared text. I wish to thank the organizers of the Awakening Conference, the approximately 200 people who attended the meeting, and the Counter-Currents reader whose gift made this trip possible. (more…)
Akira Kurosawa’s Rashomon (1950) is commonly found on lists of the world’s greatest movies, and deservedly so. Rashomon features avant-garde narrative techniques (flashbacks, multiple points of view), dynamic black-and-white cinematography by Kazuo Miyagawa, compelling Ravel-like music by Fumio Hayasaka, subtle and intensely dramatic performances, and a complex but tightly edited script, all combined into a fast-paced 88-minute masterpiece with an emotionally devastating climax. (more…)
Last week I was interviewed on Beyond the Wall, a podcast of White Nationalists from Latin America. We discuss white identity and White Nationalism in the Latin American context. You can listen here. I want to thank Beto, Cavernario, and Tercio for this opportunity. (more…)
In retrospect, Aryans appear to have harbored a naïve faith in the natural relationship between reputation, fame, and merit. True, our conceptions served us well enough in our own world. But that was prior to the Age of Defamation. Now we see that fame, reputation, and moral worth can be completely unrelated. It is child’s play for dominant, cunning, and unscrupulous elites to destroy reputations, fabricate evidence and opinions, and reverse the judgments of history—and have their constructs stick, and be universally accepted.
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