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September 9 was the centenary of the death of Virginia Rappe at age 26.
Virginia Rappe was an actress, model, and probably a prostitute. She appeared in a few early silent films, but never became a star. (more…)
2,293 words
September 9 was the centenary of the death of Virginia Rappe at age 26.
Virginia Rappe was an actress, model, and probably a prostitute. She appeared in a few early silent films, but never became a star. (more…)
4,606 words
All installments in this series available here
Over the last few years, there has been some controversy about the influence of China over Hollywood. The claim is not that China is secretly controlling Hollywood, as the Alex Jones types have been insisting, but that Hollywood has been increasingly tailoring their films to meet the approval of the Chinese government in order to gain access to the massive Chinese market. Most commentators, especially liberal ones, consider this a bad thing. (more…)
Down these mean streets, a man must go who is not himself mean, who is neither tarnished nor afraid. He is the hero, he is everything. He must be a complete man and a common man and yet an unusual man. He must be, to use a rather weathered phrase, a man of honor, by instinct, by inevitability, without thought of it, and certainly without saying it. (more…)
Tucker Carlson recently ruffled some feathers for calling WWI “the Iraq War of its day.” I’m not sure what these people were offended by. I think there are just people who get outraged by the things Tucker Carlson says first before coming up with a reason why (more…)
James J. O’Meara
Passing the Buck: Coleman Francis and Other Cinematic Metaphysicians
Melbourne: Manticore Press, 2021
Imagine going thirty, forty, fifty, or even sixty years of your life without comprehending the dizzying implications of how some movies, typically — and often charitably — understood to be cringingly awful, actually serve as thaumaturgic runes which reveal glimpses of the painful, beautiful Truth behind this swiftly degenerating stage of Kali Yuga. (more…)
2,379 words
Rick Perlstein
The Invisible Bridge: The Fall of Nixon and the Rise of Reagan
New York: Simon & Schuster, 2014
The Invisible Bridge is a look at the link between Richard Nixon’s reshaping of American politics and the Republican Party and the rise of Ronald Reagan. In the 1970s, Ronald Reagan was considered very far to the Right, indeed. (more…)
2,781 words
Within the field of literature, Jews have often complained about negative Jewish stereotypes. There is a Wikipedia page [1] dedicated to the subject, and scholars have dedicated much time to researching this phenomenon. For example, in his 2005 article “How Racist Was Oliver Twist?” novelist Norman Lebrecht actually counted (or relayed someone else’s count of) the number of times Charles Dickens referred to his Jewish villain Fagin in the first thirty-eight chapters of Oliver Twist as “the Jew.” It was 257. (more…)
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Eilish. Billie Eilish.
Never afraid to wring every drop of money out of a pop sensation, this is who the film industry is having sing the theme to the new James Bond film, No Time to Die. The media is billing this interestingly; the New York Times covered the song with glowing praise and a mention of Eilish being the youngest person to ever record a Bond theme. (more…)
Harvey Weinstein leaving the New York Supreme Court. Justin Lane, for Shutterstock.
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Disgraced movie mogul Harvey Weinstein was convicted of criminal sexual assault and rape in the third degree this week. He did catch a break in being found not guilty of the more serious charges of predatory sexual assault and rape in the first degree.
Weinstein’s conviction was celebrated by President Trump and many of his supporters. (more…)
Knives Out, Rian Johnson’s much-hyped addition to the mystery genre, is a forgettable, self-indulgent film whose flashes of competence are incapable of redeeming its trite plot, pathetically unfunny script, and aggressive commitment to political correctness.
The film has all the trappings of a classic murder mystery in the style of Agatha Christie or Dorothy L. Sayers. A wealthy patriarch, Harlan Thrombey (Christopher Plummer, in remarkably good form at 90) is found dead in his mansion after celebrating his 85th birthday (more…)
Aquaman was perhaps the closest thing to a fulfillment of Kantbot’s promise that Trump would raise Thule, and Atlantis. In order to give Aquaman a saleable “mythic resonance,” it unavoidably has to draw on Greco-Roman mythology and showcase what is bemoaningly called White Male Power. Whilst a 2018 film, Aquaman seems to belong to the late ‘90s in its casting and racial attitudes, and the screenplay has all sorts of lines that describe an interplay of Aryan and Judaic values.
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This article is the opposite of the article that I originally set out to write, which was about Frank Fay, the Nazi-sympathizing fascist vaudevillian who invented stand-up comedy. I mean, it says right there on Frank Fay’s Wikipedia page that “[i]n January 1946, just months after Nazi Germany had been defeated, a rally of 10,000 white supremacists gathered at Madison Square Garden for a pro-fascist event called ‘The Friends of Frank Fay’.” That sounds like a good topic for a White Nationalist Website, right? “Hey, kids! Did you know that stand-up comedy was invented by a fascist?”