Counter-Currents
  • Private Events
  • T&C
  • Rss
  • DLive
  • Telegram
  • Gab
  • Entropy
  • Rss
  • DLive
  • Telegram
  • Gab
  • Entropy
  • Webzine
  • Books
  • Podcasts
  • Donate
  • Paywall
  • Crypto
  • Mailing List
  • About
  • Contact
  • RSS
    • Main feed
    • Comments feed
    • Podcast feed

LEVEL2

  • Webzine
  • Books
  • Podcasts
  • Donate
  • Paywall
  • Crypto
  • Mailing List
  • About
  • Contact
  • RSS
    • Main feed
    • Comments feed
    • Podcast feed
  • Private Events
  • T&C
  • Rss
  • DLive
  • Telegram
  • Gab
  • Entropy
Print January 21, 2022 2 comments

The True Face of the Feds

Nicholas R. Jeelvy

1,451 words

There are many reasons to like Twin Peaks. Personally, I like the cozy aesthetic, the gentle color palette and soundtrack, and the mild way in which the first season is paced. It is a good show to drift off to sleep to, and goes great with a soft bed and someone special to snuggle up to. To view it in the daytime seems obscene to me.

I was late to start watching the show; I believe I started in January of 2021. It wasn’t “the greatest show ever,” as others hyped it to me. Maybe I was underwhelmed because I wasn’t there in the early ‘90s when it was unfolding. Maybe it was the 30 years of buzz about it. Nothing could possibly live up to that. I am, however, aware of two distinct reasons why I disliked the show from the very first episodes. The first was that it wanted me to sympathize with the town bicycle. The other was that it wanted me to root for the FBI agent.

I could write my Ph.D. thesis on how American media glorifies female promiscuity for the express purpose of glamorizing the promiscuous female’s life, but something else has been bothering me about the series in these trying times. When we think of the FBI in these circles, we think of bad-faith actors trying to frame and entrap dissidents. We think of agents pretending to be friends on the Internet. We think of evil men who skulk in the shadows and offer to sell us unregistered firearms for the purpose of committing terrorism. We think of cognitive infiltrators dispatched to poison discourse and sow division. But that’s us, and we’re a kooky bunch. I wouldn’t be surprised if Kyle McLachlan’s million-dollar smile and boyish good looks come to mind when most people think of the FBI. To them, they are not the enemy’s goons, but rather friendly, mildly eccentric policemen who operate at a federal level in defense of the law, hunting down murderers, Mafiosi, and terrorists – i.e., protecting Our Democracy.™

The reality is different. The FBI is the American republic’s counterintelligence agency. On paper, this means that it is tasked with disrupting foreign intelligence operations within America and attacks on America’s own intelligence networks and agencies, among other things. In practice, this means that they act as the state security agency (even though the US and other Western nations often claim that they have no StateSec), swatting down every political threat to the Republic. These can range from Islamic terrorists to certain factions of the Dissident Right. Anyone who is deemed a threat to America’s political configuration is an enemy of the state’s security, regardless of how liberal, open, and pluralistic the American state claims to be.

While violent groups of course have priority, given that the FBI is — on paper, at least — merely a law enforcement organization, all entities which oppose the current regime will find themselves on the state security’s radar, monitored, followed, infiltrated, harassed, and their finances hampered. Regimes defend themselves; the creature from Washington is no different, and like the Stasi before them, the FBI are the sword and shield of the Party.

And yet, the Stasi never attempted to present themselves as just friendly policemen, or if they did, their attempts were not recorded. Neither did the Russian NKVD. But here we have Twin Peaks trying to convince me that the FBI consists of all-American heroes like Dale Cooper who won’t rest until they’ve solved the grisly murders which plague small logging towns. Numerous other media portray the FBI as heroes, but Twin Peaks feels especially egregious, probably because Kyle MacLachlan just looks and acts so damned wholesome. In any other totalitarian regime, we’d recognize this as obvious propaganda. Comrade, it’s obvious that the KGB consists of nothing but good and patriotic men who protect our glorious Motherland from the decadent capitalist Black Lodge! I read it in the morning Pravda. They wouldn’t dream of violating your rights in order to boost arrest numbers!

You can buy Greg Johnson’s The Year America Died here.

America’s state security would like us to think they look like Kyle MacLachlan, but reality doesn’t bear out this (self) representation. Instead, they look like Peter Strzok, grinning creepily as he’s being questioned about illegally spying on Donald Trump’s 2016 campaign. Strzok is indeed creepy, but he’s just the tip of the iceberg. We will only really know the full extent of the FBI’s evil once the enemy is defeated and their archives are opened to the public, but I’m expecting more than one Beria to be lurking under their carefully cultivated surface. Having worked hand-in-glove with Hollywood and the media for its representation in fiction, the FBI depends on this image in order to ply its trade. Americans trust the FBI if they believe it is an organization of Dale Coopers hunting criminals. They’ll cease trusting it and make its mission all the harder if they start associating it with totalitarian regimes’ state security agencies.

It is said that the Trump presidency’s biggest victim was trust in the media. This may be so, but far more consequential in the long run may be the damage the FBI’s reputation suffered when its role in the Russia collusion hoax emerged. Furthermore, as more and more evidence emerges that the FBI is actively involved in hunting down American patriots (along with White Nationalists and other dissidents), this reputation will further degrade until it is replaced by a new one: that of the counterintelligence and state security service of an evil empire, thugs dressed in black harassing civilians for verbal delinquencies, their ears perking up whenever they hear “White lives matter” or “Let’s go, Brandon.” We can expect the Bureau and its confederates in Hollywood to try and repair its reputation, but the propaganda apparatus is itself very old and creaky — definitely not what it used to be in the early ‘90s.

I’m not singling out the FBI. Rather, all domestic security intelligence agencies, and even those that aren’t supposed to be domestic (but act domestically anyway), are guilty of such behavior. Even “our beautiful military” gets in on it; most of the slimeballs trying to cognitively infiltrate the radical Right have a background in military intelligence (see Jack Posobiec) and often work with the Mossad and other private actors from the mammon-worshiping (right) wing of Globohomo. Their image has likewise been sanitized in Hollywood as heroic protectors of the American people. 24, NCIS, Stargate — these all exist, among other reasons, to showcase the US military and intelligence agencies as heroic organizations staffed by heroic individuals instead of the nests of corruption, incompetence, and downright evil they really are. These idols all have to fall if we are to win.

When the history of the twentieth century is revised for accuracy and expanded to include the history of our own time, ours will likely be known as the era of the counterintelligence state. Intelligence agencies in the modern world correspond to Carl Schmitt’s sovereign: They operate in a permanent state of exception and often decide when the exception is to apply to the rest of society and the government. Regular laws do not apply to them, and the unlimited power for extrajudicial surveillance which they possess gives them unlimited blackmail power over the government that nominally commands them and oversees their activities. It is the intelligence agencies vying for power, both within a state and between states, that is the foundation of deep state politics. For this reason, the erstwhile dissident is forced to think like a spook — even though he may be something else constitutionally — if he is to think of matters of state in the modern world.

What’s very interesting to me is that of all the players on the stage, only one set of spooks has taken the trouble to present themselves to the world and the public which they rule as good, benevolent enforcers of the law. The Russian Federal Security Service (FSB) make no bones about what they are to their public. Why are the FBI, CIA, and military intelligence so anxious to look like the good guys to the American people? They have invested a lot in this image of themselves, and they’ve been steadily losing it for the past four years. Maybe this will lead to what the kids like to call “mask off,” where they’ll start acting like the thugs they always were — but personally, I doubt it. The mask they were wearing is the chief method by which they operate, and without it, they’ll lose their mojo and flounder. We may be seeing, for the foreseeable future in America and possibly the rest of the Western world, something not seen before in the era of the counterintelligence state: counterintelligence anarchy.

*  *  *

Counter-Currents has extended special privileges to those who donate $120 or more per year.

  • First, donor comments will appear immediately instead of waiting in a moderation queue. (People who abuse this privilege will lose it.)
  • Second, donors will have immediate access to all Counter-Currents posts. Non-donors will find that one post a day, five posts a week will be behind a “paywall” and will be available to the general public after 30 days.

To get full access to all content behind the paywall, sign up here:

Paywall Gift Subscriptions

If you are already behind the paywall and want to share the benefits, Counter-Currents also offers paywall gift subscriptions. We need just five things from you:

  • your payment
  • the recipient’s name
  • the recipient’s email address
  • your name
  • your email address

To register, just fill out this form and we will walk you through the payment and registration process. There are a number of different payment options.

Related

  • Why the Concept of the Cathedral is Nonsense

  • Brokeback Mountain

  • Greg Johnson & Millennial Woes on Common Mistakes in English

  • From “Equal Opportunity” to “Friend/Enemy”

  • Deconstructing Our Own Religion to Own the Libs

  • Counter-Currents Radio Podcast No. 456
    A Special Juneteenth Episode of The Writers’ Bloc with Jim Goad

  • “I Write About Communist Space Goths”:
    An Interview with Beau Albrecht

  • Christianity is a Vast Reservoir of Potential White Allies

Tags

Carl SchmittDissident RightHollywoodintelligence agenciesNicholas R. JeelvypaywallPeter StrzokRussiagatestate of the exceptionstate securitythe FBITwin Peaks

Previous

« Focus on Birth Control, Not Elections

Next

» La politique identitaire blanche est morale, Partie 2

2 comments

  1. Gaddius Maximus says:
    January 21, 2022 at 2:37 pm

    A couple of months ago the Patriotic Alternative Film Club did a review of “The Thing”.

    Laura Towler had never seen it before and it had come highly recommended by her PA colleagues. She said it was terrible and that she thought the others were playing a practical joke on her by hyping it up so much. It was quite humorous.

    This is how I feel about Twin Peaks. Like I’ve been trolled by Frodi and Greg.

    Glad I’m not the only one Mr. Jeelvy!

  2. James J. O'Meara says:
    January 22, 2022 at 6:36 pm

    You have many delights to experience if you want to subject yourself to a crash course in FBI self-propaganda; it really could be a sub-genre of itself. It started with J. Edgar himself, who invented the “Most Wanted List” as pure PR, as no one was added until they were about to be arrested. Hence, both Bin Laden and Whitey Bulger were never on it for years, showing up just in time to be “caught” (or dumped at sea, with Bin Laden)

    Once the FBI discovered the electronic media, they really went to town. As I pointed out in my earlier essay on Agent Strzok:

    While the FBI has, over the years, carefully crafted an image of itself as Efrem Zimbalist, Jr. (The FBI) or the Hannibal-hunting Will Graham (Manhunter) and Clarice Starling (The Silence of the Lambs) or even nutty Dr. Fox Mulder (The X-Files), it appears that after eight years of Obama, the agency is being led by Dr. Sheldon Cooper. Evil Sheldon Cooper.

    https://counter-currents.com/2018/07/dupers-delight-or-drapers-diddle/

    But not only does TP give us the clean-cut face of Agent Cooper, but in the second season we get the TV debut of David Duchovny, Fox Mulder himself, here playing a transvestite FBI agent. Mulder will be an admitted “sex addict” and later, there were several seasons of Californication, because guys with writer’s block who look like Duchovny are constantly bedding 17 year old chicks. Pure coincidence, of course, not at all part of a long range plan of cultural manipulation.

     

Comments are closed.

If you have Paywall access,
simply login first to see your comment auto-approved.

Note on comments privacy & moderation

Your email is never published nor shared.

Comments are moderated. If you don't see your comment, please be patient. If approved, it will appear here soon. Do not post your comment a second time.

  • Recent posts

    • Irreplaceable Communities

      Alain de Benoist

      2

    • Why the Concept of the Cathedral is Nonsense

      Nicholas R. Jeelvy

    • Brokeback Mountain

      Beau Albrecht

      3

    • O Manifesto Nacionalista Branco:
      Parte 10, O que Há de Errado com a Diversidade?

      Greg Johnson

    • Greg Johnson & Millennial Woes on Common Mistakes in English

      Counter-Currents Radio

      3

    • What Law Enforcement and First Responders Need to Know about White Nationalism

      Beau Albrecht

      4

    • Just Like a Woman

      Spencer J. Quinn

      1

    • The Black Johnny Depp

      Jim Goad

      20

    • Special Surprise Livestream
      Greg Johnson & Millennial Woes on Common Mistakes in English

      Greg Johnson

    • From “Equal Opportunity” to “Friend/Enemy”

      Stephen Paul Foster

      8

    • Deconstructing Dugin:
      An Interview with Charles Upton, Part 2

      Fróði Midjord

      1

    • Deconstructing Our Own Religion to Own the Libs

      Aquilonius

      16

    • O Manifesto Nacionalista Branco:
      Parte 9, Supremacismo

      Greg Johnson

    • Deconstructing Dugin:
      An Interview with Charles Upton, Part 1

      Fróði Midjord

      5

    • White Advocacy & Class Warfare

      Thomas Steuben

      9

    • The Tragedy of the Faux Boys

      Morris van de Camp

      33

    • Counter-Currents Radio Podcast No. 456
      A Special Juneteenth Episode of The Writers’ Bloc with Jim Goad

      Counter-Currents Radio

      2

    • The Worst Week Yet:
      June 12-18, 2022

      Jim Goad

      20

    • Booking Problems at Hotel Rwanda

      Mark Gullick

      7

    • What White Nationalists Should Know About Bitcoin

      Karl Thorburn

      19

    • “I Write About Communist Space Goths”:
      An Interview with Beau Albrecht

      Ondrej Mann

      6

    • This Weekend’s Livestreams
      Jim Goad Celebrates Juneteenth on The Writers’ Bloc

      Greg Johnson

      1

    • 2000 Mules
      The Smoking Gun of 2020 Election Fraud?

      Spencer J. Quinn

      39

    • Podcast with Robert Wallace & Gregory Hood
      Time for White Identity Politics

      Counter-Currents Radio

      11

    • Christianity is a Vast Reservoir of Potential White Allies

      Joshua Lawrence

      40

    • O Manifesto Nacionalista Branco:
      Parte 8, Raça Branca

      Greg Johnson

    • 2000 Fat Mules Laughing at Dinesh D’Souza

      Jim Goad

      60

    • Christopher Pankhurst’s Numinous Machines

      Anthony Bavaria

      3

    • When Florida Was French

      Morris van de Camp

      2

    • Counter-Currents Radio Podcast No. 455
      The Counter-Currents 12th Birthday Celebration, Part 2

      Counter-Currents Radio

    • White Fragility & Joseph Conrad’s The Nigger of the “Narcissus”

      Raymond E. Midge

      7

    • Our Prophet:
      Christopher Lasch’s The Revolt of the Elites, Part 2

      Greg Johnson

      3

    • Hockey Playoff Losses, Violent Carjackings, & Race in Toronto

      Gunnar Alfredsson

      3

    • Counter-Currents Radio Podcast No. 454
      Muhammad Aryan on The Writers’ Bloc

      Counter-Currents Radio

      2

    • Counter-Currents Radio Podcast No. 453
      The Counter-Currents 12th Birthday Celebration, Part 1

      Counter-Currents Radio

      3

    • Patrick Bateman is a Tranny

      Nicholas R. Jeelvy

      12

    • Our Prophet:
      Christopher Lasch’s The Revolt of the Elites, Part 1

      Greg Johnson

      13

    • The New Dissident Zeitgeist

      Aquilonius

      4

    • The Worst Week Yet:
      June 5-11, 2022

      Jim Goad

      20

    • How Belarus Uses Migrants as Weapons

      James A.

      29

    • Look What You Made Me Do:
      Dead Man’s Shoes

      Mark Gullick

      4

    • Remembering William Butler Yeats:
      June 13, 1865–January 28, 1939

      Greg Johnson

      5

    • Fundraiser Update
      Happy Birthday to Us!

      Greg Johnson

      2

    • This Weekend’s Livestreams
      Our Twelfth Anniversary Party on Counter-Currents Radio & Muhammad Aryan on The Writers’ Bloc

      Greg Johnson

      8

    • What is a Woman?

      Spencer J. Quinn

      58

    • Rome’s Le Ceneri di Heliodoro

      Ondrej Mann

      8

    • O Manifesto Nacionalista Branco:
      Parte 7, O Etnoestado

      Greg Johnson

    • Příčina a následek aneb uzavření muslimské mysli

      Mark Gullick

    • The Bakony

      Béla Hamvas

      3

    • Another Black Eye on South Street

      Jim Goad

      34

  • Recent comments

    • Hamburger Today Anti-Semitic Zionism Great essay, Nick. You have arrived at that sublime state where ‘the Jewish Question’ reaches it’s...
    • Antipodean The Black Johnny Depp Thanks. That is a great introduction, for people early on their journey, to Prof. MacDonald and...
    • Scott Brokeback Mountain >> Gay cowboys just isn’t plausible to me. << Having been raised and lived most of my...
    • Antipodean Brokeback Mountain Loved the review and in what seems like another life I remember enjoying the movie. It was...
    • DarkPlato “I Write About Communist Space Goths”:
      An Interview with Beau Albrecht
      Thankee!
    • Beau Albrecht “I Write About Communist Space Goths”:
      An Interview with Beau Albrecht
      Robert S. Griffin's One Sheaf, One Vine - Racially Conscious White Americans Talk About Race (2004)...
    • Bookai Irreplaceable Communities After the bulldozer of liberalism had demolished old communities and atomized the society, it was...
    • Friedrich Christianity is a Vast Reservoir of Potential White Allies The Churches, indeed. I just want to add that casual conversations first drove me towards this...
    • Jud Jackson The Black Johnny Depp Yes, I agree with your choice of Clint and Jon and that they are OK.  I used to think Tom Hanks was...
    • Holmsen The Black Johnny Depp This interview is hilarious. I appreciate JLP's style of questioning his guest, it's very Socratic....
    • Grammarian Greg Johnson & Millennial Woes on Common Mistakes in English This is why Americans are forced to study (but not learn) a second language in middle school, high...
    • Mr. Bones Irreplaceable Communities So much criticism of ‘individualism’ ironically does not distill it as far as it should, especially...
    • Kök Böri Critique as Empire-Killer You do not really believe in the KGB disinformation about the so calles Nuclear Winter, do you? Well...
    • DarkPlato Brokeback Mountain I didn’t like this movie.  It seemed like a transparent Oscar grab by ang lee who is otherwise a...
    • Kök Böri The Black Johnny Depp Some of the old actors like Clint Eastwood or Jon Voigt are OK.
    • Ondrej Mann Christopher Pankhurst’s Numinous Machines Is it possible to interview you about your writing and your life? Please contact me by e-mail.
    • La-Z-Man The Black Johnny Depp Absolutely. Besides Mel Gibson, I can't think of any religious conservative having anything...
    • La-Z-Man Greg Johnson & Millennial Woes on Common Mistakes in English Pronouncing asphalt as if it were ashphalt. Pronouncing nuclear like the Bushlet does, nucular...
    • Anne Frank Rizzo What Law Enforcement and First Responders Need to Know about White Nationalism Excellent article. I have a not-too bright relative in law enforcement who’s attended those “white...
    • Ondrej Mann Jonathan Bowden’s Reactionary Modernism Thanks for the insightful review. You are right that such an artistic direction and way of thinking...
  • Books

    • Kerry Bolton
    • Jonathan Bowden
    • Buttercup Dew
    • Collin Cleary
    • Jef Costello
    • F. Roger Devlin
    • Julius Evola
    • Gregory Hood
    • Juleigh Howard-Hobson
    • Greg Johnson
    • Jason Jorjani
    • Ward Kendall
    • Anthony M. Ludovici
    • Trevor Lynch
    • H. L. Mencken
    • J. A. Nicholl
    • Andy Nowicki
    • James J. O'Meara
    • Michael O'Meara
    • Christopher Pankhurst
    • Tito Perdue
    • Michael Polignano
    • Spencer J. Quinn
    • Savitri Devi
    • Fenek Solère
    • Irmin Vinson
    • Leo Yankevich
    • Francis Parker Yockey
  • Webzine Authors

    Contemporary authors

    • Howe Abbott-Hiss
    • Beau Albrecht
    • Aquilonius
    • Anthony Bavaria
    • Michael Bell
    • Alain de Benoist
    • Kerry Bolton
    • Jonathan Bowden
    • Buttercup Dew
    • Collin Cleary
    • Giles Corey
    • Jef Costello
    • Morris V. de Camp
    • F. Roger Devlin
    • Bain Dewitt
    • Jack Donovan
    • Ricardo Duchesne
    • Émile Durand
    • Guillaume Durocher
    • Mark Dyal
    • Guillaume Faye
    • Stephen Paul Foster
    • Fullmoon Ancestry
    • Jim Goad
    • Tom Goodrich
    • Alex Graham
    • Mark Gullick
    • Andrew Hamilton
    • Robert Hampton
    • Huntley Haverstock
    • Derek Hawthorne
    • Gregory Hood
    • Juleigh Howard-Hobson
    • Richard Houck
    • Alexander Jacob
    • Nicholas R. Jeelvy
    • Greg Johnson
    • Ruuben Kaalep
    • Tobias Langdon
    • Julian Langness
    • Travis LeBlanc
    • Patrick Le Brun
    • Trevor Lynch
    • Kevin MacDonald
    • G. A. Malvicini
    • John Michael McCloughlin
    • Margot Metroland
    • Millennial Woes
    • John Morgan
    • James J. O'Meara
    • Michael O'Meara
    • Christopher Pankhurst
    • Michael Polignano
    • J. J. Przybylski
    • Spencer J. Quinn
    • Quintilian
    • Edouard Rix
    • C. B. Robertson
    • C. F. Robinson
    • Hervé Ryssen
    • Kathryn S.
    • Alan Smithee
    • Fenek Solère
    • Ann Sterzinger
    • Thomas Steuben
    • Robert Steuckers
    • Tomislav Sunić
    • Donald Thoresen
    • Marian Van Court
    • Dominique Venner
    • Irmin Vinson
    • Michael Walker
    • Aylmer Wedgwood
    • Scott Weisswald
    • Leo Yankevich

    Classic Authors

    • Maurice Bardèche
    • Julius Evola
    • Ernst Jünger
    • D. H. Lawrence
    • Charles Lindbergh
    • Jack London
    • H. P. Lovecraft
    • Anthony M. Ludovici
    • Sir Oswald Mosley
    • National Vanguard
    • Friedrich Nietzsche
    • Revilo Oliver
    • William Pierce
    • Ezra Pound
    • Saint-Loup
    • Savitri Devi
    • Carl Schmitt
    • Miguel Serrano
    • Oswald Spengler
    • P. R. Stephensen
    • Jean Thiriart
    • John Tyndall
    • Francis Parker Yockey
  • Departments

    • Book Reviews
    • Movie Reviews
    • TV Reviews
    • Music Reviews
    • Art Criticism
    • Graphic Novels & Comics
    • Video Game Reviews
    • Fiction
    • Poems
    • Interviews
    • Videos
    • English Translations
    • Other Languages
      • Arabic
      • Bulgarian
      • Croatian
      • Czech
      • Danish
      • Dutch
      • Estonian
      • Finnish
      • French
      • German
      • Greek
      • Hungarian
      • Italian
      • Lithuanian
      • Norwegian
      • Polish
      • Portuguese
      • Romanian
      • Russian
      • Slovak
      • Spanish
      • Swedish
      • Ukrainian
    • Commemorations
    • Why We Write
  • Archives
  • Top 100 Commenters
Sponsored Links
Pagan Futures Alaska Chaga Antelope Hill Publishing Imperium Press American Renaissance A Dissident’s Guide to Blacks and Africa The Patrick Ryan Show Jim Goad The Occidental Observer
Editor-in-Chief
Greg Johnson
Books for sale
  • Trevor Lynch’s Classics of Right-Wing Cinema
  • The Enemy of Europe
  • Imperium
  • Reactionary Modernism
  • Manifesto del Nazionalismo Bianco
  • O Manifesto Nacionalista Branco
  • Vade Mecum
  • Whiteness: The Original Sin
  • Space Vixen Trek Episode 17: Tomorrow the Stars
  • The Year America Died
  • Passing the Buck
  • Mysticism After Modernism
  • Gold in the Furnace
  • Defiance
  • Forever & Ever
  • Wagner’s Ring & the Germanic Tradition
  • Resistance
  • Materials for All Future Historians
  • Love Song of the Australopiths
  • White Identity Politics
  • Here’s the Thing
  • Trevor Lynch: Part Four of the Trilogy
  • Graduate School with Heidegger
  • It’s Okay to Be White
  • The World in Flames
  • The White Nationalist Manifesto
  • From Plato to Postmodernism
  • The Gizmo
  • Return of the Son of Trevor Lynch’s CENSORED Guide to the Movies
  • Toward a New Nationalism
  • The Smut Book
  • The Alternative Right
  • My Nationalist Pony
  • Dark Right: Batman Viewed From the Right
  • The Philatelist
  • Confessions of an Anti-Feminist
  • East and West
  • Though We Be Dead, Yet Our Day Will Come
  • White Like You
  • Numinous Machines
  • Venus and Her Thugs
  • Cynosura
  • North American New Right, vol. 2
  • You Asked For It
  • More Artists of the Right
  • Extremists: Studies in Metapolitics
  • The Homo & the Negro
  • Rising
  • The Importance of James Bond
  • In Defense of Prejudice
  • Confessions of a Reluctant Hater (2nd ed.)
  • The Hypocrisies of Heaven
  • Waking Up from the American Dream
  • Green Nazis in Space!
  • Truth, Justice, and a Nice White Country
  • Heidegger in Chicago
  • End of an Era: Mad Men & the Ordeal of Civility
  • Sexual Utopia in Power
  • What is a Rune? & Other Essays
  • Son of Trevor Lynch’s White Nationalist Guide to the Movies
  • The Lightning & the Sun
  • The Eldritch Evola
  • Western Civilization Bites Back
  • New Right vs. Old Right
  • Journey Late at Night: Poems and Translations
  • The Non-Hindu Indians & Indian Unity
  • I do not belong to the Baader-Meinhof Group
  • Pulp Fascism
  • The Lost Philosopher, Second Expanded Edition
  • Trevor Lynch’s A White Nationalist Guide to the Movies
  • And Time Rolls On
  • Artists of the Right: Resisting Decadence
  • North American New Right, Vol. 1
  • Some Thoughts on Hitler
  • Tikkun Olam and Other Poems
  • Summoning the Gods
  • Taking Our Own Side
  • Reuben
  • The Node
  • The New Austerities
  • Morning Crafts
  • The Passing of a Profit & Other Forgotten Stories
  • Rss
  • DLive
  • Telegram
  • Gab
  • Entropy
Copyright © 2022 Counter-Currents Publishing, Ltd.

Paywall Access





Please enter your email address. You will receive mail with link to set new password.

Edit your comment