Tag: crypsis

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Frank Herbert’s six Dune novels fall into three pairs. Dune (1965) and Dune Messiah (1969) chart the rise and fall of Paul “Muad’Dib” Atreides, a man who becomes a superman and the God Emperor of the known universe. Children of Dune (1976) and God Emperor of Dune (1981) narrate the rise and fall of Paul’s son, Leto II, a superman who transforms himself into a monster and rules for 3,500 years. Heretics of Dune (1984)[1] and Chapterhouse: Dune (1985)[2] are set 1,500 years after God Emperor and focus on the Bene Gesserit Sisterhood’s struggle with their evil twin, a sisterhood that calls itself the Honored Matres. (more…)

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Host Nick Jeelvy welcomed long-time Counter-Currents writer James J. O’Meara, a smooth-talking warmage and friend of the show, for a discussion of Better Call Saul and what it means for white identitarians and nationalists. (more…)

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When we think of Jewish subversion of white cultures, or when we think of the proverbial culture of critique, we always imagine the Jew in the form of Grima Wormtongue, whispering evil and poison into the ear of white men to make them hate and doubt themselves, believing dangerous nonsense. We think of the Jew entering the halls of power and whispering in the King’s ear. (more…)

Is Where’s Waldo? the most raysiss thing ever?

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For a long time, I thought about what sets us, as identitarians, White Nationalists, and dissidents apart from other political groups, both current and historical. It was while thinking about the phenomenon of crypsis that I came to an understanding that our defining feature is our acceptance of the concept of the absolute outsider. (more…)

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White Nationalists should give up any idea of finding immediate results for their ambitions in the current political climate. At this moment, the enemy is simply too powerful, too resourceful, too wealthy, and too pervasive to take on. (more…)

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A. E. van Vogt
Slan
Sauk City, Wisconsin: Arkham House, 1946

Science fiction writer A. E. van Vogt’s first novel-length work, Slan, became a classic, notable for being a pioneer in the mutant protagonist genre that gave us the X-Men comic book series and its cinematic spinoffs. (more…)

Phil Eiger Newmann, Schumer, 2020.

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I gathered from the conversation that the owner of the name had once been a regular contributor to much more widely read conservative publications, the kind that have salaried congressional correspondents and full-service LexisNexis accounts, but that he was welcome at those august portals no longer. In all innocence, I asked why this was so. “Oh,” explained one of my companions, “he got the Jew thing.” (more…)

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Recently, Jessica Krug, a Jewish Left-wing activist and professor at George Washington University, revealed that she had been assuming black and Latino identities for a good deal of her adult life. Krug’s confession, entitled “The Truth, and the Anti-Black Violence of My Lies,” is about as angst-ridden and precious as a breakup poem penned by a fourteen-year-old girl. She has admitted to the world that, although she still supports Black Power, Cancel Culture, (more…)