Africa. Poor, poor little Africa. See its starvation, poverty, and misery on TV. Don’t you feel sorry for it? Don’t you want to pick it up, kiss it, and make it feel better even as it wets on your hands? Of course you do. Aren’t you a good lemming? Don’t you like to roll over and beg when it’s expected of you? Or even better, give Africa lots of money? Or better still, to give it your heart and soul, clap your hands, and believe in it? (more…)
Tag: movie reviews
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Editor’s note: This is a transcript of Millennial Woes’ speech at the 2017 London Forum. We would like to thank Hyacinth Bouquet for this transcript. (more…)
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Over the years, I caught bits and pieces of John Milius’ 1982 movie Conan the Barbarian — starring Arnold Schwarzenegger as the big lug himself — on cable TV. But I was never tempted to watch the whole film. I finally gave in when I started writing my series on Classics of Right-Wing Cinema, and friends urged me to add Conan to my list. I admit that a film about Robert E. Howard’s iconic hero, with visuals borrowed from Frank Frazetta, starring the future California Governator, and directed by Right-wing Jew Milius sounds like a formula for a classic of Right-wing cinema, teeming with paleo-masculine heroics and illiberal political realism. (more…)
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Invaders from Mars is a sci-fi film said to encompass all of the paranoia of the 1950s. Director Cameron Menzies realizes this film as the horror of a child trapped in a nightmare. David MacLean (Jimmy Hunt), wakened by horrific thunder, looks outside his window and sees a flying saucer land and submerge itself underground. (more…)
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Michael Powell (1905–1990) is one of the tragic geniuses of film: a genius because he is one of the most visually dazzling directors in the history of cinema, tragic because he too often wasted his talents on inferior scripts, most of them provided by his longtime collaborator, Emeric Pressburger, a Hungarian-Jewish refugee to whom Powell often gave co-director credit. (more…)
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In my life, I have encountered people who enjoy watching bad movies. I don’t mean that they have bad taste in movies, but that they revel in watching objectively terrible, often low-budget movies in an MST3K sort of way. I guess they find something endearing about the amateurish charm.
I mean, knock yourself out. But I’ve never quite understood this. (more…)
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One of the Vatican’s favorite films is 1986’s The Mission. It was one of 15 films selected by the Catholic hierarchy in 1995 for its list of recommended religion films. (Yes, the Pope released a recommended film list in 1995.)
The Mission is an unsurprising inclusion. It features Jesuit heroes challenging evil colonists on behalf of oppressed natives. (more…)
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The Searchers (1956) has been acclaimed not just as one of John Ford’s greatest films, and not just as one of the greatest Westerns, but as one of the greatest films of all time. This praise is all the more surprising given that The Searchers is a profoundly illiberal and even “racist” movie, which means that most fans esteem it grudgingly rather than unreservedly. (more…)
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I’ve been reviewing Trump movies, and now it’s après moi, le deluge time. I saw The Father a couple of weeks ago in a typically empty theater, and was moved by its study of dementia and bravura acting by an excellent cast. Directed by Florian Zeller and based on his play, The Father tells the story of Anthony (Anthony Hopkins), an elderly man who lives alone in his shadowy apartment. (more…)
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Galaxy Quest (1999)
Director: Dean Parisot
Writers: David Howard (story), Robert Gordon, and David Howard (screenplay)
Stars: Tim Allen, Sigourney Weaver, Alan Rickman, Tony Shalhoub, Sam Rockwell, Missi Pyle“It’s really a very sophisticated movie. . .” “. . . with eight-year-old audiences.” (more…)
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For years now, readers have been urging me to review Stanley Kubrick’s A Clockwork Orange (1971), which adapts Anthony Burgess’ 1962 novel of the same name. I have resisted, because although A Clockwork Orange is often hailed as a classic, I thought it was dumb, distasteful, and highly overrated, so I didn’t want to watch it again. But I had first watched it decades ago. (more…)
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John Ford’s last great film The Man Who Shot Liberty Valance (1962) enjoys the status of a classic. I find it a deeply flawed, grating, and often ridiculous film that is nonetheless redeemed both by raising intellectually deep issues and by an emotionally powerful ending that seems to come out of nowhere. (more…)
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Ray Bradbury’s classic dystopian novel Fahrenheit 451 was first published 68 years ago, and the first film adaptation was produced in 1966, but its messages remain surprisingly relevant today. Although many interpreted it as merely a story about government censorship, Bradbury himself characterized the work as a statement on the dumbing-down effect of television. (more…)