Counter-Currents
  • Private Events
  • T&C
  • About
  • Contact
  • Webzine
  • Books
  • Podcasts
  • Videos
  • Donate
  • Paywall
  • Crypto
  • RSS
    • Main feed
    • Podcast feed
    • Videos feed
    • Comments feed
  • Advertise

LEVEL2

Donate Now Mailing list
  • Webzine
  • Books
  • Podcasts
  • Videos
  • Donate
  • Paywall
  • Crypto
  • RSS
    • Main feed
    • Podcast feed
    • Videos feed
    • Comments feed
  • Advertise
  • Recent posts

    • The Worst Week Yet: November 19-25, 2023

      Jim Goad

      9

    • Ridley Scott’s Napoleon

      Trevor Lynch

      13

    • Are We (Finally) Living in the World of Atlas Shrugged? Part 2

      Jef Costello

      2

    • The Suppression of the Maryland Moderates During the Civil War

      Morris van de Camp

      2

    • The Anti-Black Plague “Black Death” of 1347-1351 Kills Half of Europe . . . Black Women Most Affected

      Jim Goad

      4

    • We Have Much to be Thankful For

      Greg Johnson

    • All-Star Thanksgiving Weekend Special!

      Greg Johnson

      2

    • Black Friday Special: It’s Time to STOP Shopping for Christmas

      Greg Johnson

      5

    • Are We (Finally) Living in the World of Atlas Shrugged? Part 1

      Jef Costello

      12

    • We Get the Crime We Deserve

      Spencer J. Quinn

      8

    • Nueva Derecha vs. Vieja Derecha, Capítulo 12: La Cuestión Cristiana en el Nacionalismo Blanco

      Greg Johnson

    • Happy Thanksgiving!

      Greg Johnson

      1

    • The Anti-Black Plague: “Black Death” of 1347-1351 Kills Half of Europe . . . Black Women Most Affected

      Jim Goad

      24

    • A Veteran’s Thanksgiving Message

      David M. Zsutty

      3

    • Horses and Heavy Hors d’Oeuvres

      James J. O'Meara

    • Let Elon Cook

      Travis LeBlanc

      3

    • Should We Defend Anti-Semitic Literature?

      Jason Kessler

      6

    • G. Gordon Liddy’s When I Was a Kid, This Was a Free Country, Part 2

      Beau Albrecht

    • Aleister Crowley jako politický teoretik, část 2

      Kerry Bolton

    • The Spanish Protests of 2023

      Asier Abadroa

      8

    • We Told You So, Again

      David M. Zsutty

      11

    • Counter-Currents Radio Podcast No. 560: Is Elon Musk the New Henry Ford?

      Counter-Currents Radio

      1

    • G. Gordon Liddy’s When I Was a Kid, This Was a Free Country, Part 1

      Beau Albrecht

      3

    • The Worst Week Yet: November 12-18, 2023

      Jim Goad

      17

    • What to Do about World War II

      Pox Populi

      5

    • Jimmy the Greek: Race Realism Martyr

      Travis LeBlanc

      4

    • Remembering P. R. Stephensen

      Greg Johnson

    • Why Men Die Younger Than Women

      Jim Goad

      7

    • Is Elon Musk the New Henry Ford?

      Greg Johnson

      3

    • Counter-Currents at the Crossroads

      David M. Zsutty

      21

    • Killers of the Flower Moon

      Trevor Lynch

      19

    • On Generational Identity

      Spencer J. Quinn

      8

    • Osama bin Laden’s Letter to America

      Osama bin Laden

      20

    • Closing Down the Stations of the Cross

      Mark Gullick

      9

    • Elon Musk Names the Jew — and Candace Owens Sort of Does, Too

      Travis LeBlanc

      48

    • Why Men Die Younger Than Women

      Jim Goad

      21

    • Why Is Support for Israel Collapsing?

      Morris van de Camp

      9

    • Must Jews Be Able to Feel Safe in Germany?

      Stephen Paul Foster

      19

    • White Solidarity in Action: Ukrainian Refugees in Poland, Part 2

      Jarosław Ostrogniew

      7

    • Remember the Fallen, Fight for the Future

      Gunnar Alfredsson

      3

    • Remembering René Guénon: November 15, 1886–January 7, 1951

      Greg Johnson

      3

    • The Black Gestapo

      Travis LeBlanc

      2

    • White Solidarity in Action: Ukrainian Refugees in Poland, Part 1

      Jarosław Ostrogniew

      4

    • Lebensborn

      Clarissa Schnabel

      4

    • In Defense of English Cooking

      Tom C.

      18

    • Two Nationalisms

      David M. Zsutty

      1

    • The Worst Week Yet: November 5-11, 2023

      Jim Goad

      16

    • A Postmortem on Tommy Robinson’s Armistice Day Rally

      Travis LeBlanc

      6

    • Counter-Currents Radio Podcast No. 559: The Return of Tommy Robinson

      Counter-Currents Radio

      5

    • On White Victimhood

      Spencer J. Quinn

      1

  • Classics Corner

    • Remembering Krzysztof Penderecki (November 23, 1933-March 29, 2020)

      Alex Graham

    • Thanksgiving Day as a Harvest Festival

      Andrew Hamilton

    • Thanksgiving: The Only Holiday Unique to the American Ethny

      C. F. Robinson

      9

    • The Importance of Believing: Terry Pratchett’s Hogfather

      Howe Abbott-Hiss

      6

    • Remembering Madison Grant (November 19, 1865-May 30, 1937)

      Greg Johnson

      3

    • Remembering Wyndham Lewis (November 18, 1882-March 7, 1957)

      Greg Johnson

    • Remembering Sir Oswald Mosley (November 16, 1896-December 3, 1980)

      Greg Johnson

      4

    • Revolution of the Nation

      Sir Oswald Mosley

    • The Feminine Sexual Counter-Revolution and Its Limitations, Part 1

      F. Roger Devlin

      2

    • The Feminine Sexual Counter-Revolution and Its Limitations, Part 2

      F. Roger Devlin

      41

    • America and Israel: United in Struggle

      Alexander Jacob

      16

    • Zionism vs. White Nationalism

      Spencer J. Quinn

      7

    • Debate on Christianity

      Jonas De Geer and Greg Johnson

      42

    • In Defense of Populism

      Greg Johnson

      6

    • The Politics of Nuclear War, Part 3: Israel and the Bomb

      John Morgan

      30

    • For Leo Yankevich: October 30, 1961 to December 11, 2018

      Juleigh Howard-Hobson

      3

    • The Heresy of Christian Zionism: Israel, Christianity, & Genesis 12.2-3

      Irmin Vinson

      31

    • Philosemitism & Brutality

      Andrew Hamilton

      57

    • Charles Ives, American Composer

      Alex Graham

      8

    • Remembering Friedrich Nietzsche
      (October 15, 1844–August 25, 1900)

      Greg Johnson

      5

    • Remembering Aleister Crowley (October 12, 1875–December 1, 1947)

      Greg Johnson

      10

    • Remembering Ralph Vaughan Williams (October 12, 1872–August 26, 1958)

      Alex Graham

      3

    • Archeofuturist Fiction: Frank Herbert’s Dune

      Greg Johnson

      23

    • How to Destroy the Republican Party

      Gregory Hood

      23

    • Remembering Louis de Bonald:
      October 2, 1754–November 23, 1840

      Greg Johnson

    • Remembering Maurice Bardèche
      (October 1, 1907–July 30, 1998)

      Greg Johnson

      4

    • Why Race is Not a “Social Construct”

      Greg Johnson

      19

    • Remembering T. S. Eliot:
      September 26, 1888–January 4, 1965

      Greg Johnson

      2

    • Leo Strauss, the Conservative Revolution, & National Socialism, Part 1

      Greg Johnson

      22

    • Leo Strauss, the Conservative Revolution, & National Socialism, Part 2

      Greg Johnson

      3

  • Paroled from the Paywall

    • The Protocols of Zion Today, Part 2

      Beau Albrecht

    • The Protocols of Zion Today, Part 1

      Beau Albrecht

      8

    • The Rise and Fall of Ibram X. Kendi

      Beau Albrecht

      14

    • Remembering the Great White Hopes of Boxing

      Travis LeBlanc

      10

    • Race and IQ Differences: An Interview with Arthur Jensen, Part 5

      Arthur Jensen

    • Nueva Derecha vs. Vieja Derecha Capítulo 10: El Peso de Hitler

      Greg Johnson

    • Gerald P. Nye: American Patriot and Midwestern Isolationist, Part 2

      Morris van de Camp

    • Gerald P. Nye: American Patriot and Midwestern Isolationist, Part 1

      Morris van de Camp

    • Looking for Mr. Goodbar: A Tale of Disco-Era Debauchery

      Travis LeBlanc

      26

    • Race & IQ Differences: An Interview with Arthur Jensen, Part 4

      Arthur Jensen

    • For Lesbians Only

      Beau Albrecht

      11

    • Why Cartoons Have Potential: A Response to Travis LeBlanc, Part 2

      White Lion Movement

    • Fictionalizing the Right

      Clarissa Schnabel

      5

    • Jack Hinson’s One-Man War

      Spencer J. Quinn

      2

    • The 12 Black Years Since Jared Taylor’s White Identity

      Mark Gullick

      4

    • Exercise Tips for the Anxious

      Gunnar Alfredsson

      3

    • Race & IQ Differences: An Interview with Arthur Jensen, Part 3

      Arthur Jensen

    • It’s Not All About You

      Spencer J. Quinn

      5

    • Counter-Currents Radio Podcast No. 554 How Often Does Pox Think About the Roman Empire? . . . & Other Matters

      Counter-Currents Radio

    • White Altruism Revealed

      Gunnar Alfredsson

      2

    • The Matter with Concrete, Part 2

      Michael Walker

      2

    • The Matter with Concrete, Part 1

      Michael Walker

      4

    • The Captivity Narrative of Fanny Kelly

      Spencer J. Quinn

      11

    • Race and IQ Differences: An Interview with Arthur Jensen, Part 2

      Arthur Jensen

      3

    • The Unnecessary War

      Morris van de Camp

      3

    • Marx vs. Rousseau

      Stephen Paul Foster

      4

    • A Deep Ecological Perspective on the Vulnerability of Eurodescendants

      Francisco Albanese

      3

    • Field of Dreams: A Right-Wing Film?

      Morris van de Camp

      2

    • Jon Stewart’s Irresistible: An Election in Flyover Country

      Beau Albrecht

      3

    • It’s Time to Wind Down the Empire of Nothing

      Morris van de Camp

      1

  • Recent comments

    • Onlooker

      The Worst Week Yet: November 19-25, 2023

      That video is either a traveller family abusing another traveller family into a fight, as they have...

    • Onlooker

      The Anti-Black Plague: “Black Death” of 1347-1351 Kills Half of Europe . . . Black Women Most Affected

      This guy does some good debunking of horseshit like this: https://www.youtube.com/watch?v=...

    • Morris van de Camp

      The Suppression of the Maryland Moderates During the Civil War

      All the historical sources say he converted. https://www.pghistory.org/PG/PG300/begin.html#:~:...

    • Kök Böri

      Ridley Scott’s Napoleon

      At least he is still the greatest Italian general of all times.

    • Kök Böri

      Ridley Scott’s Napoleon

      Most wars of Napoleon were defensive. Even his aggressions were mostly praeventive strikes. The...

    • Kök Böri

      Ridley Scott’s Napoleon

      Ha, Les Visiteurs-3 or Les Visiteurs : La Révolution avec Jean Reno et  Christian Clavier is a good...

    • Antipodean

      The Worst Week Yet: November 19-25, 2023

      I’ve watched it. It’s a very slick production amd overall I thought it quite convincing. It shows...

    • Antipodean

      Ridley Scott’s Napoleon

      The  general portrayed in the film by a negro is Thomas-Alexandre Dumas, who was in fact a mulatto,...

    • David M. Zsutty

      Ridley Scott’s Napoleon

      Imagine if Hollyweird tried to make 300 today. Aside from artificial diversity they wouldn't be able...

    • Beau Albrecht

      Ridley Scott’s Napoleon

      If memory serves, in Napoleon's time, Blacks were barred from entry into France, with the death...

    • Beau Albrecht

      The Worst Week Yet: November 19-25, 2023

      I suspect that it's only a matter of time before Ireland's government finds itself covered in tar...

    • Beau Albrecht

      Are We (Finally) Living in the World of Atlas Shrugged? Part 2

      That's a good take on all this. One little correction, though.  There actually is a non-White...

    • Thor

      The Worst Week Yet: November 19-25, 2023

      "The Irish occupy a unique place in white-identity lore: so feisty, foul-mouthed, and seemingly ill-...

    • James J. O'Meara

      Ridley Scott’s Napoleon

      A needed corrective. Hard to explain the Napoleon-love on the Right, other than that words like "...

    • Margot Metroland

      The Suppression of the Maryland Moderates During the Civil War

      George Calvert, Lord Baltimore, was not a Catholic convert; the Calverts had always been Catholic....

    • Joe Gould

      Ridley Scott’s Napoleon

      Napoleon Bonaparte killed so many White men that the French are shorter today than they should be. (...

    • 156

      The Rise of Jackson Hinkle: Is Twitter’s #1 Anti-Zionist Influencer /OurGuy/?

      Flash in the pan. He's not /ourguy/ and he's not "the one," but there's no denying he may prove...

    • kolokol

      The Worst Week Yet: November 19-25, 2023

      There was a lot of stabbing last week. A lot of nonwhites are stabbing Whites, with intent to kill....

    • kolokol

      The Worst Week Yet: November 19-25, 2023

      So-called "hate speech" is truth speech. The authorities seek to censor it by mislabeling it. They...

    • Al Dante

      Are We (Finally) Living in the World of Atlas Shrugged? Part 2

      Looking at the brownfields of home that have been destroyed by laissez faire, Ayn Rand should be...

  • Book Authors

    • Beau Albrecht
    • Alain de Benoist
    • Kerry Bolton
    • Jonathan Bowden
    • Collin Cleary
    • Jef Costello
    • Savitri Devi
    • F. Roger Devlin
    • Buttercup Dew
    • Julius Evola
    • Jim Goad
    • Gregory Hood
    • Juleigh Howard-Hobson
    • Greg Johnson
    • Charles Krafft
    • Anthony M. Ludovici
    • Trevor Lynch
    • H. L. Mencken
    • J. A. Nicholl
    • James J. O’Meara
    • Christopher Pankhurst
    • Tito Perdue
    • Michael Polignano
    • Spencer J. Quinn
    • Fenek Solère
    • Irmin Vinson
    • Leo Yankevich
    • Francis Parker Yockey
    • Multiple authors
  • Webzine Authors

    Editor-in-Chief

    • Greg Johnson, Ph.D.

    Featured Writers

    • Beau Albrecht
    • Morris V. de Camp
    • Stephen Paul Foster, Ph.D.
    • Jim Goad
    • Alex Graham
    • Mark Gullick, Ph.D.
    • Greg Johnson, Ph.D.
    • Spencer J. Quinn

    Frequent Writers

    • Aquilonius
    • Anthony Bavaria
    • Alain de Benoist
    • Kerry Bolton, Ph.D.
    • Collin Cleary, Ph.D.
    • Jef Costello
    • F. Roger Devlin, Ph.D.
    • Richard Houck
    • Ondrej Mann
    • Margot Metroland
    • John Morgan
    • Trevor Lynch
    • James J. O’Meara
    • Kathryn S.
    • Thomas Steuben
    • Michael Walker

    Classic Authors

    • Maurice Bardèche
    • Jonathan Bowden
    • Julius Evola
    • Guillaume Faye
    • Ernst Jünger
    • Kevin MacDonald, Ph.D.
    • D. H. Lawrence
    • Charles Lindbergh
    • Jack London
    • H. P. Lovecraft
    • Anthony M. Ludovici
    • Sir Oswald Mosley
    • National Vanguard
    • Friedrich Nietzsche
    • Revilo Oliver
    • William Pierce
    • Ezra Pound
    • Saint-Loup
    • Savitri Devi
    • Carl Schmitt
    • Miguel Serrano
    • Oswald Spengler
    • P. R. Stephensen
    • Jean Thiriart
    • John Tyndall
    • Dominique Venner
    • Leo Yankevich
    • Francis Parker Yockey

    Other Authors

    • Howe Abbott-Hiss
    • Michael Bell
    • Buttercup Dew
    • Giles Corey
    • Bain Dewitt
    • Jack Donovan
    • Richardo Duchesne, Ph.D.
    • Emile Durand
    • Guillaume Durocher
    • Mark Dyal
    • Fullmoon Ancestry
    • Tom Goodroch
    • Andrew Hamilton
    • Robert Hampton
    • Huntley Haverstock
    • Derek Hawthorne
    • Gregory Hood
    • Juleigh Howard-Hobson
    • Alexander Jacob
    • Nicholas Jeelvy
    • Ruuben Kaalep
    • Tobias Langdon
    • Julian Langness
    • Travis LeBlanc
    • Patrick Le Brun
    • G A Malvicini
    • John Michael McCloughlin
    • Millennial Woes
    • Michael O’Meara
    • Christopher Pankhurst
    • Michael Polignano
    • J. J. Przybylski
    • Quintilian
    • Edouard Rix
    • C. B. Robertson
    • C. F. Robinson
    • Herve Ryssen
    • Alan Smithee
    • Fenek Solere
    • Ann Sterzinger
    • Robert Steuckers
    • Tomislav Sunic
    • Donald Thoresen
    • Marian Van Court
    • Irmin Vinson
    • Aylmer Wedgwood
    • Scott Weisswald
  • Departments

    • Book Reviews
    • Movie Reviews
    • TV Reviews
    • Music Reviews
    • Art Criticism
    • Graphic Novels & Comics
    • Video Game Reviews
    • Fiction
    • Poems
    • Interviews
    • Videos
    • English Translations
    • Other Languages
      • Arabic
      • Bulgarian
      • Croatian
      • Czech
      • Danish
      • Dutch
      • Estonian
      • Finnish
      • French
      • German
      • Greek
      • Hungarian
      • Italian
      • Lithuanian
      • Norwegian
      • Polish
      • Portuguese
      • Romanian
      • Russian
      • Slovak
      • Spanish
      • Swedish
      • Ukrainian
    • Commemorations
    • Why We Write
  • Archives
  • Top 100 Commenters
  • Private Events
  • T&C
  • About
  • Contact
Sponsored Links
Spencer J. Quinn Above Time Coffee Antelope Hill Publishing Identaria Paul Waggener IHR-Store Asatru Folk Assembly No College Club American Renaissance The Patrick Ryan Show Jim Goad The Occidental Observer
Print May 20, 2021 25 comments

Conan the Barbarian

Trevor Lynch

1,942 words

Over the years, I caught bits and pieces of John Milius’ 1982 movie Conan the Barbarian — starring Arnold Schwarzenegger as the big lug himself — on cable TV. But I was never tempted to watch the whole film. I finally gave in when I started writing my series on Classics of Right-Wing Cinema, and friends urged me to add Conan to my list. I admit that a film about Robert E. Howard’s iconic hero, with visuals borrowed from Frank Frazetta, starring the future California Governator, and directed by Right-wing Jew Milius sounds like a formula for a classic of Right-wing cinema, teeming with paleo-masculine heroics and illiberal political realism. After all, Milius wrote the script for Dirty Harry, which is a genuine paleo-masculine, anti-liberal classic of Right-wing cinema. 

Sadly, though, Conan the Barbarian is nothing like Dirty Harry, but it is very much like its sequel, Magnum Force, also scripted by Milius, in which the character of Harry Callahan is systematically subverted in a decidedly anti-white and politically correct manner. 

The Conan movie went through more than a decade of development hell before finally moving forward with Milius at the helm. Oliver Stone had apparently written a four-hour script set in a post-apocalyptic future. Milius discarded Stone’s script entirely, even though Stone and Milius share the final screenwriting credit. Instead of setting Conan in classical antiquity, Milius sets the story in the Dark Ages, borrowing elements from the Norse and the Mongols. 

Howard’s Conan is a fearsome warrior, but he is also intelligent, witty, learned, and cunning. He can read and write. He is fluent in a number of languages. He can solve problems and crack codes. These traits set him apart in a world teeming with warriors, enabling him to become a king. In short, Howard’s Conan is no mere barbarian. Milius’ Conan is strong and cunning, but otherwise he is an oaf with very few lines. It is impossible to imagine this man becoming a king, because he really is just a barbarian. 

But surely Milius used some of Howard’s 21 Conan stories? No, not really. He borrowed some names and events, but the plot is his invention. This is John Milius’ Conan, not Robert E. Howard’s, which is something of a cheat if you grew up liking Howard’s Conan. Ultimately, though, Milius’ Conan has to be judged on its own merits. 

The story opens with Conan as a child. His father is a blacksmith who explains the “riddle of steel” to his young son. Later, Conan’s village is attacked by a marauding band. Actually, they look like a marauding heavy metal band: Spinal Tap, but with real axes. It is a bit much. 

The band is led by Thulsa Doom, who is played by James Earl Jones. Jones, of course, was the voice of Darth Vader, so he was an iconic choice for a villain. But Jones is a black man, who is as absurdly out of place in Conan’s world as the llama we glimpse later on in the movie. Thulsa Doom has the power to hypnotize people, which he uses on Conan’s mother, who lowers her sword, allowing Thulsa to lop off her head.

The children of the village are marched off as slaves to toil in a mill, where eventually Conan grows up to be a giant, muscular brute played by Schwarzenegger. Then Conan is sold to another master, who makes a gladiator of him. Howard’s Conan was a free man from birth and would never have acquiesced to such treatment. Of course such an origin story could be compelling if Conan overcame it, for instance by gaining his freedom through strength and character. But no, at a certain point, his master just lets a highly profitable slave go. It makes no sense and adds nothing to Conan’s rather murky character and motivations. 

Conan wanders a bit, finding a sword. Then he meets a witch, who seduces him. When she begins transforming into something unsavory, he simply tosses her into the fireplace and leaves. It is genuinely funny. At that point, I wondered if this film was trying to be camp, like Mike Hodges’ 1980 Flash Gordon, which was also produced by Dino De Laurentiis. 

You can buy Trevor Lynch’s Part Four of the Trilogy here.

Conan then rescues Subotai, a thief who has been imprisoned by the witch. Played by Gerry Lopez, dubbed by a Japanese actor, and named after one of Genghis Khan’s generals, Subotai is our white hero’s non-white sidekick. Because those are the rules of Hollywood: no white hero can act without a non-white sidekick.

Conan wants revenge on Thusla Doom. The witch told him that Doom can be found in the city of Zamora, so Conan and Subotai set out for there. In Zamora, they meet Valeria (Sandahl Bergman), a strong, independent female thief, because the rules of Hollywood also dictate that no white hero can be depicted without a strong, independent woman who doesn’t need him. 

When Conan asks about Thulsa Doom’s snake standard, he is told of the towers of the cult of Set: “Two or three years ago, it was just another snake cult,” but now franchises are popping up in every city. At this point, I was wondering if Lorenzo Semple, Jr., of Flash Gordon and the Batman TV series fame, had a hand in the script. 

The three thieves sneak into the tower of Set, where they find one of Thulsa’s heavy metal band feeding nubile females to a giant serpent. They kill the serpent, steal some treasure, and go celebrate. Conan and Valeria become an item.

Suddenly, the trio are arrested and dragged before Osric, the king of Zamora, played by the great Max von Sydow. The fact that he played Emperor Ming in Flash Gordon reinforced the camp interpretation. But then Von Sydow does something quite unexpected. He takes a campy script and gives a riveting and passionate performance. His daughter has joined Thulsa Doom’s snake cult, and he wants to hire the thieves to bring her back. 

Subotai and Valeria don’t wish to risk it. When Valeria gives her case for quitting while they are ahead, again it is well-acted and touching. It is the dramatic high-point of the film, which then lapses back into camp, spectacle, and mindless action. But for a few minutes, we get a sense of the great sword and sorcery movie Conan could have been if Milius had just played it straight, with sincerity rather than irony.

Conan wants revenge, so he heads to Thulsa Doom’s headquarters alone. Milius portrays the Doom cultists as degenerate, credulous flower children being exploited by ruthless sociopaths. Using an amusing ruse, Conan steals a priest’s costume but is caught. Doom makes a rather chilling speech about the relative powers of steel and flesh. By flesh, he really means the hypnotic power of his words over the minds of his followers, which he demonstrates by enticing one to leap to her death. This contrast between words and steel is central to the whole plot, but it also dictates a fundamental change in Conan’s character. Howard’s Conan was a master of steel (well, bronze) and words. Milius’ Conan is an inarticulate thug. 

Doom orders Conan to be crucified on a tree, but Subotai rescues him. Then Subotai, Valeria, and another Asian sidekick, a wizard with an annoying voice named Akiro, use magic to bring Conan back from the brink of death. The wizard warns, however, that the magic will have a heavy toll. Valeria is willing to risk it. Akiro is played by an Asian, because a white hero cannot be aided by a wise white mentor, and Morgan Freeman was otherwise engaged. Those are the rules of Hollywood. 

Once Conan is restored, the three thieves penetrate the temple, where Doom is presiding over a drugged-out orgy and cannibalistic feast. (These people are really disgusting.) Conan and Co. slay the guards and capture the princess. Doom, however, transforms into a serpent and slithers away. Later, as the thieves flee down the mountainside, Doom kills Valeria with an arrow. She interprets her death as the toll for bringing Conan back. 

Conan and Subotai take the princess back to Akiro’s camp, where they prepare for the onslaught of Doom’s troops. His cult consists mostly of women and hippies, so not many men are capable of carrying steel. Using guile and brutality, Conan and friends kill off Doom’s soldiers. Doom flees back to his headquarters. Having lost his steel, he will take refuge behind the flesh of his followers. 

Conan follows and confronts Doom, who tries to beguile him with his hypnotic words until Conan simply chops off his head. It has all the laconic directness of Alexander cleaving the Gordian knot. Call it the argumentum ad barbarum. It is still the swiftest way to silence liars. 

Deprived of their leader, the cultists conveniently disperse, even though they could have mobbed and killed Conan. Conan then burns down their temple and returns the princess to king Osric. The End.

There are many good elements to Conan the Barbarian. Schwarzenegger looks great and moves magnificently in the action sequences, which are snappily choreographed. Bergman and Von Sydow are also good. Jones is out of place, but his voice and menacing presence are used to great effect. He’s a memorable monster. 

The design of the sets, weapons, and costumes is frequently excellent, particularly when inspired by Frazetta. But these elements often stray into the realm of parody. For instance, Thorgrim’s huge hammer is ridiculous. 

Basil Poledouris’ orchestral score is wonderfully old-fashioned and sometimes quite good. At its best, it brings to mind Miklós Rózsa’s glittering, barbaric music for epics like Quo Vadis, El Cid, and Ben Hur. 

I understand why people on the Right like Conan the Barbarian. Conan is a paleo-masculine white hero using cunning and strength to triumph in a world that is savage but also refreshingly free of liberal cant and illusions. Thulsa Doom, with his word magic and hippy cult, is a superb image of modern liberalism: honeyed words and sentimentality on the outside, devil worship, cannibalism, and perversion at the core. 

But Milius’ anachronistic casting of a black villain, plus giving the white hero Asian sidekicks, is pure Hollywood diversity propaganda. Beyond that, if you are going to make a Conan movie, why stray so far from the original character? Isn’t it fraud to call such a radically different character by the same name? 

A Conan film that takes the character and original stories seriously could be great. How great? Peter Jackson’s The Lord of the Rings showed us the heights that sword and sorcery films can attain when artistry and technical skill join with fidelity to the author’s vision and genuine love of the story. 

Admittedly, Howard is no Tolkien. His stories are pulps, but they are classic pulps. They are loaded with anachronisms and improbabilities of their own. All of them could be deepened and tightened. But even unaltered, every one of them is better than what Milius has dished up. I prefer sincere pulp to smirking camp every time. Conan the Barbarian is not a terrible film, but the character and the audience deserve much better. 

The Unz Review, May, 2021

*  *  *

Counter-Currents has extended special privileges to those who donate $120 or more per year.

  • First, donor comments will appear immediately instead of waiting in a moderation queue. (People who abuse this privilege will lose it.)
  • Second, donors will have immediate access to all Counter-Currents posts. Non-donors will find that one post a day, five posts a week will be behind a “paywall” and will be available to the general public after 30 days.

To get full access to all content behind the paywall, sign up here:

Enjoyed this article?

Be the first to leave a tip in the jar!

Instant Echeck GreenPay™
$

Related

  • Ridley Scott’s Napoleon

  • Killers of the Flower Moon

  • The Black Gestapo

  • Lebensborn

  • Andor

  • Odyssey 2.0: Mike Leigh’s Naked, 30 Years On

  • Once Upon a Time in the West, Part 2

  • Once Upon a Time in the West, Part 1

Tags

Arnold SchwarzeneggercampClassics of Right-Wing CinemaConan the BarbariandegeneracyGerry LopezheroismJames Earl JonesJohn Miliusliberalismmovie reviewsperversionRobert E. HowardSandahl BergmanTrevor Lynch

Next

» Ridley Scott’s Napoleon

25 comments

  1. Peter Quint says:
    May 20, 2021 at 7:34 am

    There has only been one actor that can bring the the gravitas, and seriousness to the “Conan” character, and that has been Vladimir Kulich, who played  “Buliwyf” in “The 13th Warrior.” But, he is too small, just as Arnold was too small. Robert E. Howard’s Conan was well nigh a giant (at least 6.8), broad in the beam, mighty of thew, and narrow in the waist. Conan’s speed was such that it would make a panther blush (I took that from one of the stories). Conan’s senses are more than human (eyesight, hearing, taste, touch, and smell).  Conan’s strength was legendary in an era that was replete with strong characters. Conan’s instincts, intuition, and intelligence were sharp, but even with all these things going for him, he still barely survived his adventures–which is as it should be. Everything that has come out of Hollywood pertaining to Conan has been an insult.

     

    0
    0
    1. Peter Quint says:
      May 22, 2021 at 8:53 am

      I want to add to Conan’s preternatural senses, reflexes, speed, and strength, he possessed superhuman endurance, stamina, and durability. He just would not quit, you would have to kill him to keep him from coming back at you. Conan learned everything he knew about fighting on the battlefield, he took the best moves he observed in each fighting style, and did them faster, stronger, and better, and in his line of work he had only one chance to learn these lessons.  Conan was not locked into one oriental fighting style, as we see in that movie–I hated that.

      0
      0
  2. gloob says:
    May 20, 2021 at 7:54 am

    I saw the movie in its original theater run. I had been a Conan fan for years, and had read the paperbacks and collected the comic from its first issue. I was incredibly excited to hear that a Conan movie was coming. I was, however, extremely disappointed with their vision of my hero, his world and exploits.

    I thought Schwarzenegger was totally wrong for the part. Let’s face it, his accent just sounds kind of comical, certainly not heroic. But it was his body that I objected to most. Schwarzenegger has a bodybuilder’s body, something no one from warrior history, real or imagined, would ever have. He’s just plain bloated. A real Conan would have been muscular, yes, but leaner. Someone with fast twitch muscle, capable of speed – something a Schwarzenegger would be incapable of. More like this: (that’s Charles Bronson, of course. But for his diminutive stature, this is something very close to my perfect Conan. (If you’ve never researched Bronson, check out his wikipedia page. Now that’s a real man!)

    And yes, even then, I was disappointed by the multi-racial aspects of the film. Blacks certainly do not belong in a Conan movie, at least not in featured roles. When they got that basketball player (Wilt Chamberlin?) in one of the subsequent films, that was just ridiculous. And women as warriors is just stupid, in fiction and real life. The whole series of Conan movies was pretty much just crap, cheap and cheesy.

    The Conan stories would make for a fantastic film or series of films if taken seriously, but I ain’t holding my breath for that to happen. Certainly, not in my lifetime.

    But that’s okay, I wouldn’t give Jewish Hollywood one red cent of my money at this point.

    0
    0
    1. gloob says:
      May 20, 2021 at 3:28 pm

      Hey Doofus, you forgot the pic. Doh!

      Hopefully this works.

      f960669582f4d91cc81afec34d67d08c.jpg (564×811) (pinimg.com)

      0
      0
  3. DarkPlato says:
    May 20, 2021 at 9:25 am

    I’m thankful you guys got around to discussing Conan the Barbarian, but I’m a little disappointed with your reaction this movie.  I realize it’s not Howard’s Conan, and Arnold is somewhat comical, but I think it captured more of Howard thematically than you give credit.  Milius’s Conan is ultimately a distinct character, more tragic than Howard’s Conan, but memorable in his way.  The film contains much philosophic depth, so I’m perplexed at your lack of interest.  For example, at what point is the riddle of steel answered?  When Conan breaks his father’s sword in the final encounter with Rexor, this proves that steel is unreliable.  It can be broken and turned against you.  The love of Valeria is stronger than forged steel, and ultimately that was unbreakable.  Family and teamwork over self reliance.  Conan could not have achieved his quest without Valeria, Subadai and the wizard.  Thulsa Doom was wrong too.  Flesh and mind control ended up not being more powerful.

    I love the soundtrack.  Notice how each character has a leitmotif that plays when he is in ascendance.  The melody of the character with greater dignity will overpower that of the lesser characters.  Thulsa Doom over Conan, but the princess’s theme overpowers all the others’.  I think this is one of the greatest movie sound tracks, of Wagnerian proportions.  Other composers can be better and more original in particular songs, such as John Williams or Barry, but for a sweeping soundtrack with dramatic structure and overall high quality, only the Good the bad and the ugly might compare.

    Milius’s early move, The Lion and the Wind, also has some good thematic material, although it is a little slow compared to Conan.  I don’t know, maybe I focus too much on things that are childish, but I keep coming back to this movie more than most others.

     

    0
    0
    1. DarkPlato says:
      May 20, 2021 at 9:48 am

      I also wanted to say, the scene where valeria returns from the dead comes from the story Queen of the Black Coast, which is ultimately from ligeia by Poe.  I have to restrain myself because I would like to talk about this movie and Howard for hours!

      0
      0
    2. Lee says:
      May 20, 2021 at 10:53 am

      The highlight of the soundtrack for me is “The Orgy”

      0
      0
      1. DarkPlato says:
        May 20, 2021 at 12:26 pm

        Yes!  That’s the princess’s theme.  It’s orgasmic in its progression, like Guns N’ Roses’s Rocket Queen.  I like beastmaster too, but that’s a pulpier movie than Conan.  I could see making light of that one.  But I warn you, don’t watch Conquest.

        0
        0
        1. Fire Walk With Lee says:
          May 20, 2021 at 5:59 pm

          I made the unfortunate mistake of buying the dvd of Conquest on the strength of Lucio Fulci’s name.  One of the worst movies I have wasted good money on.

          0
          0
      2. Oil Can Harry says:
        May 20, 2021 at 8:56 pm

        I assume The Orgy was inspired by Ravel’s Bolero.

        0
        0
  4. Fire Walk With Lee says:
    May 20, 2021 at 10:52 am

    Great article, but please don’t ruin any more of my childhood favorites for me.  I wanna hear nothing but the highest praises for Beastmaster!😄

    0
    0
    1. Nick Jeelvy says:
      May 22, 2021 at 2:16 am

      If Lynch writes a stinkpiece on the Beastmaster, I’m defecting to NPI/Radix.

      0
      0
  5. Joe Gould says:
    May 20, 2021 at 2:26 pm

    I like that King Osric’s daughter is no prize. She has good looks but a bad attitude, and she has no intention of learning from the mighty valor or the disgusting evil that she has seen. Even though King Osric has done the right things for the right reasons, there is no sign of a happy ending for Osric’s dynasty.

    King Osric can stand for many good White parents in this corruption-addled age. You strive to save your own flesh and blood whether they deserve it or not, and so you should, but where’s your reward?

    0
    0
  6. Lord Shang says:
    May 20, 2021 at 11:03 pm

    To the site moderator:

    I was trying to leave a comment on this thread when I got a weird message ERROR 1006 saying that the website administrator had banned my IP address. After that, not only could I NOT comment, I couldn’t even access CC’s articles!

    Two questions:

    1) Was this a legitimate ban on me personally, or was it a) the result of a cyber attack against CC, or b) a sign that my computer has malware? Note that, lately, trying to access CC directly has involved some new step, whereby one’s browser gets “checked out” before the user gets redirected to CC.

    2) If I have been banned personally by the site, why? I have been a fairly prolific (and intellectually serious) commenter here over the past 3-4 years. I was not aware that I had violated any terms of visit or use.

     

     

    0
    0
    1. Greg Johnson says:
      May 21, 2021 at 12:11 am

      CC has been under DDOS attack since last week. Just send your IP address to [email protected] and we can fix this.

      0
      0
      1. Lord Shang says:
        May 22, 2021 at 1:12 am

        Thank you for your prompt reply. I’m happy to say that the problem seems to have resolved itself. If it recurs, however, then I will just use a proxy server; if that fails, I will seriously consider your offer.

        Alas, I’m about 5 years from formal retirement, and need those years. I live in a very “blue” area, and doxxing could materially impact me greatly. I am therefore loathe to open up the slightest doxxing vulnerabilities, which is why I haven’t even joined the paywall. Once I quit working, I intend to relocate/retire to a very red state where I have relations, and then get more involved in nationalist activism (and maybe some writing, when I’ll have more time).

        Of course, this site is an amazing intellectual resource for nationalists, the best of its kind I know of, so I would definitely act to avoid losing access to reading its wealth of learned articles, past as well as future. Good luck fending off these dastardly attacks.

        0
        0
  7. Niels Ebbesen says:
    May 21, 2021 at 3:44 am

    I disagree, that a Black villain would be out of place in a Conan-story. They feature in a number of Robert E. Howard’s the Conan-stories; ‘The Hour of the Dragon’, ‘Queen of the Black Coast’, ‘Shadows in Zamboula’ and ‘The Vale of Lost Women’ spring to mind.

    They are not even necessarily Conan’s antagonists. In both ‘The Hour of the Dragon’ and ‘Queen of the Black Coast’ Conan spend some time leading Black pirates. However, I never got the impression that either Conan nor Howard was ‘colour-blind’. Even in the two stories I just mentioned, the Blacks are described as unscrupulous and savage raiders.

    In ‘Shadows in Zamboula’ the Blacks are all cannibals, and in ‘The Vale of Lost Women’ Conan breaks his alliance with a Black chieftain, to rescue a White woman captured by that selfsame chieftain, with no motive, besides racial solidarity.

    So, Blacks are the original stories, hovering somewhere between monstrous  beings and untrustworthy allies.

    0
    0
  8. Gunnar von Cowtown says:
    May 21, 2021 at 11:24 am

    We’re really not going to discuss the Nietzscheian aspects of the film?

    At Counter Currents?!?

    Seriously?!?

    ***grumble grumble grumble***… Gonna need a minute….

    I’ll be back.

     

     

     

     

    0
    0
    1. Greg Johnson says:
      May 21, 2021 at 11:32 am

      Aside from the quote at the beginning, they were what?

      0
      0
      1. Gunnar von Cowtown says:
        May 21, 2021 at 12:27 pm

        There’s been a lot written about the influence of Nietzsche on Jack London.  John Milius’s Conan is White Fang in human form. Their story arcs  are remarkably similar; brutal childhood/slave/gladiator/hero.  The Riddle of Steel is analogous to the will to power. It’s the main theme of the film.

        Two things make the ending so memorable and cathartic.

        1. James Earl Jones turns in such a great performance as a villain, that by the end of the movie the audience hates Thulsa Doom almost as much as Conan does. (IIRC, the fact that Jones is black caused much schvitzing and kvetching from Siskel and/or Ebert back in the day.)

        2. There’s no trope of the hero reverting to slave morality.  There is no, “Killing you would just drag me down to your level” moment. Conan exerts a greater will, decapitates Doom with his murdered father’s sword in front of his followers (Hyborean Last Men) and burns his temple to the ground.

        One could argue that Conan never really becomes a hero (ubermensch) until the end of the film.

         

         

        0
        0
        1. DarkPlato says:
          May 21, 2021 at 1:50 pm

          I don’t want to blabber too much, but I would say also the focus on personal realization on Conan in his cohorts’ part, set in opposition to the mystery religions and the life abnegating aspects of thulsa doom’s religion, which is an amalgam of various mystery religions such as Christianity and Buddhism(isn’t “emptiness” a goal of Buddhism?) examples nietzche’s preference for pagan vitality over post axial slave morality.

          0
          0
        2. Nick Jeelvy says:
          May 22, 2021 at 2:19 am

          White Fang is a story of a wild beast being domesticated. Conan doesn’t start as a wild beast, but rather as a slave, he isn’t domesticated, rather he breaks those bounds and becomes a king.

          0
          0
  9. Lord Shang says:
    May 22, 2021 at 12:59 am

    Good review of a movie I saw and shamelessly liked in the theater in the summer before my senior year in college. I have never seen it since, though I vividly recall much of it. I also have never read the Conan stories (unlike The Hobbit and LOTR, both of which I read twice: in grade and then high school, respectively, and then again right before the movie versions came out). Back in ’82, I had a different reaction to the racial aspects (though now I see Lynch’s points better than I would have then). I thought it was cool that the villain was a black seducing and exploiting what I vaguely recall were mostly white dolts. I also didn’t then perceive a problem with the POC sidekicks. My impression was that Conan’s w0rld, unlike LOTR, was meant to be seen as having taken place somewhere in Eurasia, like primitive Central Russia – someplace where (it was implied) different ethnicities intermingled freely. The POCing of Hollywood was very underdeveloped at that point. There were very few nonwhite leading men (that I can recall).I also don’t recall the campiness (except for the annoying, “wise Asian” voice of “Mako”). But maybe I at 20 was still too immature to pick up on something like that unless really obvious. 

    0
    0
  10. Les says:
    May 22, 2021 at 1:26 pm

    1982 was a big year for this type of film.  As well as Conan the Barbarian others released were Ator the Invincible, The Sword and the Sorcerer and The Beastmaster.  One thing I found amusing about the latter is that the actor playing the villain – Rip Torn –  is wearing what appears to be a fake hook nose.

    0
    0
  11. S. Clark says:
    May 23, 2021 at 7:21 am

    Ah, Conan. I saw the movie then, and it was okay, although J. E. Jones was a tad jarring, but better than a later film with the atrocious Grace Jones in it. I remember a wave of sword and sorcery movies coming after Conan, all of them terrible, grist for Mystery Science Theater 3000.

    I’ve read some of the Conan stories, and they’re well done, but I’m not sure they translate to the movies, where the action becomes somewhat one-dimensional and ridiculous. As for Arnold Schwarzenegger, I agree his body is too muscle man for Conan, but Hollywood confuses the two, as they confuse everything.  The film did propel  Arnold’s career, such as it was. As John Podhoretz said:

    ‘Arnold Schwarzenegger became an onscreen quipster of violence precisely because he couldn’t act, and because he was so inherently ludicrous as a physical human object that he was already half-cartoon. He was letting us know he was in on the joke.’

    His Conan wasn’t believable, but neither were his characters in Commando, Predator, and other films. You just sort of go with it, and that was of the 80’s mores. I wonder if he would have done better doing a German film, or would he have been as wooden in German as he is in English? Once he played a character named Harry Phillips. Really? That’s a laugh in itself.

    I think Conan was best realized in comics. I think the Marvel ones illustrated by Gil Kane and also John Buscema  captured Conan, and they had good writers, so he came out as pretty cunning. Later, Dark Horse did a three part series  illustrated by P. Craig Russell, who mostly does opera adaptations, and it was pretty good. He even has Conan wear Bermuda shorts, which seems silly to us, but that was actually how Conan was depicted in the 30’s. Russell is a big believer in following the original sources. Russell also did the script, and Conan is arrogant, clever, and funny…he’s a sharp guy. I don’t think movies can do that. They’re into dumbing down…a jewish concept first mentioned in the 30’s.

    Russell also did a massive comic adaptation of Wagner’s Ring. You should take a look at it.

    If some of you object to reading comic books, well, movies are paper comics, and I think the graphic novel is under appreciated by many in our movement. The problem is, we have been so inundated by anime that we think that’s all there is.

    As for Beastmaster, not into it, but there was an Australian TV series done about the time Xena: Warrior Princess came out. It is, as one Aussie friend of mine said, the stuff you watch for an hour on Saturday between soccer matches, but the lead character is pretty good, with the usual villain chewing the scenery as he cries out ‘bring me Beast master!’, but he does it in an Aussie accent, so that’s okay. Or should I say: ‘okoi.’

    The Conan film was fun, although Sandahl Bergman stands out to me more than Ahhhnold. Maybe her taunting ‘do you want to live forever?’ stays with me…originally said by Frederick the Great to his army.

    0
    0

Comments are closed.

If you have Paywall access,
simply login first to see your comment auto-approved.

Note on comments privacy & moderation

Your email is never published nor shared.

Comments are moderated. If you don't see your comment, please be patient. If approved, it will appear here soon. Do not post your comment a second time.

  • Recent posts

    • The Worst Week Yet: November 19-25, 2023

      Jim Goad

      9

    • Ridley Scott’s Napoleon

      Trevor Lynch

      13

    • Are We (Finally) Living in the World of Atlas Shrugged? Part 2

      Jef Costello

      2

    • The Suppression of the Maryland Moderates During the Civil War

      Morris van de Camp

      2

    • The Anti-Black Plague “Black Death” of 1347-1351 Kills Half of Europe . . . Black Women Most Affected

      Jim Goad

      4

    • We Have Much to be Thankful For

      Greg Johnson

    • All-Star Thanksgiving Weekend Special!

      Greg Johnson

      2

    • Black Friday Special: It’s Time to STOP Shopping for Christmas

      Greg Johnson

      5

    • Are We (Finally) Living in the World of Atlas Shrugged? Part 1

      Jef Costello

      12

    • We Get the Crime We Deserve

      Spencer J. Quinn

      8

    • Nueva Derecha vs. Vieja Derecha, Capítulo 12: La Cuestión Cristiana en el Nacionalismo Blanco

      Greg Johnson

    • Happy Thanksgiving!

      Greg Johnson

      1

    • The Anti-Black Plague: “Black Death” of 1347-1351 Kills Half of Europe . . . Black Women Most Affected

      Jim Goad

      24

    • A Veteran’s Thanksgiving Message

      David M. Zsutty

      3

    • Horses and Heavy Hors d’Oeuvres

      James J. O'Meara

    • Let Elon Cook

      Travis LeBlanc

      3

    • Should We Defend Anti-Semitic Literature?

      Jason Kessler

      6

    • G. Gordon Liddy’s When I Was a Kid, This Was a Free Country, Part 2

      Beau Albrecht

    • Aleister Crowley jako politický teoretik, část 2

      Kerry Bolton

    • The Spanish Protests of 2023

      Asier Abadroa

      8

    • We Told You So, Again

      David M. Zsutty

      11

    • Counter-Currents Radio Podcast No. 560: Is Elon Musk the New Henry Ford?

      Counter-Currents Radio

      1

    • G. Gordon Liddy’s When I Was a Kid, This Was a Free Country, Part 1

      Beau Albrecht

      3

    • The Worst Week Yet: November 12-18, 2023

      Jim Goad

      17

    • What to Do about World War II

      Pox Populi

      5

    • Jimmy the Greek: Race Realism Martyr

      Travis LeBlanc

      4

    • Remembering P. R. Stephensen

      Greg Johnson

    • Why Men Die Younger Than Women

      Jim Goad

      7

    • Is Elon Musk the New Henry Ford?

      Greg Johnson

      3

    • Counter-Currents at the Crossroads

      David M. Zsutty

      21

    • Killers of the Flower Moon

      Trevor Lynch

      19

    • On Generational Identity

      Spencer J. Quinn

      8

    • Osama bin Laden’s Letter to America

      Osama bin Laden

      20

    • Closing Down the Stations of the Cross

      Mark Gullick

      9

    • Elon Musk Names the Jew — and Candace Owens Sort of Does, Too

      Travis LeBlanc

      48

    • Why Men Die Younger Than Women

      Jim Goad

      21

    • Why Is Support for Israel Collapsing?

      Morris van de Camp

      9

    • Must Jews Be Able to Feel Safe in Germany?

      Stephen Paul Foster

      19

    • White Solidarity in Action: Ukrainian Refugees in Poland, Part 2

      Jarosław Ostrogniew

      7

    • Remember the Fallen, Fight for the Future

      Gunnar Alfredsson

      3

    • Remembering René Guénon: November 15, 1886–January 7, 1951

      Greg Johnson

      3

    • The Black Gestapo

      Travis LeBlanc

      2

    • White Solidarity in Action: Ukrainian Refugees in Poland, Part 1

      Jarosław Ostrogniew

      4

    • Lebensborn

      Clarissa Schnabel

      4

    • In Defense of English Cooking

      Tom C.

      18

    • Two Nationalisms

      David M. Zsutty

      1

    • The Worst Week Yet: November 5-11, 2023

      Jim Goad

      16

    • A Postmortem on Tommy Robinson’s Armistice Day Rally

      Travis LeBlanc

      6

    • Counter-Currents Radio Podcast No. 559: The Return of Tommy Robinson

      Counter-Currents Radio

      5

    • On White Victimhood

      Spencer J. Quinn

      1

  • Classics Corner

    • Remembering Krzysztof Penderecki (November 23, 1933-March 29, 2020)

      Alex Graham

    • Thanksgiving Day as a Harvest Festival

      Andrew Hamilton

    • Thanksgiving: The Only Holiday Unique to the American Ethny

      C. F. Robinson

      9

    • The Importance of Believing: Terry Pratchett’s Hogfather

      Howe Abbott-Hiss

      6

    • Remembering Madison Grant (November 19, 1865-May 30, 1937)

      Greg Johnson

      3

    • Remembering Wyndham Lewis (November 18, 1882-March 7, 1957)

      Greg Johnson

    • Remembering Sir Oswald Mosley (November 16, 1896-December 3, 1980)

      Greg Johnson

      4

    • Revolution of the Nation

      Sir Oswald Mosley

    • The Feminine Sexual Counter-Revolution and Its Limitations, Part 1

      F. Roger Devlin

      2

    • The Feminine Sexual Counter-Revolution and Its Limitations, Part 2

      F. Roger Devlin

      41

    • America and Israel: United in Struggle

      Alexander Jacob

      16

    • Zionism vs. White Nationalism

      Spencer J. Quinn

      7

    • Debate on Christianity

      Jonas De Geer and Greg Johnson

      42

    • In Defense of Populism

      Greg Johnson

      6

    • The Politics of Nuclear War, Part 3: Israel and the Bomb

      John Morgan

      30

    • For Leo Yankevich: October 30, 1961 to December 11, 2018

      Juleigh Howard-Hobson

      3

    • The Heresy of Christian Zionism: Israel, Christianity, & Genesis 12.2-3

      Irmin Vinson

      31

    • Philosemitism & Brutality

      Andrew Hamilton

      57

    • Charles Ives, American Composer

      Alex Graham

      8

    • Remembering Friedrich Nietzsche
      (October 15, 1844–August 25, 1900)

      Greg Johnson

      5

    • Remembering Aleister Crowley (October 12, 1875–December 1, 1947)

      Greg Johnson

      10

    • Remembering Ralph Vaughan Williams (October 12, 1872–August 26, 1958)

      Alex Graham

      3

    • Archeofuturist Fiction: Frank Herbert’s Dune

      Greg Johnson

      23

    • How to Destroy the Republican Party

      Gregory Hood

      23

    • Remembering Louis de Bonald:
      October 2, 1754–November 23, 1840

      Greg Johnson

    • Remembering Maurice Bardèche
      (October 1, 1907–July 30, 1998)

      Greg Johnson

      4

    • Why Race is Not a “Social Construct”

      Greg Johnson

      19

    • Remembering T. S. Eliot:
      September 26, 1888–January 4, 1965

      Greg Johnson

      2

    • Leo Strauss, the Conservative Revolution, & National Socialism, Part 1

      Greg Johnson

      22

    • Leo Strauss, the Conservative Revolution, & National Socialism, Part 2

      Greg Johnson

      3

  • Paroled from the Paywall

    • The Protocols of Zion Today, Part 2

      Beau Albrecht

    • The Protocols of Zion Today, Part 1

      Beau Albrecht

      8

    • The Rise and Fall of Ibram X. Kendi

      Beau Albrecht

      14

    • Remembering the Great White Hopes of Boxing

      Travis LeBlanc

      10

    • Race and IQ Differences: An Interview with Arthur Jensen, Part 5

      Arthur Jensen

    • Nueva Derecha vs. Vieja Derecha Capítulo 10: El Peso de Hitler

      Greg Johnson

    • Gerald P. Nye: American Patriot and Midwestern Isolationist, Part 2

      Morris van de Camp

    • Gerald P. Nye: American Patriot and Midwestern Isolationist, Part 1

      Morris van de Camp

    • Looking for Mr. Goodbar: A Tale of Disco-Era Debauchery

      Travis LeBlanc

      26

    • Race & IQ Differences: An Interview with Arthur Jensen, Part 4

      Arthur Jensen

    • For Lesbians Only

      Beau Albrecht

      11

    • Why Cartoons Have Potential: A Response to Travis LeBlanc, Part 2

      White Lion Movement

    • Fictionalizing the Right

      Clarissa Schnabel

      5

    • Jack Hinson’s One-Man War

      Spencer J. Quinn

      2

    • The 12 Black Years Since Jared Taylor’s White Identity

      Mark Gullick

      4

    • Exercise Tips for the Anxious

      Gunnar Alfredsson

      3

    • Race & IQ Differences: An Interview with Arthur Jensen, Part 3

      Arthur Jensen

    • It’s Not All About You

      Spencer J. Quinn

      5

    • Counter-Currents Radio Podcast No. 554 How Often Does Pox Think About the Roman Empire? . . . & Other Matters

      Counter-Currents Radio

    • White Altruism Revealed

      Gunnar Alfredsson

      2

    • The Matter with Concrete, Part 2

      Michael Walker

      2

    • The Matter with Concrete, Part 1

      Michael Walker

      4

    • The Captivity Narrative of Fanny Kelly

      Spencer J. Quinn

      11

    • Race and IQ Differences: An Interview with Arthur Jensen, Part 2

      Arthur Jensen

      3

    • The Unnecessary War

      Morris van de Camp

      3

    • Marx vs. Rousseau

      Stephen Paul Foster

      4

    • A Deep Ecological Perspective on the Vulnerability of Eurodescendants

      Francisco Albanese

      3

    • Field of Dreams: A Right-Wing Film?

      Morris van de Camp

      2

    • Jon Stewart’s Irresistible: An Election in Flyover Country

      Beau Albrecht

      3

    • It’s Time to Wind Down the Empire of Nothing

      Morris van de Camp

      1

  • Recent comments

    • Onlooker

      The Worst Week Yet: November 19-25, 2023

      That video is either a traveller family abusing another traveller family into a fight, as they have...

    • Onlooker

      The Anti-Black Plague: “Black Death” of 1347-1351 Kills Half of Europe . . . Black Women Most Affected

      This guy does some good debunking of horseshit like this: https://www.youtube.com/watch?v=...

    • Morris van de Camp

      The Suppression of the Maryland Moderates During the Civil War

      All the historical sources say he converted. https://www.pghistory.org/PG/PG300/begin.html#:~:...

    • Kök Böri

      Ridley Scott’s Napoleon

      At least he is still the greatest Italian general of all times.

    • Kök Böri

      Ridley Scott’s Napoleon

      Most wars of Napoleon were defensive. Even his aggressions were mostly praeventive strikes. The...

    • Kök Böri

      Ridley Scott’s Napoleon

      Ha, Les Visiteurs-3 or Les Visiteurs : La Révolution avec Jean Reno et  Christian Clavier is a good...

    • Antipodean

      The Worst Week Yet: November 19-25, 2023

      I’ve watched it. It’s a very slick production amd overall I thought it quite convincing. It shows...

    • Antipodean

      Ridley Scott’s Napoleon

      The  general portrayed in the film by a negro is Thomas-Alexandre Dumas, who was in fact a mulatto,...

    • David M. Zsutty

      Ridley Scott’s Napoleon

      Imagine if Hollyweird tried to make 300 today. Aside from artificial diversity they wouldn't be able...

    • Beau Albrecht

      Ridley Scott’s Napoleon

      If memory serves, in Napoleon's time, Blacks were barred from entry into France, with the death...

    • Beau Albrecht

      The Worst Week Yet: November 19-25, 2023

      I suspect that it's only a matter of time before Ireland's government finds itself covered in tar...

    • Beau Albrecht

      Are We (Finally) Living in the World of Atlas Shrugged? Part 2

      That's a good take on all this. One little correction, though.  There actually is a non-White...

    • Thor

      The Worst Week Yet: November 19-25, 2023

      "The Irish occupy a unique place in white-identity lore: so feisty, foul-mouthed, and seemingly ill-...

    • James J. O'Meara

      Ridley Scott’s Napoleon

      A needed corrective. Hard to explain the Napoleon-love on the Right, other than that words like "...

    • Margot Metroland

      The Suppression of the Maryland Moderates During the Civil War

      George Calvert, Lord Baltimore, was not a Catholic convert; the Calverts had always been Catholic....

    • Joe Gould

      Ridley Scott’s Napoleon

      Napoleon Bonaparte killed so many White men that the French are shorter today than they should be. (...

    • 156

      The Rise of Jackson Hinkle: Is Twitter’s #1 Anti-Zionist Influencer /OurGuy/?

      Flash in the pan. He's not /ourguy/ and he's not "the one," but there's no denying he may prove...

    • kolokol

      The Worst Week Yet: November 19-25, 2023

      There was a lot of stabbing last week. A lot of nonwhites are stabbing Whites, with intent to kill....

    • kolokol

      The Worst Week Yet: November 19-25, 2023

      So-called "hate speech" is truth speech. The authorities seek to censor it by mislabeling it. They...

    • Al Dante

      Are We (Finally) Living in the World of Atlas Shrugged? Part 2

      Looking at the brownfields of home that have been destroyed by laissez faire, Ayn Rand should be...

  • Book Authors

    • Beau Albrecht
    • Alain de Benoist
    • Kerry Bolton
    • Jonathan Bowden
    • Collin Cleary
    • Jef Costello
    • Savitri Devi
    • F. Roger Devlin
    • Buttercup Dew
    • Julius Evola
    • Jim Goad
    • Gregory Hood
    • Juleigh Howard-Hobson
    • Greg Johnson
    • Charles Krafft
    • Anthony M. Ludovici
    • Trevor Lynch
    • H. L. Mencken
    • J. A. Nicholl
    • James J. O’Meara
    • Christopher Pankhurst
    • Tito Perdue
    • Michael Polignano
    • Spencer J. Quinn
    • Fenek Solère
    • Irmin Vinson
    • Leo Yankevich
    • Francis Parker Yockey
    • Multiple authors
  • Webzine Authors

    Editor-in-Chief

    • Greg Johnson, Ph.D.

    Featured Writers

    • Beau Albrecht
    • Morris V. de Camp
    • Stephen Paul Foster, Ph.D.
    • Jim Goad
    • Alex Graham
    • Mark Gullick, Ph.D.
    • Greg Johnson, Ph.D.
    • Spencer J. Quinn

    Frequent Writers

    • Aquilonius
    • Anthony Bavaria
    • Alain de Benoist
    • Kerry Bolton, Ph.D.
    • Collin Cleary, Ph.D.
    • Jef Costello
    • F. Roger Devlin, Ph.D.
    • Richard Houck
    • Ondrej Mann
    • Margot Metroland
    • John Morgan
    • Trevor Lynch
    • James J. O’Meara
    • Kathryn S.
    • Thomas Steuben
    • Michael Walker

    Classic Authors

    • Maurice Bardèche
    • Jonathan Bowden
    • Julius Evola
    • Guillaume Faye
    • Ernst Jünger
    • Kevin MacDonald, Ph.D.
    • D. H. Lawrence
    • Charles Lindbergh
    • Jack London
    • H. P. Lovecraft
    • Anthony M. Ludovici
    • Sir Oswald Mosley
    • National Vanguard
    • Friedrich Nietzsche
    • Revilo Oliver
    • William Pierce
    • Ezra Pound
    • Saint-Loup
    • Savitri Devi
    • Carl Schmitt
    • Miguel Serrano
    • Oswald Spengler
    • P. R. Stephensen
    • Jean Thiriart
    • John Tyndall
    • Dominique Venner
    • Leo Yankevich
    • Francis Parker Yockey

    Other Authors

    • Howe Abbott-Hiss
    • Michael Bell
    • Buttercup Dew
    • Giles Corey
    • Bain Dewitt
    • Jack Donovan
    • Richardo Duchesne, Ph.D.
    • Emile Durand
    • Guillaume Durocher
    • Mark Dyal
    • Fullmoon Ancestry
    • Tom Goodroch
    • Andrew Hamilton
    • Robert Hampton
    • Huntley Haverstock
    • Derek Hawthorne
    • Gregory Hood
    • Juleigh Howard-Hobson
    • Alexander Jacob
    • Nicholas Jeelvy
    • Ruuben Kaalep
    • Tobias Langdon
    • Julian Langness
    • Travis LeBlanc
    • Patrick Le Brun
    • G A Malvicini
    • John Michael McCloughlin
    • Millennial Woes
    • Michael O’Meara
    • Christopher Pankhurst
    • Michael Polignano
    • J. J. Przybylski
    • Quintilian
    • Edouard Rix
    • C. B. Robertson
    • C. F. Robinson
    • Herve Ryssen
    • Alan Smithee
    • Fenek Solere
    • Ann Sterzinger
    • Robert Steuckers
    • Tomislav Sunic
    • Donald Thoresen
    • Marian Van Court
    • Irmin Vinson
    • Aylmer Wedgwood
    • Scott Weisswald
  • Departments

    • Book Reviews
    • Movie Reviews
    • TV Reviews
    • Music Reviews
    • Art Criticism
    • Graphic Novels & Comics
    • Video Game Reviews
    • Fiction
    • Poems
    • Interviews
    • Videos
    • English Translations
    • Other Languages
      • Arabic
      • Bulgarian
      • Croatian
      • Czech
      • Danish
      • Dutch
      • Estonian
      • Finnish
      • French
      • German
      • Greek
      • Hungarian
      • Italian
      • Lithuanian
      • Norwegian
      • Polish
      • Portuguese
      • Romanian
      • Russian
      • Slovak
      • Spanish
      • Swedish
      • Ukrainian
    • Commemorations
    • Why We Write
  • Archives
  • Top 100 Commenters
Sponsored Links
Spencer J. Quinn Above Time Coffee Antelope Hill Publishing Identaria Paul Waggener IHR-Store Asatru Folk Assembly No College Club American Renaissance The Patrick Ryan Show Jim Goad The Occidental Observer
Donate Now Mailing list
Books for sale
  • The Cultured Thug
  • Opportunities in Alabama Agriculture
  • Toward a New Nationalism
  • The Trial of Socrates
  • Fields of Asphodel
  • El Manifiesto Nacionalista Blanco
  • An Artist of the Right
  • Ernst Jünger
  • Reuben
  • The Partisan
  • Trevor Lynch’s Classics of Right-Wing Cinema
  • The Enemy of Europe
  • Imperium
  • Reactionary Modernism
  • Manifesto del Nazionalismo Bianco
  • O Manifesto Nacionalista Branco
  • Vade Mecum
  • Whiteness: The Original Sin
  • Space Vixen Trek Episode 17: Tomorrow the Stars
  • The Year America Died
  • Passing the Buck
  • Mysticism After Modernism
  • Gold in the Furnace
  • Defiance
  • Forever & Ever
  • Wagner’s Ring & the Germanic Tradition
  • Resistance
  • Materials for All Future Historians
  • Love Song of the Australopiths
  • White Identity Politics
  • Here’s the Thing
  • Trevor Lynch: Part Four of the Trilogy
  • Graduate School with Heidegger
  • It’s Okay to Be White
  • The World in Flames
  • The White Nationalist Manifesto
  • From Plato to Postmodernism
  • The Gizmo
  • Return of the Son of Trevor Lynch’s CENSORED Guide to the Movies
  • Toward a New Nationalism
  • The Smut Book
  • The Alternative Right
  • My Nationalist Pony
  • Dark Right: Batman Viewed From the Right
  • The Philatelist
  • Confessions of an Anti-Feminist
  • East and West
  • Though We Be Dead, Yet Our Day Will Come
  • White Like You
  • Numinous Machines
  • Venus and Her Thugs
  • Cynosura
  • North American New Right, vol. 2
  • You Asked For It
  • More Artists of the Right
  • Extremists: Studies in Metapolitics
  • The Homo & the Negro
  • Rising
  • The Importance of James Bond
  • In Defense of Prejudice
  • Confessions of a Reluctant Hater (2nd ed.)
  • The Hypocrisies of Heaven
  • Waking Up from the American Dream
  • Green Nazis in Space!
  • Truth, Justice, and a Nice White Country
  • Heidegger in Chicago
  • End of an Era: Mad Men & the Ordeal of Civility
  • Sexual Utopia in Power
  • What is a Rune? & Other Essays
  • Son of Trevor Lynch’s White Nationalist Guide to the Movies
  • The Lightning & the Sun
  • The Eldritch Evola
  • Western Civilization Bites Back
  • New Right vs. Old Right
  • Journey Late at Night: Poems and Translations
  • The Non-Hindu Indians & Indian Unity
  • I do not belong to the Baader-Meinhof Group
  • Pulp Fascism
  • The Lost Philosopher
  • Trevor Lynch’s A White Nationalist Guide to the Movies
  • And Time Rolls On
  • Artists of the Right: Resisting Decadence
  • North American New Right, Vol. 1
  • Some Thoughts on Hitler
  • Tikkun Olam and Other Poems
  • Summoning the Gods
  • Taking Our Own Side
  • Reuben
  • The Node
  • The New Austerities
  • Morning Crafts
  • The Passing of a Profit & Other Forgotten Stories
Copyright © 2023 Counter-Currents Publishing, Ltd.

Paywall Access





Please enter your email address.

Lost your password?

Edit your comment