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The outlook wasn’t brilliant for the Mudville nine that day;
the score stood four to two, with but one inning more to play.
And then when Cooney died at first, and Barrows did the same,
a sickly silence fell upon the patrons of the game. (more…)
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Today is the birthday of Gabriele D’Annunzio, novelist, poet, playwright, aesthete, dandy, playboy, war hero, and the first fascist dictator, who from 1919 to 1920 ruled over the Adriatic city-state of Fiume, establishing many of the political and aesthetic forms followed by Mussolini a few years later.
To learn more about D’Annunzio’s life and accomplishments, see the following works on this site: (more…)
1,297 words
The nation-state is the triangulation of people, territory, and sovereignty. If this triangulation is threatened, the idea of the State itself is threatened.
Of course, we know that the idea of a people is under attack in the West: the Left, the progressives, and the liberals (more…)
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Porco Rosso is one of the more famous Studio Ghibli films, released in 1992. It is the midpoint of an unofficial Miyazaki trilogy examining flight as a method of personal and national liberation, beginning with 1989’s Kiki’s Delivery Service, and concluding with 2013’s The Wind Rises. Porco Rosso is the strongest of the three, being bright, bold, and easy to follow whilst touching on more serious themes than its premise might suggest. (more…)
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Reviewing a story collection in 1925, an American critic compared Gabriele d’Annunzio’s influence on the Italian mindset to that of Rudyard Kipling in England. “[T]o understand him is to understand pre-war and immediately post-war Italy.” [1] That sort of remark is almost inaccessible to us today; when we think of the Great War, if we think of the Great War at all, we surely don’t automatically think of Kipling or d’Annunzio. That is one hurdle in approaching d’Annunzio today. (more…)
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Today is the birthday of Gabriele D’Annunzio, novelist, poet, playwright, aesthete, dandy, playboy, war hero, and the first fascist dictator, who from 1919 to 1920 ruled over the Adriatic city-state of Fiume, establishing many of the political and aesthetic forms followed by Mussolini a few years later.
To learn more about D’Annunzio’s life and accomplishments, see the following works on this site: (more…)
966 words
“What is in store for my children tomorrow?”
— Steiner, from the movie La Dolce Vita (1961)
I was staying in Neive, a tiny red-roofed Piedmont village caught in a time-warp, where the traditions and ingrained habits of centuries, like the rolling vine-clad hills, remain unchanged. (more…)
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Anthony Minghella’s The Talented Mr. Ripley (1999) has been one of my favorite films since I saw it on the big screen while living in darkest Atlanta. A few years later, post-red pill, I bought the DVD and was struck anew at the brilliance of the script, performances, and direction. But I was also struck by the sheer whiteness of this film, which is set in 1958 and 1959 in New York City and Italy (Rome, Venice, the Bay of Naples). There’s nothing new about the idea of “escapist” entertainment. (more…)
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In Part 1 of my detailed examination of Kevin MacDonald’s Individualism and the Western Liberal Tradition: Evolutionary Origins, History, and Prospects for the Future (2019) I covered MacDonald’s argument in chapter one that Europe’s founding peoples consisted of three population groups: (more…)
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In what is quite clearly emerging as a worldwide Deep State tactic to hamstring the rise of national populism wherever “the system” sees it raising its ugly head, we have — closely following the Trump impeachment saga and the arraignment of Marine Le Pen for posting violent ISIS images on her Twitter account — the withdrawal of the right to immunity for Matteo Salvini, (more…)
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It’s February 14th, and love is in the air. What better way to soundtrack today’s romantic escapades than with Alessandra Mussolini — the granddaughter of Il Duce himself — and her sultry, Japanese-released city-pop record, Amore?
Released in 1982 exclusively for the Japanese market, (more…)
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“The legionary spirit is that fire of one who will choose the hardest road, who will fight to the death even when all is already lost.” — Julius Evola (more…)