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English version here
Je n’avais jamais entendu parler d’Estelle Redpill jusqu’à la semaine dernière. En parcourant Antifa Twitter, j’ai trouvé quelqu’un qui pointait du doigt un article du Financial Times sur la soi-disant «fachosphère» qui, selon le Times, est un raccourci français pour «sphère fasciste», une sorte d’Alt Right française. Le Financial Times a choisi Estelle Rodriguez, 25 ans, mieux connue sous son nom de guerre Estelle Redpill, pour être le visage de la « fachosphère ». Et c’est un visage mémorable. (more…)
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French original here
I had never heard of Estelle Redpill until last week. Browsing through Antifa Twitter, I found someone pointing and sputtering at an article in the Financial Times about the so-called “fachosphere,” which the Times assures me is French shorthand for “fascist sphere” — a sort of French Alt Right. The Financial Times selected 25-year-old Estelle Rodriguez, better known by her nom de guerre Estelle Redpill, to be the face of the “fachosphere” — and a memorable face it is. (more…)
Contemporary illustration of the Beast of the Gévaudan
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“The consternation is universal throughout this district,” began a frenzied letter dashed off from the French town of Marvejols. Sometime “in the night we had a great storm here attended with lightning and thunder such as we have scarcely known in the greatest heats of summer.” The “wild Beast which hath long” haunted the forests “of St. Come, four leagues from hence,” has carried off “a shepherdess 18 years of age, who was celebrated for her beauty.”[1] Non, my friends, ce n’était pas un film de Disney. C’était vrai! Dated November 23, 1764, this note spread word of a true horror that had for months stalked the southern gorges of France. (more…)
Like most illustrations of this kind, Death seems to be having a grand ol’ time.
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Prologue: The Styx
The half-light of an autumn evening reflected off the Old River and into the face of the boatman. Over and under each subtle ripple and eddy, his eyes darted here to there so quickly that his gaze seemed fixed. As if he took in the whole broad sweep of the Thames with a hungry look-out. Next to him, and charged with steering the dinghy, stooped a young girl, his daughter. She “watched his face as earnestly as he watched the river. But in the intensity of her look, there was a touch of . . . horror.” (more…)
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Part 1 here, Part 2 here
You can watch The Big Parade in its entirety here.
Released in 1925, The Big Parade would go on to become the 2nd largest-grossing film of the entire silent film era. Only Birth of a Nation made more money. The Big Parade was so popular that it played in some theaters continuously for a year and at the Astor Theater in New York for two years. (more…)
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Part 1 here, Part 3 here
The Four Horsemen of the Apocalypse is in the public domain. You can watch it here.
The Four Horsemen of the Apocalypse is best remembered today for being the film that launched the career of Rudolf Valentino. (more…)
Muriel Gantry
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Editor’s Note: The following text by Muriel Gantry (1913–2000) is a bit more than half of the “Curriculum Vitae of Muriel Gantry: All You Ever Wanted to Know and a Great Deal You Probably Didn’t,” which she prepared in 1995 for Nicholas Goodrick-Clarke, who was writing a biography of her friend Savitri Devi. (more…)
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I was interviewed by the French nationalist and Breton regionalist webzine Breizh-Info on the occasion of the publication of the French translation of The White Nationalist Manifesto, which you can buy from Akribeia. This is the English original of my interview.
Can you introduce yourself to our readers?
I am an American. I hold a Ph.D. in philosophy. I am the author of sixteen books about politics, philosophy, and film, most recently White Identity Politics. (more…)
Jules Chéret, 1880 Parisian advertisement for a recurring Saturday masque performance
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On April 19, Counter-Currents instituted a paywall for articles and podcasts that will be made freely available 30 days later. This article by Kathryn S. was one of the first items to go behind the paywall, and is now one of the first items to be released to everyone else. More information about how to get behind the paywall can be found below. (more…)
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words
There’s a guy I used to be friends with on Twitter a few years ago. He was Jewish, but you would never guess. He would only mention it in passing once in a blue moon. (more…)
Jules Chéret, 1880 Parisian advertisement for a recurring Saturday masque performance
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This past winter I lost my last grandparent — the most stubborn one, still to the end a strict English schoolteacher after having long since retired from the profession in the 1970s. She suffered through the desegregation years while working at Marshall High and was never dishonest about the experience. She possessed that combination of Southern decorum and irascible (and accurate) bluntness, which gave her the ability to reduce anyone, including 250-pound, six-foot-three black football players, to tears. (more…)
Jean Raspail as photographed by Pascal Parrot in 1981.
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On June 13, 2020, the French explorer and novelist Jean Raspail died in Paris at the age of 94. Many were the nationalists, identitarians, and traditional Catholics who paid tribute at his passing. Former European MP and co-founder of the European identity movement Iliade, Jean-Yves Gallou, stated that Raspail was “the man who foretold the destructive impact of blame culture and anti-racism on our civilization back in 1973.” (more…)
Detail, George Vertue, King Edward I, 1734.
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In many ways, America and Britain’s sociopolitical circumstances parallel those of the reigns of King John, King Henry III, and King Edward I, a period of 108 years. [1]
Jewish financial swindles and cultural corruption plagued England, as well as involvement in foreign quagmire wars in France, Sicily, and the Levant. Foreign advisors were also influencing the King. (more…)
Danses de Jadis (Dances in Times Past), George Barbier, 1921
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This is an old and very cruel god . . .
We will endure;
We will try not to wince . . .
If indeed it is for your sakes,
If we perish or moan in torture,
Or stagger under sordid burdens
That you may live —
Then we can endure . . .
Without utter bitterness.
But, O thou old and very cruel god,
Take, if thou canst, this bitter cup from us. [1] (more…)
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Albert Camus
Trans. Joseph Laredo
The Stranger
London: Penguin, 2000 (1942)
“I love my country too much to be a nationalist.”
— Attributed to Albert Camus (more…)
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While traveling the past few weeks, I kept thinking about the upcoming 2020 US presidential election. More precisely, I kept wondering whether this election would be the final straw that breaks the camel’s back. (more…)
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Polish version here
French President Emmanuel Macron issued a declaration of war this month against radical Islam after a school teacher was stabbed to death for showing Muhammad cartoons to his class. “What we must attack is Islamist separatism,” Macron said earlier this month. The president emphasized that “secularism is the cement (more…)
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Translated by Greg Johnson
Nicolas Gauthier: With his speech at Les Mureaux, and his promise to begin fighting “Islamic separatism,” Emmanuel Macron seems to have discovered previously unglimpsed realities. Is this to his credit? Can we say that he is now regaining control?
Alain de Benoist: Macron has many faults, but he’s not a complete idiot. (more…)
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A blue lorry, a tarpaulin over the back, drew up alongside the BMW. The driver signaled to Mesrine that he wanted to cut across him to turn right. Mesrine waved him on and then noticed with apprehension that another lorry was drawn up behind him. The first lorry drove in front of him and stopped suddenly, right in the path of the BMW. (more…)
Phil Eiger Newmann, Don’t Tread on Us, 2020.
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Translated by Greg Johnson
The US presidential election is fast approaching. Personally, do you want Donald Trump to be re-elected? Would a second term of this president please you, if only to see the faces of his opponents, American and European?
Alain de Benoist: I would like his re-election, but by default, for lack of something better. As you know, this character doesn’t thrill me that much. (more…)
Auguste Raffet, Attack and take of the Crête-à-Pierrot, 1839.
2,671 words
Part I
As Saint-Domingue sank ever deeper beneath the churning waves of black filth, those whites fortunate enough to survive fled for the greater Caribbean, including the antebellum American South. The colonists were no longer welcome in their home of France, (more…)
Pierre-Jean Boquet, The Burning of Cap Français, 1791.
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The monumental significance of the fall of Saint-Domingue, the crown jewel of the French colonial empire, and its ensuant descent into the African savagery of Haiti cannot be overstated. The terrible birth of Haiti as a mangled, stillborn phoenix from a river of white blood (more…)
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Part 1
Other than living near types like Faÿ, Toklas, and the guys, Stein had “indirect ties, notably through her close friendship with a French personalist philosopher named Henri Daniel-Rops.” (more…)
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Brigitte Anne-Marie Bardot is a famed French actress, singer, pop culture icon, and accidental provocateur. Bardot’s marks on pop culture include her popularization of the bikini, the eponymous Bardot neckline, and her collection of absurdly fun and often intriguing slices of French pop music that feel both timeless in their replay value yet (more…)
Alain de Benoist
888 words
Translated by Greg Johnson
Now that things seem to be on the mend, can we say that the government, even if manifestly taken aback, has done too much, too little, or just enough in the face of the epidemic?
There is no other word for it: the reaction of the authorities to Covid-19 has been truly calamitous. Five months after the start of the epidemic, we still have not reached the screening capacity that we should have had when the first deaths appeared. (more…)
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Claude Sarraute: “And what, in your opinion, is the tragic element of our epoch?”
Céline: “Stalingrad. There’s the catharsis for you. The fall of Stalingrad was the end of Europe. There’s a cataclysm. The epicenter was Stalingrad. After that you can say white civilization was finished, really washed up.” (more…)
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“The James Dean of French Fascism.”– Alice Kaplan, author of The Collaborator: The Trial and Execution of Robert Brasillach (2001)
Such a description of the puny, bespectacled, and boyish-looking poet — especially coming from the daughter of a Nuremberg prosecutor — seems to be either thinly barbed facetiousness or malignant irony. (more…)
Alphonse de Châteaubriant
369 words / 58:30
To listen in a player, click here. To download the mp3, right-click here and choose “save link as” or “save target as.”
This is a lost London Forum talk by Michael Walker on four French artists of the Right: Alphonse de Châteaubriant, Louis-Ferdinand Céline, Pierre Drieu La Rochelle, and Robert Brasillach. (more…)
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Pierre Drieu La Rochelle was born on this day in 1893. In commemoration, I wish to draw your attention to the following works on this site:
(more…)
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