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I am the last of the famous international playboys. — Morrissey, song of the same name
Reggae music is vile. — Morrissey, 1980s interview
It began as one of those pub conversations about culture and art. You know how it is: Four or five guys (no chicks, please; they tend not to know much about music, and they are a distraction) not so much shooting the breeze as machine-gunning it. (more…)
William Blake, Mrs. Q, ca. 1815
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“The more I see of the world, the more am I dissatisfied with it.” — Jane Austen, Pride and Prejudice
The last article of mine that our editors at Counter–Currents kindly published was about the masculine topic of military history. To complement a foray into the Napoleonic Wars, I included a clip from the 1970 film Waterloo.[1] In the comments, a reader shared an observation about one of the few Waterloo scenes that did not take place on a battlefield. Instead, this particular scene immersed audiences in a Brussels high-society fête, where the Duchess of Richmond hosted the Duke of Wellington’s officers at her famous summer Ball of 1815. (more…)
Jules Chéret, 1880 Parisian advertisement for a recurring Saturday masque performance
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On April 19, Counter-Currents instituted a paywall for articles and podcasts that will be made freely available 30 days later. This article by Kathryn S. was one of the first items to go behind the paywall, and is now one of the first items to be released to everyone else. More information about how to get behind the paywall can be found below. (more…)
Jules Chéret, 1880 Parisian advertisement for a recurring Saturday masque performance
8,691 words
This past winter I lost my last grandparent — the most stubborn one, still to the end a strict English schoolteacher after having long since retired from the profession in the 1970s. She suffered through the desegregation years while working at Marshall High and was never dishonest about the experience. She possessed that combination of Southern decorum and irascible (and accurate) bluntness, which gave her the ability to reduce anyone, including 250-pound, six-foot-three black football players, to tears. (more…)
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Of peasant ancestry on his father’s side and boasting aristocratic (boyar) maternal roots, the Romanian poet, prose writer, and editorialist Mihai Eminescu (1850-1889) had not put his modest inherited wealth to waste. Educated in the German language since childhood, Eminescu was culturally — if not always geopolitically — an enthusiastic Germanophile. (more…)
Caspar David Friedrich, Greifswald in Moonlight, 1817.
9,130 words
As men and women of the Right, we are searchers for Truth. We believe that by finding Truth and living by Truth, we might know Beauty, and we might know ourselves. Essence is our mission and with it, survival. And so this essay will try to surface and then sketch three fundamental “lifeways,” (more…)
Phil Eiger Newmann, Beethoven, 2020.
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Today is the 250th anniversary of the christening of Ludwig van Beethoven, a titan of classical music and one of the greatest composers of all time. Beethoven transformed every genre in which he wrote and singlehandedly changed the trajectory of classical music. Rooted in the Classical idiom of Mozart and Haydn, he paved the way for the Romantic era and influenced composers such as Brahms, Liszt, and Wagner. His works remain cornerstones of the classical repertoire. (more…)
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As an American, I find European theories about this country and its character intriguing (or amusing) — particularly those formed from intimate experience. Of course, such theories presuppose that there is and has been such a thing as “the American people,” or “ethny” from which to draw an assessment. I submit two, not quite antithetical, but competing European judgments about the United States. (more…)
Benjamin Haydon, The Anti-Slavery Convention, 1840, 1841.
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The white race is uniquely altruistic. Why? This is a very difficult question to answer. It is easy to understand altruistic behavior for the benefit of one’s family members. This is common among animals. Mother bears will put their lives in danger to protect their cubs from attack. Sacrifices for one’s relatives and ingroup ethnic members (more…)
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An important question for those on the Dissident Right to ask is how humans ought to relate to nature; both their own “human nature” as well as the “outside” world. Depending on one’s religious beliefs, this might be the most important question there is. History seems to indicate two conventional approaches to this question. (more…)
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Why does Scruton not examine the role of Melot in Death-Devoted Heart more closely?
Tristan und Isolde echoes themes from Romeo and Juliet and Othello, so it is unlikely that Wagner did not have both plays in mind when he composed his opera. The Othello theme is especially clear in the regrets expressed by King Marke that he could not clearly see, just as Othello could not clearly see. Melot, like Iago, faces death if he cannot make good the claim of adultery; (more…)
