Ernst Jünger
Ernst Jünger
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Any power struggle is preceded by a verification of images and iconoclasm. This is why we need poets — they initiate the overthrow, even that of titans. — Ernst Jünger, The Forest Passage
Generations of dissident nationalists and their work have cultivated a thriving philosophical and intellectual ecosystem both online and in print. The Internet in particular has provided fertile terrain for countless blogs, vlogs, podcasts, and more. (more…)
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The following is the text of Ruuben Kaalep’s opening talk from the Spring Conference that was held in Tallinn on May 13-14, 2023.
I. ETHNICITY
How to secure ethnic continuity? This is a fundamental question that has been asked by nationalists in every country around the world. I will go a step further and say that it is a fundamental nationalist question. One who knowingly and positively asks this question is an ethnic nationalist. (more…)
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Greg Johnson welcomed Alexander Adams (WordPress, Substack), author of the recently-published book from Imperium Press Blood, Soil, Paint, to the latest broadcast of Counter-Currents Radio, where they discussed Romanticism and modern art. It is now available for download and online listening. (more…)
A daguerreotype of F. W. J. Schelling from 1848, the first known photograph of a philosopher.
A daguerreotype of F. W. J. Schelling from 1848, the first known photograph of a philosopher.
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Part 1 of 2 (Part 2 here)
1. Introduction: A Philosophical Rebel
This essay is a continuation of my series on “Heidegger’s History of Metaphysics.” With Friedrich Wilhelm Joseph Schelling (1775-1854) we have reached a significant milestone, in a number of ways. Behind us, in our journey toward Gelassenheit, we have Plato, the philosophers of the Middle Ages, Descartes, Leibniz, Kant, and Fichte. Ahead of Schelling we have only two more philosophers to discuss, Hegel and Nietzsche, before we turn to cover in more detail Heidegger’s response to the metaphysical tradition and to modernity. (more…)
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I am the last of the famous international playboys. — Morrissey, song of the same name
Reggae music is vile. — Morrissey, 1980s interview
It began as one of those pub conversations about culture and art. You know how it is: Four or five guys (no chicks, please; they tend not to know much about music, and they are a distraction) not so much shooting the breeze as machine-gunning it. (more…)
William Blake, Mrs. Q, ca. 1815
William Blake, Mrs. Q, ca. 1815
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“The more I see of the world, the more am I dissatisfied with it.” — Jane Austen, Pride and Prejudice
The last article of mine that our editors at Counter–Currents kindly published was about the masculine topic of military history. To complement a foray into the Napoleonic Wars, I included a clip from the 1970 film Waterloo.[1] In the comments, a reader shared an observation about one of the few Waterloo scenes that did not take place on a battlefield. Instead, this particular scene immersed audiences in a Brussels high-society fête, where the Duchess of Richmond hosted the Duke of Wellington’s officers at her famous summer Ball of 1815. (more…)
Jules Chéret, 1880 Parisian advertisement for a recurring Saturday masque performance
Jules Chéret, 1880 Parisian advertisement for a recurring Saturday masque performance
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On April 19, Counter-Currents instituted a paywall for articles and podcasts that will be made freely available 30 days later. This article by Kathryn S. was one of the first items to go behind the paywall, and is now one of the first items to be released to everyone else. More information about how to get behind the paywall can be found below. (more…)
Jules Chéret, 1880 Parisian advertisement for a recurring Saturday masque performance
Jules Chéret, 1880 Parisian advertisement for a recurring Saturday masque performance
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This past winter I lost my last grandparent — the most stubborn one, still to the end a strict English schoolteacher after having long since retired from the profession in the 1970s. She suffered through the desegregation years while working at Marshall High and was never dishonest about the experience. She possessed that combination of Southern decorum and irascible (and accurate) bluntness, which gave her the ability to reduce anyone, including 250-pound, six-foot-three black football players, to tears. (more…)
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Of peasant ancestry on his father’s side and boasting aristocratic (boyar) maternal roots, the Romanian poet, prose writer, and editorialist Mihai Eminescu (1850-1889) had not put his modest inherited wealth to waste. Educated in the German language since childhood, Eminescu was culturally — if not always geopolitically — an enthusiastic Germanophile. (more…)
Caspar David Friedrich, Greifswald in Moonlight, 1817.
Caspar David Friedrich, Greifswald in Moonlight, 1817.
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As men and women of the Right, we are searchers for Truth. We believe that by finding Truth and living by Truth, we might know Beauty, and we might know ourselves. Essence is our mission and with it, survival. And so this essay will try to surface and then sketch three fundamental “lifeways,” (more…)
Phil Eiger Newmann, Beethoven, 2020.
Phil Eiger Newmann, Beethoven, 2020.
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Today is the 250th anniversary of the christening of Ludwig van Beethoven, a titan of classical music and one of the greatest composers of all time. Beethoven transformed every genre in which he wrote and singlehandedly changed the trajectory of classical music. Rooted in the Classical idiom of Mozart and Haydn, he paved the way for the Romantic era and influenced composers such as Brahms, Liszt, and Wagner. His works remain cornerstones of the classical repertoire. (more…)
