Tag: neofolk

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English original here

Na obalu debutového alba projektu Überfolk Music for Nations se mezi kopci vine stezka někam do dáli, symbol cesty k ideálu. Takováto cesta ale nevyhnutelně bývá nesnadná a vede prachem, blátem i trním pozemského života. Tento obraz dobře vystihuje hudbu recenzovaného dvojalbového projektu, jelikož Music for Nations skutečně vypráví o lidech s kořeny, lidech otevřených vizi, lidech spojených sdíleným původem i osudem. (more…)

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“Every act of beauty is a revolt against the modern world. “

Rome has stuck to the rule of releasing a new album every year. 2019 was no exception, and the band delighted some of us with the album Le Ceneri Di Heliodoro — some, because some will lose their illusions about the band after reading my article. (more…)

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Robert N. Taylor was born in 1945 and grew up in a working-class neighborhood on the south side of Chicago. As a member of both the psychedelic underground as well as the anti-Communist paramilitary organization The Minutemen, Taylor participated directly in the violent social upheavals of the 1960s. In 1969 he started the music group Changes with his cousin, Nicholas Tesluk. After its revival in 1996, the group would go on to become a seminal part of the American apocalyptic folk genre. (more…)

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I would like to introduce the Italian neofolk band Ianva (translated as Genoa) and their album La Mano di Gloria. Ianva started playing around 2003, bringing together different musical styles such as classical music, weird-sounding gothic, progressive rock, Black Metal, and music from the 1920s and ’30s. (more…)

Wawel Castle in Kraków, Poland

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Part 1 here

This part of the interview was published in the XXXIV issue of the magazine Reconquista.

In this part, Jaroslaw will discuss metapolitics, Polish culture, music, art, his travels, and writing. (more…)

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Rome is the project of Luxembourgish multi-instrumentalist Jerome Reuter. Genre-wise, one could call Rome “neofolk,” if one assumes that “neofolk” as a genre simply describes reedy guitars and deliberately vague attempts at mysticism. That describes the music of Rome to a T, a project that attempts to synthesize the often-complicated (more…)

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Crisis was an English punk-rock band formed in 1977 in Surrey. Their initial lineup consisted of Insect Robin the Cleaner, Phrazer, and the most famous two who didn’t have absurd nicknames: Douglas Pearce and Tony Wakeford. Crisis was explicitly a Leftist band, appearing at various Rock Against Racism concerts and collaborating with artists and organizers from the Anti-Nazi League. (more…)

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Changes can be considered the very first example of a neofolk band. Formed in 1969 by cousins Robert N. Taylor and Nicholas Tesluk, Changes has its roots in the earliest days of the folk revival and hippie scenes in the United States. (more…)

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Essence! is the most recent batch of material from Douglas Pearce’s Death in June, released on November 30, 2018. Essence! pulls from the earlier output of 90s Death in June, including its eclectic sampling work, noisy elements, and tastefully perverse whip-cracks for its compositions. Pearce brings the Death in June sound into the modern age, however (more…)

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Sol Invictus, fronted by Tony Wakeford, is one of the “neofolk” scene’s best-known groups, alongside Death in June and Current 93. Sol Invictus emerged following Wakeford’s departure from Death in June — and later departure from controversial Above the Ruins — with a sound that progressively became lighter and more classically-inspired than most of what can be considered “neofolk.” (more…)

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Current 93 is a neofolk group fronted by David Tibet. Its name is derived from Aleister Crowley’s numerological manipulation of the words Thelema and agape, the “93 Current” of the present age.

If that’s not weird enough for you, it gets better! (more…)

Throbbing Gristle. From left: Sleazy, Genesis, Cosey, and Chris.

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Visual artist, composer, singer, DJ, and general architect of chaos Genesis P-Orridge passed away on March 14, 2020. The Dissident Right shares a surprising amount of common ground with the counterculture icon — and owes some of its aesthetics and methods to them [1] as well.

Born February 22nd, 1950 in Manchester, Neil Andrew Megson adopted the name Genesis P-Orridge — a woo-ish corruption of the word “porridge” — while living in London. (more…)

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Released 12 years ago yesterday, March 3rd, 2008, Death in June’s The Rule of Thirds is a somber and introspective record that tussles with the concepts of aging and death, love lost, and the decay of the surrounding world. It’s recorded in the characteristic stripped-back, solemn, guitar-centric style of Douglas Pearce, Death in June’s sole constant member, (more…)