A lot has been said about Bret Easton Ellis’ American Psycho as well as Mary Harron’s screen adaptation. Many in our sphere love this story for a multitude of reasons, and many more dismiss it. Both sentiments have their merits, but I’d like to add yet another take: Patrick Bateman is what you get when you fully embrace the modern era’s decadence and status quo. (more…)
Counter-Currents