You can buy Collin Cleary’s Wagner’s Ring & the Germanic Traditionhere.
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Collin Cleary Wagner’s Ring and the Germanic Tradition Wagnerphile Books, 2021
Richard Wagner is a cornerstone of Western culture. He is one of the few composers that still receive mainstream attention in the 21st century, but usually for negative reasons. Hacks can’t resist the temptation to bash him for his alleged proto-Nazism and anti-Semitism. Even if critics see him as a predecessor to Hitler, many of them still enjoy his music. Few doubt he was a great musician.(more…)
It has been some time since I have published an installment in this series (the last, in fact, was in November 2019). After more than a year of research and reflection, I am ready to return to the story of Sigurd, Fafnir’s Bane. (more…)
A manuscript containing Hitler’s ideas for an opera entitled Wieland der Schmied, inspired by Wagner’s draft for a libretto of the same name, was recently put on display for the first time at the Museum Niederösterreich. The museum is currently running an exhibit on Hitler’s early life featuring artifacts collected by August Kubizek between 1907 and 1920. (more…)
Richard Rudgley The Return of Odin: The Modern Renaissance of Pagan Imagination
Rochester, Vt.: Inner Traditions, 2018
Richard Rudgley is a British author who has published several books offering unconventional interpretations of the ancient and prehistorical eras of Northern European history, as well as works on psychedelics. (more…)
In our last installment, we saw how Queen Hjordis, pregnant with Sigurd, is taken in by King Alf, son of King Hjalprek of Denmark. Before his death, Sigmund had prophesied that his son “will become the greatest and most famous of our family.” Sigmund also entrusts to Hjordis the fragments of his sword, broken by Odin. “Take good care also of my sword’s fragments,” Sigmund tells her. “A good sword can be made from them, which will be called Gram, and our son will carry that sword and do many great things with it which will never be forgotten. (more…)
After many twists and turns in the story of the Volsungs, Sigurd, the greatest of them all, is about to burst onto the scene.
In our last installment, we saw Sigmund taking a second wife, the beautiful Hjordis, daughter of King Eylimi. But another man desires her, and is enraged when her marriage to Sigmund takes place. (more…)
After a summer hiatus, John Morgan and Survive the Jive join Fróði Midjord on the latest Guide to Kulchur to discuss Midsommar, a recently-released movie about a group of American anthropology students and a deeply traumatized woman who visit a neo-pagan cult practicing a faith based on the ancient Nordic religion in present-day Hälsingland, Sweden, where they discover that the cult’s interest in them goes far beyond the merely academic. (more…)
In our last installment, we explored the career of the legendary Norse hero Helgi. Chapter Nine of the Volsung Saga is devoted to Helgi, and it constitutes a rich and entertaining digression from the main story. At one time, Helgi must have been a very important hero. The anonymous author of the Volsung Saga draws on two poems concerning Helgi compiled in the Poetic Edda: Helgakvitha Hundingsbana I (The First Poem of Helgi, Killer of Hunding; henceforth HH I), and Helgakvitha Hundingsbana II (or HH II). (more…)
In our last installment, we saw Sigmund and Sinfjotli (the product of Sigmund’s incestuous union with his sister, Signy) return to the ancestral lands of the Volsungs. Many years have passed since the entire clan left there, and, in the meantime, a pretender has claimed the Volsung kingdom. But Sigmund and Sinfjotli drive him out, and Sigmund becomes a great and powerful king, “both wise and well-advised.”[1] He decides to marry a woman named Borghild, and they have two sons together, Helgi and Hamund.
Edred Thorsson is one of a small handful of serious characters I am proud to know. To many, he appears to be an odd combination of “contradictions” (though these are only apparent, as I will explain at the tail end of this essay). First, he is a goði and Runemaster who speaks Old Norse with a Texas twang. (more…)
Christoffer Wilhelm Eckersberg, “Aesir Gathered Around the Body of Baldr” (1817)
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“Ásatrú” is a modern coinage meaning “true to the Aesir.” In Old Norse, Aesir is the plural of áss, which is usually translated “god.” In order to understand what it means to be “true to the Aesir,” we must put into question this translation into “god” and “gods.” Indeed, ultimately we must liberate ourselves from the idea of “god” in order to understand who the Aesir are, and our relationship to them. (more…)
Chapter 8. The Vengeance of the Volsungs, Continued
In the last installment of this series, we learned of the life Sigmund leads in the forest with his son Sinfjotli – the product of Sigmund’s incestuous union with his sister, Signy. (more…)
The Criterion Collection’s recent release of a comprehensive Blu-ray collection of the cinema of Ingmar Bergman is an opportunity to re-assess the work of this greatest of Nordic filmmakers. Those who seen little of his work (or none at all) usually have the impression that Bergman’s oeuvre is dark and gloomy, filled with existential angst over the “death of God.” (more…)
The Norwegian band Wardruna’s latest album, Skald, is a tribute to Old Norse poetry containing ten acoustic ballads performed live by the band’s co-founder, Einar Selvik. (more…)
In our last installment, we saw that after Sigmund pulls the sword from the tree Barnstokk, Siggeir (who has just married Sigmund’s sister, Signy) offers to buy it from him. When Sigmund refuses, Siggeir immediately begins plotting revenge. On a pretext, he takes Signy and leaves the wedding feast early, inviting Volsung and his ten sons to visit him in Götaland. (more…)
In our last installment, we saw how King Volsung marries his daughter Signy off to the loathsome King Siggeir of Götaland, a man she “was not eager to marry.” (more…)
Chapter 3. The Marriage of Siggeir to Signy, Volsung’s Daughter
In our last installment, we met Volsung (“stallion phallus”), who becomes a great King and sires eleven children: the twin brother and sister Sigmund and Signy, and nine brothers (who go unnamed). Volsung builds a “magnificent hall” around an immense apple tree whose branches weave about the beams of the roof. (more…)
In the previous chapter, we saw that Sigi, the son of Odin, is the first step in the god’s master plan: the creation of a new race of super-warriors, who will come to be known as the clan of the Volsungs. In order to become a truly great warrior, Sigi must transgress man’s laws and remove himself from society – entering the wilderness where he will live as his own master and create a world of his own. (more…)
The purpose of this essay is to offer an account of the hidden meaning of the Volsung Saga (Völsunga saga). In drawing out this meaning, I will approach the saga from a Traditionalist standpoint, broadly speaking; i.e., from the standpoint of Guénon and Evola. I will touch on some details concerning the relation of the saga to other sources, but I do not aim to provide anything like the sort of account a historian or philologist might give. (more…)
Dr. Jackson Crawford, a historical linguist at the University of Colorado at Boulder, discusses the (sparse) information we have about worship, ritual, and prayer in pre-Christian Scandinavia. He is an experienced teacher of Old Norse, Modern Icelandic, and Norwegian.
