1,705 words
It was said by sages of old that matter is an illusion — not because it “isn’t real,” whatever that means, but rather because it is always in motion and always changing. Therefore, as soon as one perceives and understands its state it has already changed, and the idea one has about it is no longer true. At best, one perceives what it was, but never what it is. (more…)
2,443 words
Make me, make me your victim,
Resistance is only a symptom. . .
Of bigotry
You are so guilty, so
Make me your victim. (more…)
1,994 words
Not every Merchant-Ivory film is a visually lush period drama based on novels by prestigious writers like E. M. Forster and Henry James, but the most memorable ones are, including The Europeans (1979), The Bostonians (1984), A Room with a View (1985), Maurice (1987), and Howards End (1992). Another in this vein is The Remains of the Day (1993), based on a novel by Kazuo Ishiguro. (more…)
Jules Chéret, 1880 Parisian advertisement for a recurring Saturday masque performance
8,839 words
On April 19, Counter-Currents instituted a paywall for articles and podcasts that will be made freely available 30 days later. This article by Kathryn S. was one of the first items to go behind the paywall, and is now one of the first items to be released to everyone else. More information about how to get behind the paywall can be found below. (more…)
Jules Chéret, 1880 Parisian advertisement for a recurring Saturday masque performance
8,691 words
This past winter I lost my last grandparent — the most stubborn one, still to the end a strict English schoolteacher after having long since retired from the profession in the 1970s. She suffered through the desegregation years while working at Marshall High and was never dishonest about the experience. She possessed that combination of Southern decorum and irascible (and accurate) bluntness, which gave her the ability to reduce anyone, including 250-pound, six-foot-three black football players, to tears. (more…)
1,503 words
For years now, readers have been urging me to review Stanley Kubrick’s A Clockwork Orange (1971), which adapts Anthony Burgess’ 1962 novel of the same name. I have resisted, because although A Clockwork Orange is often hailed as a classic, I thought it was dumb, distasteful, and highly overrated, so I didn’t want to watch it again. But I had first watched it decades ago. (more…)
1,719 words
Like most Westerners, I got to know Akira Kurosawa through his classic samurai films: Seven Samurai, Throne of Blood, The Hidden Fortress, Yojimbo, Sanjuro, Kagemusha, and Ran. Thus I was surprised to discover that fully half of his thirty films are actually set in contemporary Japan over the stretch of Kurosawa’s long lifetime (1910–1998). High and Low (1963) is one of the best of these films, along with Drunken Angel, Stray Dog, and Ikiru. (more…)
Max Weber
2,008 words
Whites will become a minority within a few decades in all their main homelands. The question is no longer how to prevent becoming a minority but how to survive in order to regain majority status.
A few months ago I noted that easy going comfort is the main factor behind the decline of masculinity in the West and that only an atmosphere of conflict and hardship in childhood will strengthen Westerners to fight against the occupation of their lands. (more…)
2,201 words
Part 2 of 3
Trans. G. A. Malvicini from L’Arco e la Clava [The Bow and the Club] (Milan: Scheiwiller, 1968)
10. Labor. Regarding changes in the value attached to words, changes that clearly indicate a radical change in world view, the most typical case is perhaps that of the term labor. In Latin, this word had a mainly negative meaning. (more…)
1,767 words
Part 1 of 3
Trans. G. A. Malvicini from L’Arco e la Clava [The Bow and the Club] (Milan: Scheiwiller, 1968)
One of the signs of the fact that the course of history has, outside of the purely material plane, been anything but one of progress, is the poverty of modern languages compared to many ancient languages. (more…)
