Print this post Print this post

Interview on Dominique Venner

venner_rosas948 words

Translated by Greg Johnson

Spanish translation here

Thomas Ferrier: Tuesday, May 21 at 2:40 p.m. on the very altar of the cathedral of Notre Dame de Paris, the historian Dominique Venner, author of Le Cœur Rebelle [The Rebel Heart] (autobiography), an Ernst Jünger biography, Histoire et tradition des européennes: 30,000 ans d’identité  [History  and traditions of Europeans: 30,000 years of identity], Le Siècle de 1914 [The Century of 1914], Le choc de l’Histoire [The Clash of History], etc. . . . and also editor of the journal Nouvelle revue d’Histoire [New Review of History], ended his days.

Guillaume Faye: The news came as a shock. Immediately the voluntary death of the Japanese nationalist, Mishima, came to mind. First of all, in immolating himself in Notre Dame, Venner intended to reappropriate the Christian sanctuary as pagan. To immolate oneself on a Christian altar as if it were a blood receptacle in the Capitoline or Delphic manner is a first in history. Venner wished to knock his contemporaries silly with this gesture. At first I thought, “What a pity!” Venner decided to conclude his life by his own will, to organize his “fall,” as screenwriters and playwrights say. Do not leave one’s death in the hands of fate, but of choice. Choose an end and give it meaning. The Roman ethics of Regulus in its dark splendor. Fiat mors tibi. Your death belongs to you; even the gods do not decide, for the heathen is a free man. The absolute opposite of the pagan is the follower of Islam, that is to say, of submission.

TF: What do you think the man, his work his ideas, and what you think is the best lesson to be learned?

Guillaume Faye: I wrote a long text on this issue as well as a funeral tribute to Venner, “The death of a Roman,” that I sent to Roland Helie to post it on the Internet. I refer you to it. In 1970, Venner was the one who brought me into the identitarian milieu of the European resistance, to use an uncommon phrase. I will say no more. Regarding his work and ideas, it seems to me that he decided to approach things from a historical and indirect perspective rather than the polemical and politically straightforward strategy of his youth. Nevertheless, his final message is quite clear when read honestly: Venner rebelled against the destruction of the European ethnic identity. And he tried to resolve his own contradictions.

TF: Do you think that his gesture should be seen as an act of desperation or a political act? Or both?

Guillaume Faye: It is very difficult to get into the skin of a man who killed himself. There is necessarily a mix of inner motivations and exterior causes. Nevertheless, we can give a political meaning to his despair (the causes of which are complex). In this way Venner followed Mishima exactly. But it is shameless and despicable to interpret–or worse, to sully–such an action, as did Femen. Suicide is a mystery. In the religions of salvation (for which suicide is sinful ) martyrdom replaces suicide. But that is another debate. In Islam, martyrdom, as a sacrifice that kills enemies (e.g., terrorist attacks) betrays a perverse mentality of paranoia linked to mental pathology.

TF: Do you think that it could really serve to “awaken consciences,” which he vowed in his last editorial on his blog? Can it really have an impact and, as we say, “change things”? Do you really believe that it can lead to an overhaul of concrete policies like, for example, the immolation of Jan Palach in 1968?

Guillaume Faye: That is possible. Since Neolithic times, sacrificial death has had a weighty meaning for practically every people. Even though our age is trying, in vain, to empty it of this dimension. Dominique Venner’s suicide in the choir of Notre Dame will be a landmark. It is not destined to be an “event” swallowed up by current events, like a defeat of a sports team. A myth will be created, in the form of an example, around this voluntary death. But it will take some time. Venner did not kill anyone but himself. He did not detonate a suicide vest. He interrupted his life and put his plunge into death in service of a message. He followed precisely in the footsteps of Yukio Mishima. Now, what I said is not a certainty. Everyone follows his path. Personally, I have never considered suicide as a means of sending a message. Simply because death interrupts the flow of the message. Unless you think you have said everything . . .

TF: Looking at everything that has happened (or rather not happened) since the beginning of the “national movement” in the broad sense, do you not share the conclusion stated by some, who display a certain wry cynicism—for example, a recent editorial by Philippe Randa echoing the conclusions of Nicholas Gauthier and Alain Soral—if not the nihilism that Nietzsche denounced? In other words, his suicide was forgotten by the media a week later. Now, more than four months later, did it really “do something”?

Guillaume Faye: Again, the commentaries of Randa, Gauthier, and Soral are beside the point, too tied to current events. The media does not matter. Venner’s voluntary death is a fact that transcends the media and which will be remembered. Today’s “national movement” is not a proper receptacle. Venner wished to give his tragic gesture a historic dimension, not create a fleeting media phenomenon. He was not addressing his friends, his family, or the “movement”—the so-called extreme Right. He was addressing his people, that is to say, Europeans, and his message focused primarily on the preservation of their ethnic identity which is currently threatened.



This entry was posted in North American New Right and tagged , , , , , , , , . Post a comment or leave a trackback: Trackback URL.


  1. Sandy
    Posted November 29, 2013 at 3:11 pm | Permalink

    If Venner really killed himself, as Faye suggests, in an effort to reappropriate the Christian sanctuary as pagan. then I can’t think of anything more detrimental to the cause. Veneer’s last action would then be a fine example of his perceived enemy’s warning that a kingdom which is divided against itself, that kingdom cannot stand. If a house is divided against itself, that house cannot stand.

    The mission of The North American New Right is secular and not theological. Any effort to pit pagans against Christians can only be detrimental to our cause. We can only succeed if we stand together.

    I’m a Christian myself (good, bad or indifferent I’ll leave up to you) and mourn the loss of such a great mind on such a trivial issue in our time of troubles.

    • Posted November 29, 2013 at 6:25 pm | Permalink

      I think that was a fanciful suggestion on Faye’s part (since Faye considers himself to be a pagan), Sandy. A line in Venner’s suicide note would seem to belie Faye’s interpretation: “I chose a highly symbolic place, the Cathedral of Notre Dame de Paris, which I respect and admire: she was built by the genius of my ancestors on the site of cults still more ancient, recalling our immemorial origins.” So, yes, there was a pagan connection, but I see nothing to support the idea that Venner was trying to reconsecrate the place to paganism.

      • Sandy
        Posted November 30, 2013 at 7:27 am | Permalink

        Thank you John for those words of comfort. I have just started reading Stoddard’s The Rising Tide of Color and Faye’s remark jumped out at me.. From this most quotable book I’ll choose (I’m only up to p.21) from p.13

        Then came the Great War. The colored world suddenly saw the white peoples which, in racial matters had hitherto maintained something of a united front, locked in a death-grapple of unparalleled ferocity; it saw those same peoples put one another furiously to the ban as irreconcilable foes; it saw white race-unity cleft by political and moral gulfs which white men themselves continuously iterated would never be filled. As colored men realized the significance of it all, they looked into each others eyes and there saw the light of undreamed of hopes. The white wold was tearing itself to pieces. White solidarity was riven and shattered. And – fear of white power and respect for white civilization together dropped away like garments outworn. Through the bazaars of Asia ran the sibilant whisper: “The East will see the West to bed!”

        You would think that as we approach the centennial of the outbreak of that civilization destroying war we would have learned something. One can but hope.

      • BlackSun
        Posted November 30, 2013 at 9:23 am | Permalink

        It seems to me that in choosing Notre Dame, Venner was emphasizing the continuity of a European spiritual tradition that reached from pre-Christian paganism to traditional Catholicism. It’s impossible to know for certain, but the line you quoted from Venner’s suicide note would support this interpretation more than Faye’s does.

      • Lucian Tudor
        Posted November 30, 2013 at 10:07 pm | Permalink

        John Morgan, I am curious, since you are here and we are speaking about Dominique Venner, could you tell us when his book “The Shock of History” will be published by Arktos? From what I remember you telling me, it was supposed to be around this time.

    • Posted November 30, 2013 at 11:18 pm | Permalink

      Lucian: whenever the translation is complete, which, unfortunately, is out of our hands. It is not, as of now.

    Posted December 4, 2013 at 3:18 am | Permalink


Post a Comment

Your email is never published nor shared.
Comments are moderated. If you don't see your comment, please be patient. If approved, it will appear here soon. Do not post your comment a second time.
Required fields are marked *

You may use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <s> <strike> <strong>


This site uses Akismet to reduce spam. Learn how your comment data is processed.

  • Our Titles

    White Identity Politics

    Here’s the Thing

    Trevor Lynch: Part Four of the Trilogy

    Graduate School with Heidegger

    It’s Okay to Be White


    The Enemy of Europe

    The World in Flames

    The White Nationalist Manifesto

    From Plato to Postmodernism

    The Gizmo

    Return of the Son of Trevor Lynch's CENSORED Guide to the Movies

    Toward a New Nationalism

    The Smut Book

    The Alternative Right

    My Nationalist Pony

    Dark Right: Batman Viewed From the Right

    The Philatelist

    Novel Folklore

    Confessions of an Anti-Feminist

    East and West

    Though We Be Dead, Yet Our Day Will Come

    White Like You

    The Homo and the Negro, Second Edition

    Numinous Machines

    Venus and Her Thugs


    North American New Right, vol. 2

    You Asked For It

    More Artists of the Right

    Extremists: Studies in Metapolitics


    The Importance of James Bond

    In Defense of Prejudice

    Confessions of a Reluctant Hater (2nd ed.)

    The Hypocrisies of Heaven

    Waking Up from the American Dream

    Green Nazis in Space!

    Truth, Justice, and a Nice White Country

    Heidegger in Chicago

    The End of an Era

    Sexual Utopia in Power

    What is a Rune? & Other Essays

    Son of Trevor Lynch's White Nationalist Guide to the Movies

    The Lightning & the Sun

    The Eldritch Evola

    Western Civilization Bites Back

    New Right vs. Old Right

    Lost Violent Souls

    Journey Late at Night: Poems and Translations

    The Non-Hindu Indians & Indian Unity

    Baader Meinhof ceramic pistol, Charles Kraaft 2013

    Jonathan Bowden as Dirty Harry

    The Lost Philosopher, Second Expanded Edition

    Trevor Lynch's A White Nationalist Guide to the Movies

    And Time Rolls On

    The Homo & the Negro

    Artists of the Right

    North American New Right, Vol. 1

    Some Thoughts on Hitler

    Tikkun Olam and Other Poems

    Under the Nihil

    Summoning the Gods

    Hold Back This Day

    The Columbine Pilgrim

    Confessions of a Reluctant Hater

    Taking Our Own Side

    Toward the White Republic

    Distributed Titles


    The Node

    The New Austerities

    Morning Crafts

    The Passing of a Profit & Other Forgotten Stories

    Gold in the Furnace