Christopher Nolan’s Batman Trilogy deserves its large audience among White Nationalists. Batman Begins, The Dark Knight, and The Dark Knight Rises all comprise a canon in the superhero genre that stands above the rest, perhaps only succeeded by Watchmen in its representation of Right-wing themes and philosophy. Much has been said about the emphatically Right-wing character of Batman’s villains, especially the League of Shadows, but less has been said about the Rightist aspects of Batman himself. (more…)
Tag: Dark Knight Trilogy
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Christopher Nolan’s Dark Knight trilogy (Batman Begins, The Dark Knight and The Dark Knight Rises) begins with the evocation of fear which becomes the motivational impulse for Bruce Wayne’s story. As a child he accidentally falls down a disused well, and, whilst he lies trapped and injured, he is terrified by a flock of bats that appear like a chthonic force of nature from the bowels of the earth. (more…)
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April 30, 2013 Trevor Lynch
Batman Begins
English original here
Après avoir été bluffé par l’Inception de Christopher Nolan, j’ai décidé de donner à son Batman Begins (2005) une nouvelle chance. La première fois que j’ai vu ce film, je ne l’ai pas aimé. Pas un seul instant. J’ai dû être distrait, car cette fois je l’ai apprécié. Nolan rompt avec le style kitsch des premiers films de Batman, se concentrant sur l’évolution et les motivations du personnage, (more…)
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April 30, 2013 Trevor Lynch
The Dark Knight
English original here
Dans ma critique du Batman Begins de Christopher Nolan, j’ai affirmé que le film génère un conflit spectaculaire autour des enjeux les plus élevés qui soient : la destruction du monde moderne (symbolisé par Gotham City) par la “Ligue des Ombres” Traditionaliste contre sa préservation et son amélioration “progressive” par Batman.
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Conservatism’s League of Stupidity
The egalitarian Left isn’t just evil – it’s boring. (more…)
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MAJOR SPOILERS BELOW. DO NOT READ THIS BEFORE SEEING THE MOVIE.
The Dark Knight Rises is beyond Left and Right, beyond good and evil, beyond any frame of reference that this society can understand. Christopher Nolan’s Batman trilogy closes with a vision of weaponized Traditionalism certain to be misunderstood by movie reviewers and talking heads who think in terms of Republicans versus Democrats. (more…)
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4,936 words
Editor’s Note:
Unless you’re living in Tora Bora, you probably know that Christopher Nolan’s third Batman movie, The Dark Knight Rises, is coming out this week. (more…)
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In my review of Christoper Nolan’s Batman Begins, I argued that the movie generates a dramatic conflict around the highest of stakes: the destruction of the modern world (epitomized by Gotham City) by the Traditionalist “League of Shadows” versus its preservation and “progressive” improvement by Batman.
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September 23, 2010 Trevor Lynch
Batman Begins
French translation here
After being blown away by director Christopher Nolan’s Inception, I decided to give his Batman Begins (2005) another chance. The first time I saw this film, I did not like it. Not one bit. I must have been distracted, because this time I loved it. Nolan breaks with the campy style of earlier Batman films, focusing on character development and motivations, which makes Batman Begins and its sequel The Dark Knight both psychologically dark and intellectually and emotionally compelling.