Julien did not consider himself to be a normie. He was what we often call a hardcore nationalist, definitely JQ aware, and was the kind to take a few drinks in honor of the race, the ancestors, and the past, passing a few stickers here and there, just for the sake of not being completely useless, and giving a few bucks for some mag subscriptions to make sure washroom time was not totally wasted. (more…)
Tag: European nationalism
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June 29, 2023 György Balázs Kun
Úvahy nad postnacionalismem
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3,486 words
The Hater (2020) is a slow and gritty tale of an outsider working at a troll farm in Warsaw as the city’s political factions are in an upheaval. Liberal politicians are confronted in the streets and on social media as nationalist Poland pushes back against anything akin to the oppressive socialist regime of the twentieth century. (more…)
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1,514 words
When I think about Estonia, I think about Kalevipoeg, Estonia’s national epic by Friedrich Reinhold Kreutzwald. To me, this poem best represents the Estonian people, whose history, language, and mythology are distinct compared to the rest of Europe. The Estonian Declaration of Independence, created on February 24th, 1918, even quotes an excerpt from the last chapter of Kalevipoeg. (more…)
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February 24, 2016 Greg Johnson
Sibelius et les nazis : anatomie d’une diffamation
English original here
Je suis un grand admirateur du compositeur finnois Jean Sibelius, qui avec Richard Strauss et Ralph Vaughan Williams, fit partie de la dernière génération (jusqu’ici) des grands compositeurs romantiques européens. Ainsi mon attention fut attirée par un article du 29 novembre 2009 sur Sibelius dans la Chronicle of Higher Education, « A Composer’s Ties to Nazi Germany Come Under New Scrutiny » (more…)
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French translation here
I am a great admirer of Finnish composer Jean Sibelius, who along with Richard Strauss and Ralph Vaughan Williams, was one of the last generation (so far) of great European Romantic composers. Thus my attention was drawn to a November 29, 2009 article about Sibelius in the Chronicle of Higher Education, “A Composer’s Ties to Nazi Germany Come Under New Scrutiny,” by Peter Monaghan.