Leonid Pasternak, The Passion of Creation (1892)
Leonid Pasternak, The Passion of Creation (1892)
2,009 words
Recently I took part in a discussion of writing and how to do it on Counter-Currents. This being a topic of some importance to me, I decided to throw together a few thoughts in a form more coherent that I could do in a podcast. A danger in doing this is that readers will joyfully point out instances in which I have failed to follow my own suggestions. (more…)
1,482 words
John Cleese of Monty Python and Fawlty Towers fame is one of the funniest men alive. He’s also fearsomely smart. Beyond that, he has the vision and courage to oppose political correctness, one of the banes of comedy, creativity, and civilization itself. Thus it was an easy decision to snap up his new book, Creativity: A Short and Cheerful Guide (London: Hutchison, 2020), now out in paperback from Penguin. Creativity truly is a short book — I estimate about 20,000 words. It can be easily read in one sitting, and with great profit, for it is brimming with arresting insights and useful advice on cultivating one’s creativity. (more…)
7,658 words
Part I here, Part II here, Part III here, Part IV here, Part V here, Part VI here, Part VII.1 here, Part VII.2 here, Part VIII here
A successful nationalist movement cannot be guided by free-market orthodoxy. For over two centuries the principles of free market economics played a crucial role in Western countries. (more…)
1,704 words 
1,704 words
Claude Sarraute: “And what, in your opinion, is the tragic element of our epoch?”
Céline: “Stalingrad. There’s the catharsis for you. The fall of Stalingrad was the end of Europe. There’s a cataclysm. The epicenter was Stalingrad. After that you can say white civilization was finished, really washed up.” (more…)
3,706 words
Race has been discussed to the point of weariness, yet most discussion consists of little more than wishful thinking, contradiction, and outright malice: “All the races are equal, but whites oppress everyone else. Then again, race doesn’t really exist, which is why we must strive for greater racial diversity.” It is understandable that many people are at once confused by, and sick of, the entire subject—especially white people, the targets of so much blame and hostility. (more…)
Arthur Schopenhauer
Arthur Schopenhauer
1,406 words
Part 1 of 2 (Part 2 here)
Why I write is very simple: I believe that, in the final analysis, ideas — not economics, not technology, not brute force — are the decisive factor in history, and I believe that history is going in the wrong direction. (more…)
2,055 words
The other day, as I was wandering through an IKEA store as family members were finishing up shopping, I saw a young white woman with a striking T-shirt. She wasn’t overtly pretty, nor was she ugly. She wasn’t skinny and she wasn’t fat. But during the five or six seconds we shared in the same section of the store, I could determine a few things about her. (more…)
3,413 words
Editor’s Note:
The following interview with Raymond Cattell (1905–1998) was originally published in The Eugenics Bulletin, Spring–Summer 1984.
Raymond B. Cattell obtained his Ph.D. and D.Sc. at London University, where he worked with Charles Spearman developing the theory of intelligence measurement. (more…)
1,026 words
Several months back, I saw one of these “Why I Write” articles and resolved to write my own. I came up with several good reasons why one should write: to serve as a lightning rod around which to organize dissent, to expose my ideas to constructive criticism, to arrive at a rhetoric which is both radical and relevant, and so on. Those are all perfectly good reasons, but they’re unfortunately not my reasons. For me, writing is a compulsion, an itch that I can’t not scratch.
2,847 words
Mikulas Kolya
Men-Art-War
Lincoln, Nebr.: iUniverse, 2006
Men–Art–War is a self-published collection of ten philosophical short stories-stories, that is, which appear intended to illustrate the author’s Weltanschauung. (more…)
