Counter-Currents
  • Private Events
  • T&C
  • Contact
  • Webzine
  • About
  • Books
  • Podcasts
  • Videos
  • Donate
  • Paywall
  • Crypto
  • RSS
    • Main feed
    • Podcast feed
    • Videos feed
    • Comments feed
  • Advertise

LEVEL2

Donate Now Mailing list
  • Webzine
  • About
  • Books
  • Podcasts
  • Videos
  • Donate
  • Paywall
  • Crypto
  • RSS
    • Main feed
    • Podcast feed
    • Videos feed
    • Comments feed
  • Advertise
  • Recent posts

    • The Fall of the House of Biden

      Stephen Paul Foster

      5

    • Meet the Hunburgers

      James J. O'Meara

    • What a Nation is Not

      Asier Abadroa

      3

    • Plato’s Phaedo, Part I

      Greg Johnson

    • The Worst Week Yet: May 28-June 3, 2023

      Jim Goad

      24

    • We Need to Stop Taking Black Complaints Seriously

      Spencer J. Quinn

      13

    • Sexual Utopia in Stockholm

      F. Roger Devlin

      1

    • Serpent’s Walk

      Steven Clark

      2

    • June Is the Gayest Month

      Jim Goad

      1

    • Three Episodes from the History of Racial Politics

      Richard Knight

      4

    • Alice’s Police Escort in Wonderland

      Gunnar Alfredsson

      8

    • Prioritizing Prestige Over Accomplishment: Britain from 1950 to 1956

      Morris van de Camp

      4

    • Nueva Derecha vs. Vieja Derecha Capítulo 2: Hegemonía

      Greg Johnson

    • The Great Debate

      Cyan Quinn

      13

    • Will Woke Capital Soon Go the Way of the Dinosaur?

      Beau Albrecht

      34

    • June Is the Gayest Month

      Jim Goad

      24

    • Counter-Currents Radio Podcast No. 535 Ask Me Anything

      Counter-Currents Radio

      1

    • Úryvky z Finis Germania Rolfa Petera Sieferleho, část 3: Nové státní náboženství

      Rolf Peter Sieferle

    • Football’s Race War

      Pox Populi

      9

    • VDARE Facing Mortal Threat

      Peter Brimelow

      5

    • Collin Cleary Interviewed on Richard Wagner

      Collin Cleary

      1

    • Counter-Currents Radio Podcast No. 534 Interview with Alexander Adams

      Counter-Currents Radio

      1

    • The Union Jackal, May 2023

      Mark Gullick

      17

    • Biden and Bibi

      James J. O'Meara

      12

    • Forward with a Vengeance

      Tom Zaja

      3

    • Notes on Strauss & Husserl

      Greg Johnson

      1

    • The Worst Week Yet: May 21-27, 2023

      Jim Goad

      27

    • The Honorable Cause: A Review

      Spencer J. Quinn

      8

    • George Friedman’s The Next 100 Years

      Thomas Steuben

      4

    • Remembering Oswald Spengler (May 29, 1880-May 8, 1936)

      Greg Johnson

      2

    • Euthanizing the Homeless? It’s a Start

      Jim Goad

      8

    • Remembering Louis-Ferdinand Céline (May 27, 1894–July 1, 1961)

      Greg Johnson

      12

    • Blood, Soil, Paint

      Greg Johnson

      1

    • Céline’s Guerre

      Margot Metroland

      7

    • The Trial of Socrates

      Greg Johnson

    • Fields of Asphodel

      Tito Perdue

    • George Floyd and the “Color” of Revolution

      Stephen Paul Foster

      11

    • The Dakota Territory’s Indian Wars During the Civil War, Part 2

      Morris van de Camp

      1

    • No, Really, Everything’s Fine!

      Gunnar Alfredsson

      18

    • Euthanizing the Homeless? It’s a Start

      Jim Goad

      25

    • The Dakota Territory’s Indian Wars During the Civil War, Part 1

      Morris van de Camp

      1

    • How Much Would Slavery Reparations Actually Cost?

      Beau Albrecht

      35

    • No Brexit This Way

      Mark Gullick

      8

    • Martinez Contra Fascism

      Thomas Steuben

      28

    • Úryvky z Finis Germania Rolfa Petera Sieferleho, část 2: „Věčný nacista“

      Rolf Peter Sieferle

    • A 5D Plan in 3D: Hitchcock’s Dial M For Murder

      James J. O'Meara

      16

    • After Waco

      Morris van de Camp

      18

    • Munchhausen: The Third Reich’s Wizard of Oz

      Steven Clark

      13

    • Nueva Derecha vs. Vieja Derecha Capítulo 1: Política y Metapolítica

      Greg Johnson

    • The Worst Week Yet: May 14-20, 2023

      Jim Goad

      15

  • Classics Corner

    • Cù Chulainn in the GPO:
      The Mythic Imagination of Patrick Pearse

      Michael O'Meara

      5

    • Remembering Dominique Venner
      (April 16, 1935 – May 21, 2013)

      Greg Johnson

      11

    • A Robertson Roundup: 
      Remembering Wilmot Robertson
      (April 16, 1915 – July 8, 2005)

      Margot Metroland

      13

    • Metapolitics and Occult Warfare

      Greg Johnson

      2

    • Remembering Maurice Bardèche:
      October 1, 1907–July 30, 1998

      Greg Johnson

      2

    • The Power of Myth:
      Remembering Joseph Campbell
      (March 26, 1904–October 30, 1987)

      John Morgan

      11

    • The Man Who Shot Liberty Valance

      Trevor Lynch

      24

    • The Searchers

      Trevor Lynch

      29

    • Gabriele D’Annunzio

      Jonathan Bowden

      2

    • Remembering A. R. D. “Rex” Fairburn (February 2, 1904–March 25, 1957)

      Greg Johnson

      1

    • Denis Kearney & the Struggle for a White America

      Theodore J. O'Keefe

      1

    • Posthuman Prospects:
      Artificial Intelligence, Fifth Generation Warfare, & Archeofuturism

      Christopher Pankhurst

      5

    • Earnest Sevier Cox:
      Advocate for the White Ethnostate

      Morris van de Camp

      15

    • Remembering Jack London
      (January 12, 1876–November 22, 1916)

      Greg Johnson

      2

    • Remembering Robinson Jeffers:
      January 10, 1887–January 20, 1962

      John Morgan

      3

    • Remembering Pierre Drieu La Rochelle:
      January 3, 1893–March 15, 1945

      Greg Johnson

    • Remembering Rudyard Kipling (December 30, 1865-January 18, 1936)

      Greg Johnson

      10

    • Restoring White Homelands

      Greg Johnson

      34

    • Remembering Hinton Rowan Helper

      Spencer J. Quinn

      11

    • What’s Wrong with Diversity?

      Greg Johnson

      10

    • Redefining the Mainstream

      Greg Johnson

      3

    • Edward Alsworth Ross:
      American Metapolitical Hero

      Morris van de Camp

      8

    • The Talented Mr. Ripley & Purple Noon

      Trevor Lynch

      19

    • Christmas & the Yuletide:
      Light in the Darkness

      William de Vere

      3

    • Thanksgiving Special 
      White Men Meet Indians:
      Jamestown & the Clash of Civilizations

      Thomas Jackson

    • Colin Wilson’s The Outsider

      Sir Oswald Mosley

      4

    • Dostoyevsky on the Jews

      William Pierce

      4

    • Jefferson &/or Mussolini, Part 1

      Ezra Pound

      5

    • I Listened to Chapo Trap House So You Don’t Have To

      Doug Huntington

      98

    • The Homeric Gods

      Mark Dyal

      13

  • Paroled from the Paywall

    • Grosse Freiheit Nummer 7: The Best German Film on World War II?

      Steven Clark

      5

    • An Actor Prepares: Politics as Theater

      Mark Gullick

      4

    • Counter-Currents Radio Podcast No. 533 Ask Me Anything

      Counter-Currents Radio

      2

    • Politicizing Luz Long, Part II

      Clarissa Schnabel

      2

    • Politicizing Luz Long, Part I

      Clarissa Schnabel

      3

    • Breaking Beat: Reflections on The Rebel Set, a Masterpiece That Never Was

      James J. O'Meara

      1

    • If Hillary Had Won

      Stephen Paul Foster

      1

    • Nice Racism, Part 3

      Beau Albrecht

      1

    • Nice Racism, Part 2

      Beau Albrecht

      7

    • Nice Racism, Part 1

      Beau Albrecht

      6

    • Aristophanes’ Clouds, Part II

      Greg Johnson

      1

    • Aristophanes’ Clouds, Part I

      Greg Johnson

      1

    • Counter-Currents Radio Podcast No. 530 The Genealogy of Wokeism

      Counter-Currents Radio

      5

    • Patrick Bateman: “Literally Me” or a Warning?

      Anthony Bavaria

      9

    • British Sculpture, Part II

      Jonathan Bowden

      1

    • British Sculpture, Part I

      Jonathan Bowden

      2

    • The New Story

      Jocelynn Cordes

      21

    • Why Does Cthulhu Always Swim Left? Part 2

      Beau Albrecht

      1

    • Why Does Cthulhu Always Swim Left? Part 1

      Beau Albrecht

      11

    • Robert Rutherford McCormick, Midwestern Man of the Right: Part 2

      Morris van de Camp

      1

    • Pierre Teilhard de Chardin: Prophet of Eugenics and Race-Realism

      Margot Metroland

      11

    • In Defense of the White Union

      Asier Abadroa

    • Everything Everywhere All at Once: The Oscar Winner the System Loves

      Steven Clark

      32

    • Incels on Wheels: Jim Goad’s Trucker Fags in Denial

      Beau Albrecht

      17

    • The White Pill

      Margot Metroland

      10

    • Counter-Currents Radio Podcast No. 528 Karl Thorburn on the Bank Crashes

      Counter-Currents Radio

    • Women Philosophers

      Richard Knight

      23

    • Stranger Things and Surviving in the Modern World

      Howe Abbott-Hiss

      2

    • The Fabulous Pleven Boys

      P. J. Collins

      2

    • Nuclear Families: Threads

      Mark Gullick

      4

  • Recent comments

    • Scott

      The Worst Week Yet: May 28-June 3, 2023

      >> “The Nazis and the Zionists worked hand in hand to create Israel.” <<This is a myth...

    • Antipodean

      What a Nation is Not

      There is actual data now by Eric Kaufmann demonstrating whites have the most in-group preference...

    • Kök Böri

      An Actor Prepares: Politics as Theater

      Hungarians do not speak a Tuerkic language, but they could be of Tuerkic origin, at least partially...

    • DarkPlato

      Serpent’s Walk

      Thanks.  This is the sort of article I expect to read at counter currents!

    • Henri

      The Worst Week Yet: May 28-June 3, 2023

      Many Spaniards supposedly have about 20% Sephardic ancestry, but they don't buy wholesale, don't get...

    • E_Perez

      What a Nation is Not

      Excellent article (and one which makes me consider to donate to CC). But the sharp distinction...

    • Richard Houck

      Serpent’s Walk

      I also read Serpent’s Walk a bit after reading Turner Diaries and Hunter. Really enjoyed this...

    • Anti-Democracy

      The Fall of the House of Biden

      Rigged or not, Biden would absolutely win any primary and any general election. People are not...

    • Actual iconoclast

      What a Nation is Not

      This was possibly the most nihilistic and contradictory article I’ve ever read. Language and...

    • James Dunphy

      The Fall of the House of Biden

      A third party candidate should run on preventing elder abuse of the other two candidates. It's not...

    • James Dunphy

      The Fall of the House of Biden

      I'm satisfied if they avoid armbands, etc.

    • John

      The Fall of the House of Biden

      IN 2019, there were 566 Black-on-White murders. In that same year, there were 246 “White”-on-...

    • Rubadub

      The Worst Week Yet: May 28-June 3, 2023

      Anyone wanting to check out the latest Jewish “outsmart the stupid goy” theatre, check out the new...

    • Jud Jackson

      The Worst Week Yet: May 28-June 3, 2023

      What you say may be true.  But aren't the Spanish Jews Sephardic rather than Ashkenazi and isn't...

    • Hamlet's Ghost

      The Worst Week Yet: May 28-June 3, 2023

      Perhaps it started with George Lincoln Rockwell who mentored Dr. Pierce who in turn mentored Strom....

    • Aussiedler

      The Great Debate

      European nationalism is a funny thing. I’m starting to think colonialism was used as a way to...

    • Former Liberal

      We Need to Stop Taking Black Complaints Seriously

      I respect a lot of what Dr. William Pierce wrote about; but it's not just middle and upper class...

    • T Steuben

      The Fall of the House of Biden

      If you look at the picture it appears that Biden's shoe soles are extremely worn out. This may seem...

    • james Smith

      Martinez Contra Fascism

      Sorry for the repeat; “There is nothing I dread so much as the division of the republic into two...

    • james Smith

      Martinez Contra Fascism

      "This naturally leads to the argument that adopting fascist principles, we will become what we are...

  • Book Authors

    • Beau Albrecht
    • Alain de Benoist
    • Kerry Bolton
    • Jonathan Bowden
    • Collin Cleary
    • Jef Costello
    • Savitri Devi
    • F. Roger Devlin
    • Buttercup Dew
    • Julius Evola
    • Jim Goad
    • Gregory Hood
    • Juleigh Howard-Hobson
    • Greg Johnson
    • Charles Krafft
    • Anthony M. Ludovici
    • Trevor Lynch
    • H. L. Mencken
    • J. A. Nicholl
    • James J. O’Meara
    • Christopher Pankhurst
    • Tito Perdue
    • Michael Polignano
    • Spencer J. Quinn
    • Fenek Solère
    • Irmin Vinson
    • Leo Yankevich
    • Francis Parker Yockey
    • Multiple authors
  • Webzine Authors

    Editor-in-Chief

    • Greg Johnson, Ph.D.

    Featured Writers

    • Beau Albrecht
    • Morris V. de Camp
    • Stephen Paul Foster, Ph.D.
    • Jim Goad
    • Alex Graham
    • Mark Gullick, Ph.D.
    • Greg Johnson, Ph.D.
    • Spencer J. Quinn

    Frequent Writers

    • Aquilonius
    • Anthony Bavaria
    • Alain de Benoist
    • Kerry Bolton, Ph.D.
    • Collin Cleary, Ph.D.
    • Jef Costello
    • F. Roger Devlin, Ph.D.
    • Richard Houck
    • Ondrej Mann
    • Margot Metroland
    • John Morgan
    • Trevor Lynch
    • James J. O’Meara
    • Kathryn S.
    • Thomas Steuben
    • Michael Walker

    Classic Authors

    • Maurice Bardèche
    • Jonathan Bowden
    • Julius Evola
    • Guillaume Faye
    • Ernst Jünger
    • Kevin MacDonald, Ph.D.
    • D. H. Lawrence
    • Charles Lindbergh
    • Jack London
    • H. P. Lovecraft
    • Anthony M. Ludovici
    • Sir Oswald Mosley
    • National Vanguard
    • Friedrich Nietzsche
    • Revilo Oliver
    • William Pierce
    • Ezra Pound
    • Saint-Loup
    • Savitri Devi
    • Carl Schmitt
    • Miguel Serrano
    • Oswald Spengler
    • P. R. Stephensen
    • Jean Thiriart
    • John Tyndall
    • Dominique Venner
    • Leo Yankevich
    • Francis Parker Yockey

    Other Authors

    • Howe Abbott-Hiss
    • Michael Bell
    • Buttercup Dew
    • Giles Corey
    • Bain Dewitt
    • Jack Donovan
    • Richardo Duchesne, Ph.D.
    • Emile Durand
    • Guillaume Durocher
    • Mark Dyal
    • Fullmoon Ancestry
    • Tom Goodroch
    • Andrew Hamilton
    • Robert Hampton
    • Huntley Haverstock
    • Derek Hawthorne
    • Gregory Hood
    • Juleigh Howard-Hobson
    • Alexander Jacob
    • Nicholas Jeelvy
    • Ruuben Kaalep
    • Tobias Langdon
    • Julian Langness
    • Travis LeBlanc
    • Patrick Le Brun
    • G A Malvicini
    • John Michael McCloughlin
    • Millennial Woes
    • Michael O’Meara
    • Christopher Pankhurst
    • Michael Polignano
    • J. J. Przybylski
    • Quintilian
    • Edouard Rix
    • C. B. Robertson
    • C. F. Robinson
    • Herve Ryssen
    • Alan Smithee
    • Fenek Solere
    • Ann Sterzinger
    • Robert Steuckers
    • Tomislav Sunic
    • Donald Thoresen
    • Marian Van Court
    • Irmin Vinson
    • Aylmer Wedgwood
    • Scott Weisswald
  • Departments

    • Book Reviews
    • Movie Reviews
    • TV Reviews
    • Music Reviews
    • Art Criticism
    • Graphic Novels & Comics
    • Video Game Reviews
    • Fiction
    • Poems
    • Interviews
    • Videos
    • English Translations
    • Other Languages
      • Arabic
      • Bulgarian
      • Croatian
      • Czech
      • Danish
      • Dutch
      • Estonian
      • Finnish
      • French
      • German
      • Greek
      • Hungarian
      • Italian
      • Lithuanian
      • Norwegian
      • Polish
      • Portuguese
      • Romanian
      • Russian
      • Slovak
      • Spanish
      • Swedish
      • Ukrainian
    • Commemorations
    • Why We Write
  • Archives
  • Top 100 Commenters
  • Private Events
  • T&C
  • Contact
Sponsored Links
Above Time Coffee Antelope Hill Publishing Identaria Paul Waggener IHR-Store Asatru Folk Assembly No College Club American Renaissance The Patrick Ryan Show Jim Goad The Occidental Observer
Print December 30, 2010 1 comment

Preparing the Next Rebirth:
Mikulas Kolya’s Men-Art-War

F. Roger Devlin

kolya12,847 words

Mikulas Kolya
Men-Art-War
Lincoln, Nebr.: iUniverse, 2006

Men–Art–War is a self-published collection of ten philosophical short stories-stories, that is, which appear intended to illustrate the author’s Weltanschauung. Self-publishing seems destined to assume greater importance in American life, as the cultural gatekeepers become ever more ruthless to our people and traditions. We may hope the “vanity press” stigma fades accordingly. iUniverse, the company providing on-demand printing of the book under review, happens also to be responsible for keeping Kevin MacDonald’s A People That Shall Dwell Alone available since Praeger succumbed to pressure to drop his works.

“Mikulas Kolya” combines two forms of the name Nicholas: Mikulas could be either Hungarian or Czech, Kolya is the Russian diminutive. A pen name, then. The author has previously published a novel called Going Nowhere, also with iUniverse, and is said to write from Los Angeles. He is evidently a young man, and Men–Art–War is not just a book by a young man, but for young men as well-young men who are beginning to sense the seriousness of life despite the culture’s lures of perpetual adolescence.

The viewpoint of the stories in Men–Art–War is consistently anti-liberal, anti-Christian, and anti-modern, with apparent sympathies for paganism, Nietzsche, sociobiology, and possibly the European nouvelle droite. The stories are supposedly inspired by The Lay of Hadding, an anonymous late nineteenth-century poem said to be much beloved of Wyndham Lewis and W. B. Yeats. But a quick web search for this mysterious poem yields only references to the book under review. Here are the final lines of the poem as quoted by the author:

Through clouded eyes we glimpse the cliffs that loom over yon distant shores. /The waves they break with giant’s strength and boom like oaken castle doors. /Lightening threatens from above while frenzied sharks await below. /Danger is all about. In every element lurks a foe. /Creation. Destruction. Birth and Death. The same. The same. The same. /Fire melts the eternal ice, which transformed, douses the flame. /Onward we sail, toward those cliffs, determined to reach the beckoning shore. /And on landing make what our fathers made-glorious art and glorious war.

The author sees creation and destruction-art and war-as linked. Both arise from human nature, from life’s restless need to experience itself by overcoming obstacles and to understand itself by putting its stamp on matter. The drives are related, since it is war that creates the difference between master and slave, leaving the master the leisure to create culture. Both drives fall victim to excess. Warlike peoples are consistently undone by creating empires in which they then merge with conquered peoples. Culture gives rise to decadence, in which refinement and reflection hypertrophy and destroy their vital roots. Fortunately, these excesses are self-correcting. Decadent empires and cultures inevitably collapse, ceding their place to new, healthy, creative-destructive barbarians who will usher in a new Gold Age of gods, heroes, and vital art. History, therefore, moves in circles, and we who live in decadent times can sustain ourselves with the hope of eventual rebirth.

The tales in Men–Art–War fall into three rough genres: stories or war, art, and the pangs of rebirth.

The stories in the last category deal most directly with contemporary politics and will have the most immediate appeal to TOQ readers. The penultimate story, entitled “The Stage Show,” is perhaps a good introduction to some of the author’s central concerns.

A convergence of catastrophes has ushered in a populist revolution. The productive part of the American nation has shaken off the parasites which had both fed upon and despised it. The credo of the new order is: “Warrior, Worker, Farmer, No Other.” As famine and intestine war gradually recede, rough justice gets dealt out to supporters of the old regime. Former wielders of political and financial power are proscribed by means of posters bearing their likenesses. Many are lynched before they can be brought to trial. The rest hang from trees, as children play at throwing stones into their open mouths. Soon the former rulers are followed by members of the so-called denial caste: “professionals who were known to have spewed anti-biological propaganda.”

The central character in the tale is an innocuous and unreflective man named Daniel Hoover. He takes little interest in the “Wanted” posters now springing up, even when a man in his own work gang is arrested and taken away. It turns out the man had formerly been a priest, a member of the denial caste. A few days later, Daniel accidentally comes upon the man’s corpse hanging from a tree. But this is not relevant to him, since he had nothing to do with the former rulers and had not done anything wrong.

After the power holders and the denial caste have been dealt with, a category of persons known as “mouthpieces” finds itself the subject of the third round of purges. This class consists of all who had formerly been involved in communications media in any non-technical capacity. Actors form the largest contingent.

And Daniel Hoover had once been an actor. As a young man, he had gone out to Hollywood, seeking his fortune. The apogee of his career had been appearing in a nationally broadcast commercial for Gadget Town, a popular retailer of consumer electronics. Enjoying no further success, he gave up after a couple years and returned to his Midwestern home. Later, during the years of war and famine, he had once survived by stealing food from a child. But it was the commercial for which he might now have to answer with his life.

He tries to get information about the new purge discretely from the boss of his work gang. But the man easily guesses that Daniel had acted, and hints that he should flee to the north where working men are needed. The ratio of parasites to producers had been particularly high up there, it seems. He sets out on foot for “what had formerly been Canada.”

One day he is standing in line at a farmers’ market, hoping to barter for some fresh apples: food producers enjoy high status under the new order. A woman recognizes him from the television advertisement of many years before. She begins shrieking “mouthpiece, mouthpiece!” Daniel is quickly overpowered by nearby soldiers, a bag is placed over his head, and he is dragged off to prison.

He sits in an overcrowded cell, watching as guards remove his fellow prisoners one-by-one. At last, his own name is called; a guard handcuffs him and ushers him into a room where an older man sits behind a desk. The man asks Daniel about the television commercial.

It had depicted Daniel staring entranced before a plasma TV set at a Gadget Town outlet. A football player on the screen caught a touchdown pass and danced in the end zone. Daniel was shown mimicking the football player, but was directed to make his dancing “goofy, awkward and stilted.” The multiethnic customers in the store are shown disdainfully shaking their heads at the white man’s lack of both dignity and dancing skills.

“What do you think the purpose of that commercial was?” the man asks him. Daniel is confused and finally manages to return the response “to sell television sets.”

“Maybe. Nominally. Some would say social engineering-that was certainly the result. You do understand, don’t you, that you have defamed a people? That your shameless display denigrated all the people on earth, but most grievously your own? You put into the minds of millions that your people were all weak-willed clowns fit only to be mocked and scorned.”

Daniel responds that it had been necessary for him to earn a living.

“By defaming others? […] Under the old régime I was imprisoned, locked away from my family for nine years for saying what I believed in. An actor, however, believes in nothing. He repeats the words others have written for him. Tell me, Daniel Hoover, what do you believe in?”

Daniel is unable to think of an answer.

When it became clear that nothing was forthcoming, the man behind the desk declares: “This court finds the accused guilty as charged. It has been proven that he was indeed a mouthpiece under the former régime, and as such is an enemy of the people who suffered under its whip. The sentence is death by hanging.” Only at this moment does Daniel realize that this had been his trial.

This story is mirrored by another one concerning a movie star. Matt Weber, who does not take much stock in either fathers or battles, has been filming Our Fathers’ Battles in rural North Carolina. He employs a personal vegan chef whenever he is on location, because eating flesh is “disrespectful of the body;” at the same time, he has nothing against cocaine or sexual promiscuity. Driving away for the weekend in his new Ferrari, he crashes in a rural area and seeks help from the locals at a tiny bar. It does not take him long to insult them, and the author gives us his word that the final results are the best entertaining the actor has ever done.

The war stories in Men–Art–War deal with conquest and the warrior ethos, depicting figures such as Alexander, Caesar and Genghis Khan. In one, a Chinese historian writes to his grandson that “it is violence — only ever violence — that lies behind the success of mighty men,” and describes how he was forced to falsify the imperial annals in order to disguise this from the Emperor’s subjects. Another refers to adrenaline as “that vestigial hormone that’s about as beneficial in modern, urban society as a tail.” What does it say about a society that it tries to eradicate the warrior virtues while endorsing war as “humanitarian intervention?”

The art stories deal with the fate of art and artists in the modern world. Three of these are concerned in some way with a fictitious nineteenth century Alsatian painter named Edvard Adolphus. The first, called simply “The Painter,” purports to be a biographical sketch of the artist from The Catholic Journal of Cultural Studies, a publication difficult to lay one’s hand on. Adolphus began his career with a celebrated crucifixion scene which became the subject of odd rumors: tiny details were alleged to be keys to blasphemous secret messages. Supposedly, he had called Christ “an anomaly in the natural world, a living creature that won’t try to defend itself,” and mocked Christianity as “a cult of weakness and lunacy.” The artist did nothing to discourage such speculation. The painting was quietly got rid of, “donated” to a German church in Valdivia, Chile.

Adolphus continued to épater le bourgeois throughout his career, lampooning wealthy capitalists and becoming a disciple of Max Stirner. Having reached age sixty, he travels to Africa and disappears. All but three of his works are said to have been destroyed in the firebombing of Dresden.

The second story in this series, “The Confession,” is the longest in the book and occupies a central place. Brian Scheibe is a widely traveled businessman who has begun structuring his travel around a desire to see things which are disappearing from the earth: going to Uganda, e.g., to look at the silverback gorillas.

One day, he hears a story on the news about “a man in Holland who’d publicly burned an antique oil painting in a park, dividing the Netherlands’ art community. Various protesters had decried the act as morally wrong, while those of a more liberal persuasion had applauded it as groundbreaking and a work of art in itself.”

This is not an extravagant conceit of the author’s, by the way. The Wall Street Journal of 24 March 1993 reported on the work of community college Professor Tim O’Day whose “art consists of performance pieces in which he buries, burns, or blows up other artists’ work.”

The painting was by Edvard Adolphus, whom Brian had never heard of. He soon learns that the only other Adolphus painting on public view is a crucifixion scene at a Cathedral in Chile. Within hours, he is off to Chile.

As he admires the painting, he is joined by an old man. At first annoyed by the interruption, he is eventually won over by the old man and tells him about the burning of the Adolphus canvas in Holland. The man replies: “they won’t stop until everything beautiful is eradicated from the face of the earth. Then, finally, they’ll turn on themselves.”

The man, named Alfred, becomes Brian’s guide during his stay in Chile. At a restaurant, Alfred tells Brian the history of the area; then he accompanies him to a local museum. He is pleased when Brian expresses no particular interest in the museum of modern art. He then remarks that the Adolphus crucifixion is the most interesting thing in the city, and recommends they return to the Cathedral to admire it, since “it looks best in the light of dusk.”

When they return to the Cathedral, Brian sees that Alfred is right. “Notice how the figures closest to the Christ are painted in muted tones,” says Alfred, “whereas those further away, on those hilltops for instance, are so colorful. It reminds me of the Swinburne line: Thou hast conquered, o pale Galilean. The world has grown gray from thy breath. The incomparable art of Europe happened in spite of the church, not because of it.”

Perhaps afraid of having offended Brian, Alfred asks him if he is Catholic; he is not. Brian asks Alfred his religion and, after a pause, Alfred replies “proudly and defiantly: I am an artist. That is my religion. As with Michelangelo, as with Dalí, as with the men of the future.”

When Brian protests that Michelangelo and Dalí were Catholics, Alfred suggests that they meet again that evening for dinner. “Thus the stage was set,” interjects the narrator, “for Brian Scheibe to begin thinking differently about the world around him.”

The contemporary educated Christian will have much to say in response to the views here expressed, views reminiscent of John Addington Symonds and Nietzsche. But knowledge of Christian history is also not the forte of even the contemporary educated Christian. The Dutch historian Johan Huizinga, in his masterpiece The Autumn of the Middle Ages, put the matter this way:

[Life’s enjoyments consist of] reading, music, fine arts, travel, the enjoyment of nature, sports, fashion, social vanity (knightly orders, honorary offices, gatherings) and the intoxication of the senses. For the majority, the border between higher and lower levels seems now to be located between the enjoyment of nature and sports. But this border is not firm. [E.g., the ancient Greeks treated sporting events as sacred occasions.-FRD] For medieval man the border lay, in the best of cases, right after reading; the enjoyment of reading could be sanctified through striving for virtue and wisdom. For music and the fine arts, it was their service to faith alone that was recognized as being good. Enjoyment per se was sinful.

Alfred’s devotion to “the fervor of life” implies an emphasis on procreation, and the new friendship is strained when Alfred reprimands Brian strongly for not having fathered children by the age of thirty-three. Brian eventually challenges Alfred on the same point, and the old man admits to being childless. It is this, he says, which makes him so emphatic about the importance of family when speaking with a younger man. The parent is an artist who works upon the spirit of his child.

“It is the mightiest endeavor, being handed a piece of clay or a blank piece of paper and bringing forth something from where previously there’d been nothing. From this seed, this rare quality of creativity possessed only by artists, springs all higher civilizations. It is that which whispers the infinite possibilities of what man might someday become. If those who possess this ability fail to have children…” His voice trailed off.

We may note that for all his jabs at modernity, the author assumes here an entirely modern understanding of art: it is creation ex nihilo rather than the imitation of natural forms. Modern “promethean” anti-Christians (Nietzsche) who claim to find this ideal realized in pre-Christian art are projecting: Christianity inherited the concept of art-as-mimesis from the pagan world without essential change.

The author’s writing is certainly open to criticism. For example, following the condemnation of Daniel Hoover in “The Stage Show,” the judge is depicted musing silently about why no actor brought before him ever mentions Shakespeare. For this, the judge feels lucky; he would not feel as confident sending them to their deaths if they did. Obviously, the author is trying to assure his readers that Hollywood is his target rather than the dramatic arts per se. But the passage is awkwardly inserted, and evinces a lack of artistic self-confidence.

That said, Men–Art–War remains itself an illustration of a lesson implied in a number of its stories: that decadence is not a fatality, and the virtues of the race can find expression in any age.

TOQ Online, June 18, 2009

 

Related

  • Meet the Hunburgers

  • Sexual Utopia in Stockholm

  • Serpent’s Walk

  • Prioritizing Prestige Over Accomplishment: Britain from 1950 to 1956

  • Úryvky z Finis Germania Rolfa Petera Sieferleho, část 3: Nové státní náboženství

  • Counter-Currents Radio Podcast No. 534 Interview with Alexander Adams

  • The Honorable Cause: A Review

  • George Friedman’s The Next 100 Years

Tags

artbook reviewscreativitycultural rebirthdecadenceF. Roger Devlinphilosophy of historywar

Previous

« Picking up the Torch:
E. Christian Kopff’s The Devil Knows Latin

Next

» Why I Write

1 comment

  1. Gregor says:
    December 30, 2010 at 12:53 pm

    Speaking of “Men at War” and “Destruction and Creation” …

    Readers with a taste for military theory might be interested in the writing of John Boyd, available here http://globalguerrillas.typepad.com/john_boyd/ Just download the essays listed under “Boyd’s Work” …. in particular this one: http://globalguerrillas.typepad.com/JohnBoyd/Destruction%20and%20Creation.pdf

    Unfortunately much of Boyd’s work is no longer easily accessible on the net, but these few documents will give you a good taste of how a brilliant military theoretician thinks. Be sure to dig into what he calls “OODA Loops”, a symbolic expression of Action Theory which has many ideas useable in “Mind War”.

Comments are closed.

If you have Paywall access,
simply login first to see your comment auto-approved.

Note on comments privacy & moderation

Your email is never published nor shared.

Comments are moderated. If you don't see your comment, please be patient. If approved, it will appear here soon. Do not post your comment a second time.

  • Recent posts

    • The Fall of the House of Biden

      Stephen Paul Foster

      5

    • Meet the Hunburgers

      James J. O'Meara

    • What a Nation is Not

      Asier Abadroa

      3

    • Plato’s Phaedo, Part I

      Greg Johnson

    • The Worst Week Yet: May 28-June 3, 2023

      Jim Goad

      24

    • We Need to Stop Taking Black Complaints Seriously

      Spencer J. Quinn

      13

    • Sexual Utopia in Stockholm

      F. Roger Devlin

      1

    • Serpent’s Walk

      Steven Clark

      2

    • June Is the Gayest Month

      Jim Goad

      1

    • Three Episodes from the History of Racial Politics

      Richard Knight

      4

    • Alice’s Police Escort in Wonderland

      Gunnar Alfredsson

      8

    • Prioritizing Prestige Over Accomplishment: Britain from 1950 to 1956

      Morris van de Camp

      4

    • Nueva Derecha vs. Vieja Derecha Capítulo 2: Hegemonía

      Greg Johnson

    • The Great Debate

      Cyan Quinn

      13

    • Will Woke Capital Soon Go the Way of the Dinosaur?

      Beau Albrecht

      34

    • June Is the Gayest Month

      Jim Goad

      24

    • Counter-Currents Radio Podcast No. 535 Ask Me Anything

      Counter-Currents Radio

      1

    • Úryvky z Finis Germania Rolfa Petera Sieferleho, část 3: Nové státní náboženství

      Rolf Peter Sieferle

    • Football’s Race War

      Pox Populi

      9

    • VDARE Facing Mortal Threat

      Peter Brimelow

      5

    • Collin Cleary Interviewed on Richard Wagner

      Collin Cleary

      1

    • Counter-Currents Radio Podcast No. 534 Interview with Alexander Adams

      Counter-Currents Radio

      1

    • The Union Jackal, May 2023

      Mark Gullick

      17

    • Biden and Bibi

      James J. O'Meara

      12

    • Forward with a Vengeance

      Tom Zaja

      3

    • Notes on Strauss & Husserl

      Greg Johnson

      1

    • The Worst Week Yet: May 21-27, 2023

      Jim Goad

      27

    • The Honorable Cause: A Review

      Spencer J. Quinn

      8

    • George Friedman’s The Next 100 Years

      Thomas Steuben

      4

    • Remembering Oswald Spengler (May 29, 1880-May 8, 1936)

      Greg Johnson

      2

    • Euthanizing the Homeless? It’s a Start

      Jim Goad

      8

    • Remembering Louis-Ferdinand Céline (May 27, 1894–July 1, 1961)

      Greg Johnson

      12

    • Blood, Soil, Paint

      Greg Johnson

      1

    • Céline’s Guerre

      Margot Metroland

      7

    • The Trial of Socrates

      Greg Johnson

    • Fields of Asphodel

      Tito Perdue

    • George Floyd and the “Color” of Revolution

      Stephen Paul Foster

      11

    • The Dakota Territory’s Indian Wars During the Civil War, Part 2

      Morris van de Camp

      1

    • No, Really, Everything’s Fine!

      Gunnar Alfredsson

      18

    • Euthanizing the Homeless? It’s a Start

      Jim Goad

      25

    • The Dakota Territory’s Indian Wars During the Civil War, Part 1

      Morris van de Camp

      1

    • How Much Would Slavery Reparations Actually Cost?

      Beau Albrecht

      35

    • No Brexit This Way

      Mark Gullick

      8

    • Martinez Contra Fascism

      Thomas Steuben

      28

    • Úryvky z Finis Germania Rolfa Petera Sieferleho, část 2: „Věčný nacista“

      Rolf Peter Sieferle

    • A 5D Plan in 3D: Hitchcock’s Dial M For Murder

      James J. O'Meara

      16

    • After Waco

      Morris van de Camp

      18

    • Munchhausen: The Third Reich’s Wizard of Oz

      Steven Clark

      13

    • Nueva Derecha vs. Vieja Derecha Capítulo 1: Política y Metapolítica

      Greg Johnson

    • The Worst Week Yet: May 14-20, 2023

      Jim Goad

      15

  • Classics Corner

    • Cù Chulainn in the GPO:
      The Mythic Imagination of Patrick Pearse

      Michael O'Meara

      5

    • Remembering Dominique Venner
      (April 16, 1935 – May 21, 2013)

      Greg Johnson

      11

    • A Robertson Roundup: 
      Remembering Wilmot Robertson
      (April 16, 1915 – July 8, 2005)

      Margot Metroland

      13

    • Metapolitics and Occult Warfare

      Greg Johnson

      2

    • Remembering Maurice Bardèche:
      October 1, 1907–July 30, 1998

      Greg Johnson

      2

    • The Power of Myth:
      Remembering Joseph Campbell
      (March 26, 1904–October 30, 1987)

      John Morgan

      11

    • The Man Who Shot Liberty Valance

      Trevor Lynch

      24

    • The Searchers

      Trevor Lynch

      29

    • Gabriele D’Annunzio

      Jonathan Bowden

      2

    • Remembering A. R. D. “Rex” Fairburn (February 2, 1904–March 25, 1957)

      Greg Johnson

      1

    • Denis Kearney & the Struggle for a White America

      Theodore J. O'Keefe

      1

    • Posthuman Prospects:
      Artificial Intelligence, Fifth Generation Warfare, & Archeofuturism

      Christopher Pankhurst

      5

    • Earnest Sevier Cox:
      Advocate for the White Ethnostate

      Morris van de Camp

      15

    • Remembering Jack London
      (January 12, 1876–November 22, 1916)

      Greg Johnson

      2

    • Remembering Robinson Jeffers:
      January 10, 1887–January 20, 1962

      John Morgan

      3

    • Remembering Pierre Drieu La Rochelle:
      January 3, 1893–March 15, 1945

      Greg Johnson

    • Remembering Rudyard Kipling (December 30, 1865-January 18, 1936)

      Greg Johnson

      10

    • Restoring White Homelands

      Greg Johnson

      34

    • Remembering Hinton Rowan Helper

      Spencer J. Quinn

      11

    • What’s Wrong with Diversity?

      Greg Johnson

      10

    • Redefining the Mainstream

      Greg Johnson

      3

    • Edward Alsworth Ross:
      American Metapolitical Hero

      Morris van de Camp

      8

    • The Talented Mr. Ripley & Purple Noon

      Trevor Lynch

      19

    • Christmas & the Yuletide:
      Light in the Darkness

      William de Vere

      3

    • Thanksgiving Special 
      White Men Meet Indians:
      Jamestown & the Clash of Civilizations

      Thomas Jackson

    • Colin Wilson’s The Outsider

      Sir Oswald Mosley

      4

    • Dostoyevsky on the Jews

      William Pierce

      4

    • Jefferson &/or Mussolini, Part 1

      Ezra Pound

      5

    • I Listened to Chapo Trap House So You Don’t Have To

      Doug Huntington

      98

    • The Homeric Gods

      Mark Dyal

      13

  • Paroled from the Paywall

    • Grosse Freiheit Nummer 7: The Best German Film on World War II?

      Steven Clark

      5

    • An Actor Prepares: Politics as Theater

      Mark Gullick

      4

    • Counter-Currents Radio Podcast No. 533 Ask Me Anything

      Counter-Currents Radio

      2

    • Politicizing Luz Long, Part II

      Clarissa Schnabel

      2

    • Politicizing Luz Long, Part I

      Clarissa Schnabel

      3

    • Breaking Beat: Reflections on The Rebel Set, a Masterpiece That Never Was

      James J. O'Meara

      1

    • If Hillary Had Won

      Stephen Paul Foster

      1

    • Nice Racism, Part 3

      Beau Albrecht

      1

    • Nice Racism, Part 2

      Beau Albrecht

      7

    • Nice Racism, Part 1

      Beau Albrecht

      6

    • Aristophanes’ Clouds, Part II

      Greg Johnson

      1

    • Aristophanes’ Clouds, Part I

      Greg Johnson

      1

    • Counter-Currents Radio Podcast No. 530 The Genealogy of Wokeism

      Counter-Currents Radio

      5

    • Patrick Bateman: “Literally Me” or a Warning?

      Anthony Bavaria

      9

    • British Sculpture, Part II

      Jonathan Bowden

      1

    • British Sculpture, Part I

      Jonathan Bowden

      2

    • The New Story

      Jocelynn Cordes

      21

    • Why Does Cthulhu Always Swim Left? Part 2

      Beau Albrecht

      1

    • Why Does Cthulhu Always Swim Left? Part 1

      Beau Albrecht

      11

    • Robert Rutherford McCormick, Midwestern Man of the Right: Part 2

      Morris van de Camp

      1

    • Pierre Teilhard de Chardin: Prophet of Eugenics and Race-Realism

      Margot Metroland

      11

    • In Defense of the White Union

      Asier Abadroa

    • Everything Everywhere All at Once: The Oscar Winner the System Loves

      Steven Clark

      32

    • Incels on Wheels: Jim Goad’s Trucker Fags in Denial

      Beau Albrecht

      17

    • The White Pill

      Margot Metroland

      10

    • Counter-Currents Radio Podcast No. 528 Karl Thorburn on the Bank Crashes

      Counter-Currents Radio

    • Women Philosophers

      Richard Knight

      23

    • Stranger Things and Surviving in the Modern World

      Howe Abbott-Hiss

      2

    • The Fabulous Pleven Boys

      P. J. Collins

      2

    • Nuclear Families: Threads

      Mark Gullick

      4

  • Recent comments

    • Scott

      The Worst Week Yet: May 28-June 3, 2023

      >> “The Nazis and the Zionists worked hand in hand to create Israel.” <<This is a myth...

    • Antipodean

      What a Nation is Not

      There is actual data now by Eric Kaufmann demonstrating whites have the most in-group preference...

    • Kök Böri

      An Actor Prepares: Politics as Theater

      Hungarians do not speak a Tuerkic language, but they could be of Tuerkic origin, at least partially...

    • DarkPlato

      Serpent’s Walk

      Thanks.  This is the sort of article I expect to read at counter currents!

    • Henri

      The Worst Week Yet: May 28-June 3, 2023

      Many Spaniards supposedly have about 20% Sephardic ancestry, but they don't buy wholesale, don't get...

    • E_Perez

      What a Nation is Not

      Excellent article (and one which makes me consider to donate to CC). But the sharp distinction...

    • Richard Houck

      Serpent’s Walk

      I also read Serpent’s Walk a bit after reading Turner Diaries and Hunter. Really enjoyed this...

    • Anti-Democracy

      The Fall of the House of Biden

      Rigged or not, Biden would absolutely win any primary and any general election. People are not...

    • Actual iconoclast

      What a Nation is Not

      This was possibly the most nihilistic and contradictory article I’ve ever read. Language and...

    • James Dunphy

      The Fall of the House of Biden

      A third party candidate should run on preventing elder abuse of the other two candidates. It's not...

    • James Dunphy

      The Fall of the House of Biden

      I'm satisfied if they avoid armbands, etc.

    • John

      The Fall of the House of Biden

      IN 2019, there were 566 Black-on-White murders. In that same year, there were 246 “White”-on-...

    • Rubadub

      The Worst Week Yet: May 28-June 3, 2023

      Anyone wanting to check out the latest Jewish “outsmart the stupid goy” theatre, check out the new...

    • Jud Jackson

      The Worst Week Yet: May 28-June 3, 2023

      What you say may be true.  But aren't the Spanish Jews Sephardic rather than Ashkenazi and isn't...

    • Hamlet's Ghost

      The Worst Week Yet: May 28-June 3, 2023

      Perhaps it started with George Lincoln Rockwell who mentored Dr. Pierce who in turn mentored Strom....

    • Aussiedler

      The Great Debate

      European nationalism is a funny thing. I’m starting to think colonialism was used as a way to...

    • Former Liberal

      We Need to Stop Taking Black Complaints Seriously

      I respect a lot of what Dr. William Pierce wrote about; but it's not just middle and upper class...

    • T Steuben

      The Fall of the House of Biden

      If you look at the picture it appears that Biden's shoe soles are extremely worn out. This may seem...

    • james Smith

      Martinez Contra Fascism

      Sorry for the repeat; “There is nothing I dread so much as the division of the republic into two...

    • james Smith

      Martinez Contra Fascism

      "This naturally leads to the argument that adopting fascist principles, we will become what we are...

  • Book Authors

    • Beau Albrecht
    • Alain de Benoist
    • Kerry Bolton
    • Jonathan Bowden
    • Collin Cleary
    • Jef Costello
    • Savitri Devi
    • F. Roger Devlin
    • Buttercup Dew
    • Julius Evola
    • Jim Goad
    • Gregory Hood
    • Juleigh Howard-Hobson
    • Greg Johnson
    • Charles Krafft
    • Anthony M. Ludovici
    • Trevor Lynch
    • H. L. Mencken
    • J. A. Nicholl
    • James J. O’Meara
    • Christopher Pankhurst
    • Tito Perdue
    • Michael Polignano
    • Spencer J. Quinn
    • Fenek Solère
    • Irmin Vinson
    • Leo Yankevich
    • Francis Parker Yockey
    • Multiple authors
  • Webzine Authors

    Editor-in-Chief

    • Greg Johnson, Ph.D.

    Featured Writers

    • Beau Albrecht
    • Morris V. de Camp
    • Stephen Paul Foster, Ph.D.
    • Jim Goad
    • Alex Graham
    • Mark Gullick, Ph.D.
    • Greg Johnson, Ph.D.
    • Spencer J. Quinn

    Frequent Writers

    • Aquilonius
    • Anthony Bavaria
    • Alain de Benoist
    • Kerry Bolton, Ph.D.
    • Collin Cleary, Ph.D.
    • Jef Costello
    • F. Roger Devlin, Ph.D.
    • Richard Houck
    • Ondrej Mann
    • Margot Metroland
    • John Morgan
    • Trevor Lynch
    • James J. O’Meara
    • Kathryn S.
    • Thomas Steuben
    • Michael Walker

    Classic Authors

    • Maurice Bardèche
    • Jonathan Bowden
    • Julius Evola
    • Guillaume Faye
    • Ernst Jünger
    • Kevin MacDonald, Ph.D.
    • D. H. Lawrence
    • Charles Lindbergh
    • Jack London
    • H. P. Lovecraft
    • Anthony M. Ludovici
    • Sir Oswald Mosley
    • National Vanguard
    • Friedrich Nietzsche
    • Revilo Oliver
    • William Pierce
    • Ezra Pound
    • Saint-Loup
    • Savitri Devi
    • Carl Schmitt
    • Miguel Serrano
    • Oswald Spengler
    • P. R. Stephensen
    • Jean Thiriart
    • John Tyndall
    • Dominique Venner
    • Leo Yankevich
    • Francis Parker Yockey

    Other Authors

    • Howe Abbott-Hiss
    • Michael Bell
    • Buttercup Dew
    • Giles Corey
    • Bain Dewitt
    • Jack Donovan
    • Richardo Duchesne, Ph.D.
    • Emile Durand
    • Guillaume Durocher
    • Mark Dyal
    • Fullmoon Ancestry
    • Tom Goodroch
    • Andrew Hamilton
    • Robert Hampton
    • Huntley Haverstock
    • Derek Hawthorne
    • Gregory Hood
    • Juleigh Howard-Hobson
    • Alexander Jacob
    • Nicholas Jeelvy
    • Ruuben Kaalep
    • Tobias Langdon
    • Julian Langness
    • Travis LeBlanc
    • Patrick Le Brun
    • G A Malvicini
    • John Michael McCloughlin
    • Millennial Woes
    • Michael O’Meara
    • Christopher Pankhurst
    • Michael Polignano
    • J. J. Przybylski
    • Quintilian
    • Edouard Rix
    • C. B. Robertson
    • C. F. Robinson
    • Herve Ryssen
    • Alan Smithee
    • Fenek Solere
    • Ann Sterzinger
    • Robert Steuckers
    • Tomislav Sunic
    • Donald Thoresen
    • Marian Van Court
    • Irmin Vinson
    • Aylmer Wedgwood
    • Scott Weisswald
  • Departments

    • Book Reviews
    • Movie Reviews
    • TV Reviews
    • Music Reviews
    • Art Criticism
    • Graphic Novels & Comics
    • Video Game Reviews
    • Fiction
    • Poems
    • Interviews
    • Videos
    • English Translations
    • Other Languages
      • Arabic
      • Bulgarian
      • Croatian
      • Czech
      • Danish
      • Dutch
      • Estonian
      • Finnish
      • French
      • German
      • Greek
      • Hungarian
      • Italian
      • Lithuanian
      • Norwegian
      • Polish
      • Portuguese
      • Romanian
      • Russian
      • Slovak
      • Spanish
      • Swedish
      • Ukrainian
    • Commemorations
    • Why We Write
  • Archives
  • Top 100 Commenters
Sponsored Links
Above Time Coffee Antelope Hill Publishing Identaria Paul Waggener IHR-Store Asatru Folk Assembly No College Club American Renaissance The Patrick Ryan Show Jim Goad The Occidental Observer
Donate Now Mailing list
Books for sale
  • The Trial of Socrates
  • Fields of Asphodel
  • El Manifiesto Nacionalista Blanco
  • An Artist of the Right
  • Ernst Jünger
  • Reuben
  • The Partisan
  • Trevor Lynch’s Classics of Right-Wing Cinema
  • The Enemy of Europe
  • Imperium
  • Reactionary Modernism
  • Manifesto del Nazionalismo Bianco
  • O Manifesto Nacionalista Branco
  • Vade Mecum
  • Whiteness: The Original Sin
  • Space Vixen Trek Episode 17: Tomorrow the Stars
  • The Year America Died
  • Passing the Buck
  • Mysticism After Modernism
  • Gold in the Furnace
  • Defiance
  • Forever & Ever
  • Wagner’s Ring & the Germanic Tradition
  • Resistance
  • Materials for All Future Historians
  • Love Song of the Australopiths
  • White Identity Politics
  • Here’s the Thing
  • Trevor Lynch: Part Four of the Trilogy
  • Graduate School with Heidegger
  • It’s Okay to Be White
  • The World in Flames
  • The White Nationalist Manifesto
  • From Plato to Postmodernism
  • The Gizmo
  • Return of the Son of Trevor Lynch’s CENSORED Guide to the Movies
  • Toward a New Nationalism
  • The Smut Book
  • The Alternative Right
  • My Nationalist Pony
  • Dark Right: Batman Viewed From the Right
  • The Philatelist
  • Confessions of an Anti-Feminist
  • East and West
  • Though We Be Dead, Yet Our Day Will Come
  • White Like You
  • Numinous Machines
  • Venus and Her Thugs
  • Cynosura
  • North American New Right, vol. 2
  • You Asked For It
  • More Artists of the Right
  • Extremists: Studies in Metapolitics
  • The Homo & the Negro
  • Rising
  • The Importance of James Bond
  • In Defense of Prejudice
  • Confessions of a Reluctant Hater (2nd ed.)
  • The Hypocrisies of Heaven
  • Waking Up from the American Dream
  • Green Nazis in Space!
  • Truth, Justice, and a Nice White Country
  • Heidegger in Chicago
  • End of an Era: Mad Men & the Ordeal of Civility
  • Sexual Utopia in Power
  • What is a Rune? & Other Essays
  • Son of Trevor Lynch’s White Nationalist Guide to the Movies
  • The Lightning & the Sun
  • The Eldritch Evola
  • Western Civilization Bites Back
  • New Right vs. Old Right
  • Journey Late at Night: Poems and Translations
  • The Non-Hindu Indians & Indian Unity
  • I do not belong to the Baader-Meinhof Group
  • Pulp Fascism
  • The Lost Philosopher
  • Trevor Lynch’s A White Nationalist Guide to the Movies
  • And Time Rolls On
  • Artists of the Right: Resisting Decadence
  • North American New Right, Vol. 1
  • Some Thoughts on Hitler
  • Tikkun Olam and Other Poems
  • Summoning the Gods
  • Taking Our Own Side
  • Reuben
  • The Node
  • The New Austerities
  • Morning Crafts
  • The Passing of a Profit & Other Forgotten Stories
Copyright © 2023 Counter-Currents Publishing, Ltd.

Paywall Access





Please enter your email address. You will receive mail with link to set new password.

Edit your comment