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Print October 20, 2021 6 comments

Counter-Currents Radio Podcast No. 381
The Writers’ Bloc with Nick Jeelvy, Travis LeBlanc, & Thomas Steuben

Counter-Currents Radio

115 words / 1:57:25

America First is shaking itself apart. Groyper wails on groyper in a bloody brother war. The Writers’ Bloc has therefore convened a panel of expert groypologists. Join Nicholas R. Jeelvy and Counter-Currents writers Mark Gullick, and Thomas Steuben as they discuss these recent happenings.

Topics discussed include:

Nick Fuentes and the Groypers
Does America First still have potential?
Baked Alaska
The hierarchy in America First
Beardson
Culture War Criminal
Narcissism
Technical issues with America First
Incels who pretend to be Catholics
Being loud about Catholicism
Patrick Casey
Criticism against Fuentes
Black music
Heavy metal
Will America First splinter?

To listen in a player, click here. To download, right-click the link and click “save as.”

https://counter-currents.com/wp-content/uploads/2021/10/WB20211017.mp3

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Related

  • The Virgin Queen Chihuahua Has Spoken!

  • Adult Cartoons Are a Disaster for Western Civilization, Part 2

  • The Virgin Queen Chihuahua Has Spoken!

  • Adult Cartoons Are a Disaster for Western Civilization, Part 1

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  • Rich Snobs vs. Poor Slobs: The Schism Between “Racist” Whites

  • Counter-Currents Radio Podcast No. 551: Ask Me Anything with Matt Parrott

Tags

America firstBaked AlaskaBeardson Beardlyblack musicCatholicismCulture War Criminalheavy metal musicincelsmovement dramanarcissismNicholas R. JeelvyNick FuentesPatrick CaseyPodcastsThe Writers BlocThomas SteubenTravis LeBlanc

Previous

« Nicholas Kristof:
The Walter Duranty of the Twenty-First Century

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» The Facebook Blacklist Reveals Who Most Terrifies the Regime

6 comments

  1. Alex says:
    October 20, 2021 at 7:52 am

    I can only speak for myself but in my opinion this content is beneath you, I couldn’t listen for more than 20 minutes. I don’t care about Groyper wars or Baked Alaska and I have no idea who Beardson or CWC are. I don’t mean to be critical as I am a great admirer of this site and the podcasts but my hunch is that I’m not the only person who doesn’t give a shit about Groyper wars.

     

    0
    0
    1. Nick Jeelvy says:
      October 20, 2021 at 2:00 pm

      Next week it’ll be a dry and cerebral discussion of psychopathy as it relates to politics, so you might prefer that.

       

      0
      0
    2. Scott says:
      October 24, 2021 at 8:25 pm

      I’m not interested in Groyper Wars either. When I think of “America First” I think of Charles Lindbergh and not these punters.

      However, I do strongly think that it’s important to stay abreast of movement news and gossip. There is nothing that we should not be able to talk about and to debate.

      Transparency and authoritative candor is the pro-active way to control rumors and to shape the propaganda.

      Plus, there are always new things to learn.  I had to look up “Shoegaze,” LOL.

      🙂

       

      0
      0
  2. Chuckman says:
    October 20, 2021 at 10:42 am

    I agree with a lot of what Thomas had to say, but CWC is garbage. He has the opposite of IT factor, he has anti-IT. I think Nick sensed that and said let’s trash this guy. May be harsh, but he is right to do that. If had some decently charismatic people around him to replace Baked and Beardguy, he might do it. But you can’t win with nerds larping like they are founding fathers.

    0
    0
  3. Sestofior says:
    October 21, 2021 at 5:48 am

    Rhythm is the foundation of music and so black music has something to contribute to the universal cannon. That said, rap is itself even alien to black culture because Jews invented it by co-opting an essential element of black music, their sense of rhythm, and turned it into accented jibberish.

    0
    0
  4. Norbert says:
    October 22, 2021 at 11:45 pm

    I heartily concur with whoever it was who suggested here that shoegaze be celebrated as our ownmost genre of musical expression. It, along with the German electronic music of the 70s (Kraftwerk, Neu, TD), is extraordinarily beautiful and captivating — completely free from the degeneracy and ressentiment of African slaves that infects popular music. The whole genre, from its progenitors — Cocteau Twins, Echo and the Bunnymen (circa Heaven up Here), The Cure (~Seventeen Seconds)– through to its perfection with MBV’s Loveless, Slowdive, Swervedriver (despite “Girl on a Motorbike”), Catherine Wheel, Dino Jr.,  and on to worthy contemporaries (Pia Fraus, Film School, etc.) —  strikes me as utterly sublime — indifferent to the degradations of the reigning slave morality. Please say more about what you like about shoegaze.

     

    0
    0

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