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  • Recent posts

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  • Recent comments

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      Crowdsourcing Contest! Our Banner

      I like the idea ─ but it probably requires too much explanation over either the din of the hostile...

    • Gallus

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      Hey, we also give space to your endless Allah-defensive whining.My exact phrasing was “Some have...

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      With all due respect, I never understand this sort of comment. As an American who fully understands...

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      Reflection, by John Guzziferno

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Tag: film criticism

  • December 12, 2022 Alex Graham 7 comments

    The 2022 Sight & Sound Poll of the Greatest Films of All Time

    The rankings of cinema classics are being affected by affirmative action, just like everything else.

    The rankings of cinema classics are being affected by affirmative action, just like everything else.

    1,526 words

    The results of the Sight and Sound poll of the Greatest Films of All Time were announced earlier this month. The prestigious, once-a-decade poll, which has been conducted since 1952, is widely regarded as an arbiter of the canon of cinema. This year’s results bear the unmistakable influence of film-school fads and rabid identity politics.

    This year’s list is noticeably more diverse than the previous one. The number of films made by black directors that appear on it increased from one to seven, and the number of films made by women increased from two to eleven. (more…)

  • August 22, 2019 P. J. Collins 11 comments

    Leni Riefenstahl in Modern Memory

    2,147 words

    One of the delights of revisiting old movies after many years is finding out that you completely misread or misremembered certain scenes. Early on in the first part of Leni Riefenstahl’s Olympia, we have the entry parades of the national teams. When the French team come by, they drag their flag in the dust – because, or so I assumed decades ago, these robust athletes were utterly disgusted with the new Popular Front government under the hapless Léon Blum (more…)

  • December 14, 2018 Counter-Currents Radio 7 comments

    Guide to Kulchur
    Episode 4: Starship Troopers

    87 words / 1:31:40

    Counter-Currents contributor Guillaume Durocher joins Fróði Midjord on the latest episode of the new podcast series, Guide to Kulchur, to discuss Paul Verhoeven’s 1997 film Starship Troopers, which is based on a novel by renowned science fiction author Robert A. Heinlein and portrays a fascist future society embroiled in a war of extermination against a civilization of intelligent bugs. Both the book and the film reveal political insights that are not often seen in today’s popular culture. The episode is available on both YouTube and Spreaker (see below).

    (more…)

  • August 27, 2018 Alex Graham 6 comments

    Hitler & Film

    2,002 words

    Bill Niven
    Hitler and Film: The Führer’s Hidden Passion
    New Haven: Yale University Press, 2018

    This book is a great companion to Frederic Spotts’ Hitler and the Power of Aesthetics. The only shortcoming of Spotts’ book was that it did not discuss Hitler’s interest in film and his involvement in the German film industry. This book does just that. (more…)

  • April 4, 2018 David Yorkshire 3 comments

    Zardoz: Natural Order Against the Left

    2,482 words

    John Boorman’s films are implicitly white, as they address themes that pertain to people of white European descent, whether historical, philosophical, or mythical. For the latter, an example would be the film Excalibur that I recently reviewed. Zardoz is a film that addresses the philosophical. This is another of Boorman’s films that the critic Roger Ebert neither understands nor cares for – and I suspect more the latter, for the film is a biting satire directed at creamy bourgeois Leftists. (more…)

  • August 31, 2017 Quintilian 8 comments

    Now in Video!
    The Future Is White

    14 words / 2:48

    Quintillian’s “The Future Is White” has been made into a video by VertigoPolitix

  • August 28, 2017 Quintilian 23 comments

    The Future Is White

    707 words

    The Left is a dangerous consortium of perverts and violence-prone shallow thinkers, but it is also an assemblage of the ridiculous. There is something that is just very funny about a mestizo flaunting his illegal status during a television interview who is shocked when he is deported, (more…)

  • May 17, 2017 Peter D. Bredon 1 comment

    Looking for Pop

    3,353 words

    Jef Costello
    The Importance of James Bond & Other Essays
    San Francisco: Counter-Currents, 2017

    “Where was that stooped and mealy-colored old man I used to call Poppa when the merry-go-round broke down?”[1]

    “This guy can’t possibly live up to the song they wrote about him… probably just an accountant named Wallace.”[2] (more…)

  • March 2, 2017 Francesco Boco 2 comments

    The League of Shadows:
    The Path to Dark Enlightenment

    1,690 words

    Nowadays, any opinion regarding Batman cannot ignore the prime importance of Christopher Nolan’s trilogy.

    (more…)

  • January 26, 2017 James J. O'Meara 2 comments

    Coffee? I Like Coffee!:
    The Metaphysical Cinema of Coleman Francis, Part Three

    7,267 words

    Part 3 of 3 (Part 1 here; Part 2 here)

    B refers to The Beast of Yucca Flats; S for The Skydivers; and R for Red Zone Cuba.

    But Isn’t Griffin Evil?

    But isn’t Griffin evil? How can he be enlightened?

    Although Walter White and Hank Quinlan are also large men who commit bad deeds and come to similar falls – (more…)

  • January 25, 2017 James J. O'Meara 8 comments

    Coffee? I Like Coffee!:
    The Metaphysical Cinema of Coleman Francis, Part Two

    Coleman Francis starring as Griffin in his self-directed Red Zone Cuba

    Coleman Francis starring as Griffin in his self-directed Red Zone Cuba

    8,212 words

    Part 2 of 3 (Part 1 here)

    B refers to The Beast of Yucca Flats; S for The Skydivers; and R for Red Zone Cuba.

    No Dialogue Necessary: The Vision of Coleman Francis

    “Coleman Francis had a vision. A dark vision. With cars.”[1] (more…)

  • January 24, 2017 James J. O'Meara 7 comments

    Coffee? I Like Coffee!:
    The Metaphysical Cinema of Coleman Francis, Part One

    Tor Johnson in The Beast of Yucca Flats.

    Tor Johnson in The Beast of Yucca Flats.

    6,980 words

    Part 1 of 3

    The Coleman Francis Trilogy:
    The Beast of Yucca Flats (1961),
    The Skydivers (1963),
    Red Zone Cuba (1966; aka Night Train to Mundo Fine) (more…)

1 2 Next›
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