Author: David Yorkshire

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Norman Bates has been created, a mentally deranged man dressing up as mother. There are many like Robert Bloch’s character; some like Liam Suleman/Lucy Edwards, William/Gillian Jaggs, and Kayleigh-Louise Woods/Kyle Lockwood have all murdered women exactly like the character; others behave in other violent and depraved ways, like Miguel/Michelle Martinez, Kim Leverton, and Gary/Carys Cooper, who have all sexually assaulted children; still others are non-violent, but equally psychologically damaged. (more…)

Jean-Benoît Dunckel (left) & Nicolas Godin of Air.

1,359 words

Having driven the length and breadth of Western Europe and in parts of the East, one thing has struck me on the long hours on the road: French radio is probably the worst in Europe. Most of it consists of bourgeois chatter, like their television. (more…)

Dev Patel is a natural for David Copperfield in Victorian London.

2,040 words

At the beginning of this year, I wrote an article exposing the Huffington Post’s double standard and anti-white agenda when it comes to racialized casting in film and television series. The Huffington Post’s position reflects that of the mainstream media at large, whereby persons of color being cast in white roles is to be applauded, whereas whites being cast in non-white roles is to be denounced. (more…)

Oksana Shachko

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A founding member of the feminist group Femen has died at the age of 31. Oksana Shachko has apparently taken her own life in her Paris apartment by hanging herself. She was of course not the real leader, for the real leaders were the financiers of Femen, the ones who provided the Ukrainian with an expensive Parisian apartment, the ones who set her up with a cushy career as an “artist,” where she could deconstruct Western culture to her handlers’ hearts’ content. Everything Femen has done has been contradictory and destructive. (more…)

1,675 words

Soul music is said to be the preserve of the Negro, yet the later soul music of the Negro was not the preserve of the Negro, for it very often relied on Jewish production under the likes of Syd Nathan, Ralph Bass, Jerry Wexler, Jerry Leiber and Mike Stoller, and on White classical tradition and instrumentation for its orchestral arrangements. (more…)

Otto Dix, Self-Portrait with My Son

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Otto Dix was a German artist who is now celebrated as one of the great painters of the twentieth century, probably in no small part because he was put on the National Socialists’ list of degenerate artists, as, to the unthinking postmodern Left, anything the National Socialists hated is automatically considered good. Equally though, the postmodern cultureless cartoon Nazis of today’s corrupted Right consider him a degenerate artist also simply because his artworks were deemed Entartete Kunst by the NSDAP. (more…)

2,380 words

The True Right has always believed in strong leadership and the ability, as Thomas Carlyle wrote, of ‘great men’ to shape history. In his collection of lectures On Heroes, Hero-Worship and the Heroic in History, Carlyle identifies six types of hero: the Hero as Divinity, as Prophet, as Poet, as Priest, as Man of Letters and as King. This is not limited to the Right, for the Left also has its heroes: its revolutionaries and men of theory.
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1,072 words

I have heard it often said that no art is being produced on the Right anymore, that everything we see and hear and experience is deconstructive of traditional Western values, particularly in film. This, however, shows the laziness of many of the talking heads on the Right, who are only too ready to churn out bad news porn and not willing enough to do a modicum of research or promote those creating content. (more…)

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John Boorman’s films are implicitly white, as they address themes that pertain to people of white European descent, whether historical, philosophical, or mythical. For the latter, an example would be the film Excalibur that I recently reviewed. Zardoz is a film that addresses the philosophical. This is another of Boorman’s films that the critic Roger Ebert neither understands nor cares for – and I suspect more the latter, for the film is a biting satire directed at creamy bourgeois Leftists. (more…)

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Ilya Glazunov is not a name that is widely known in Western Europe, to the point where his passing went largely unnoticed on the 9th July of last year. I personally only found out at the end of the year, and have only just managed to find the time to write this obituary, involved as I am in a number of cultural projects that will bear fruit in the near future. Born into a Russian noble family in St. Petersburg, known at that time as Leningrad in the Soviet Union, he lost his parents to starvation in the siege of that city during the Second World War, he himself being one of the few survivors from his family. (more…)

710 words

Whatever happened to the perfectly good term ‘fancy dress’? I suppose one might argue that ‘cosplay’ emphasises the element of play to it, of playing the role the costume suggests. One such man who loves to do this is Justin Trudeau. There is nothing terribly wrong with that – except that he does it when representing the country he is prime minister of on the world stage. Even worse, the majority of Canadians seem to think this is perfectly normal.  (more…)

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These are two videos I have made that are connected by the theme of Hollywood. The first begins with an observation in Jared Taylor’s debate with black supremacist Tariq Nasheed in how black supremacists use the rhetoric of 1970s blaxploitation films to explain their situation, which is invariably one of being oppressed by the White Man. This I call “blaxplainin'”. (more…)

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This will be a relatively short article, but it raises some important philosophical questions for those who believe in the false dogma of either race blindness or race as a social construct. Both deny the physical nature of race as a reality. (more…)