When I was a boy my parents would take me to the cinema. (That’s the Proustian opener out of the way). It would be either my father or my mother but never both, as I had brothers five years younger than me, identical twins, and my parents would take turns looking after them (and they were a handful) while the other one took me to see a movie. I remember seeing Walter Matthau in the movie Prisoner of Second Avenue with my dad, and both my mother and I being scared out of our wits seeing Carrie. I also remember classic Disney films. (more…)
Alan Moore’s The League of Extraordinary Gentlemen: a modern take on the motifs of the weird nineteenth century.
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It’s ill to loose the bands that God decreed to bind;
Still we be the children of the heather and the wind.
Far away from home, O it’s still for you and me
That the broom is blowing bonnie in the north countrie. [1]
Even below the Missouri-Compromise Line, the mornings now have a delicious coolness, faltering on the edge of a “chill,” and I found myself yearning for an old-fashioned, nineteenth-century ghost story. (more…)
I suspect most people have particular topics that affect them profoundly and cause a welling up of emotion that most other people would find a bit strange. For me, the topic is space probes. When I watch documentaries or read articles about them, I tear up the way we all tear up at a piece of heartbreakingly beautiful music or a cynic-proof rendition of the national anthem. After the unmanned spacecraft Cassini completed its mission in 2017 and sent back its stunning images of Saturn, the probe’s creators issued (more…)
Lost Highway is probably not a lot of people’s favorite David Lynch film. I would rank it in the lower rungs of his canon. But it is still a masterful film that draws me back again and again.
The big question about Lost Highway is what actually happens. This movie has a plot that you can fully summarize without really spoiling it, because the meaning is never really given away. (more…)
Grégoire Canlorbe: It is not uncommon to claim the self-assertive longing for “prestige,” “respect,” and “fame” is fully intelligible within the framework of the selfish-gene theory, (more…)
Grégoire Canlorbe: Western civilization, originating from the Indo-European heroic ethos, turned out to be both the most creative and Faustian civilization and the most war-ridden and war-dominated one. Islamic civilization has been equally militaristic and expansionist; yet it quickly became frozen and hostile towards innovation and individual genius, despite the fact that praising Muhammad’s heroic lifetime has permeated Islamic societies to this day. How do you explain this duality?
Grégoire Canlorbe: In your eyes, the European civilization of the white man has been systemically downsized by contemporary world historians – to name but a few, Patrick O’Brien, Sebastian Conrad, or Ian Morris. Could you develop?
John Morgan and Survive the Jive join Fróði Midjord on the latest Guide to Kulchur to discuss the German filmmaker Werner Herzog’s masterpiece, Aguirre, the Wrath of God. After Fróði discusses the upcoming Scandza Forum conference in Stockholm, the three analyze the film, which is about a mad Spanish Conquistador, played by Klaus Kinski, in the sixteenth-century Amazon who is on a quest to locate the legendary city of El Dorado. (more…)
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John Morgan and Michael Polignano interview Swedish nationalist YouTube commentator and fitness guru Marcus Follin, a.k.a. The Golden One. (more…)
Overall, the White Nationalist movement is positive. The “positivity” of the movement emanates from our collective ethnonationalistic desire for transformational change. (more…)
The Lost City of Z is based on a recent book of the same name by David Grann about the British explorer Percy Fawcett’s quest for a legendary ancient lost city in the Amazon rainforest. Its premise brings to mind epic films like Lawrence of Arabia or Apocalypse Now (indeed several scenes are uncannily reminiscent of Coppola). However ultimately The Lost City of Z lacks the grandeur of the former and the hallucinatory intensity of the latter. It is also burdened by the clutter of several secondary themes (romance/family, war, colonialism/racism, classism, sexism) and the ham-fisted insertion of modern liberal talking points into the plot. (more…)
In my previous essay, “Ditching the Black Pill: Or, How I Freed Myself from the Shekel,” I explored why nihilism isn’t a constructive strategy or mindset for the purposes of our movement. Nihilism, fatalism, and any other predeterministic philosophy runs counter to the European soul, and as such is a tool for our enemies to exploit. This essay will be exploring racial hygiene, with a specific emphasis placed upon what is healthy for our people and what is not. (more…)
As of late, many in the movement have been both advocating and adopting the deleterious philosophy of the so-called “Black Pill.” Those held in thrall by the nihilistic tendrils of the “Black Pill” ideology posit that — quite bluntly — hope is futile, change a fleeting mirage, and White racial preservation improbable. (more…)
Let us return to the story of Mímir’s Well, and Odin’s sacrifice of an eye. What does this loss signify? As Wagner recognized, it means that while Odin gains wisdom, he also becomes half blind.[1] On a literal level, this is obvious. (more…)
The reality about women and gender relations is usually the last red pill for a man to take. It is also the hardest and the most emotionally devastating one. While understanding inherent biological racial differences, the truth about Hitler and WWII, and the Jewish Question (more…)
The problem of the origins, the foundations and the future destiny of the global hegemony of the white race is, of course, among the most exciting issues of today. We have in our hands a newly published large volume by Wahrhold Drascher, who, thoroughly knowledgeable, comprehensively informed and with an acute historical sense, takes on precisely this subject (Die Vorherrschaft der weissen Rasse, Berlin, 1936). (more…)
Du XIXe siècle jusqu’aux années 1960 et 1970, les livres de l’Histoire Mondiale reconnaissaient les divers accomplissements de toutes les civilisations dans le monde, mais la plupart des auteurs et des enseignants prenaient comme allant de soi le fait que les Européens méritaient plus d’attention en particulier au vu de leur influence incontestable (more…)
If I had to choose one word to identify the uniqueness of the West it would be “Faustian.” This is the word Oswald Spengler used to designate the “soul” of the West. He believed that Western civilization was driven by an unusually dynamic and expansive psyche. The “prime-symbol” of this Faustian soul was “pure and limitless space.” This soul had a “tendency towards the infinite,” a tendency most acutely expressed in modern mathematics. (more…)
From the nineteenth century through the 1960s and ’70s, World History books did recognize the varying accomplishments of all civilizations in the world, but most authors and teachers took for granted the fact that Europeans deserved more attention particularly in view of their irrefutable influence on the rest of the world after their discovery of the Americas, development of modern science and global spread of modern technology.
My knowledge of the European New Right (ENR) is very scarce, no more than a few short articles and three books: Guillaume Faye’s Why We Fight, Alexander Dugin’s Fourth Political Theory, and Pierre Krebs’ Fighting for the Essence, Western Ethnosuicide or European Renaissance? I found Faye’s metapolitical dictionary substantively insightful and Dugin’s dissection of liberalism penetrating.
Christopher Nolan’s Interstellar is an epic, metaphysical poem addressing the question of ultimate human survival in both an individual and collective sense. (more…)
Given my interests in topics covered in my Nietzsche’s Coming God book review, as well as my Overman High Culture essay, I thought it useful to take a look at Daniel Forrest’s new book, Suprahumanism.
Finally receiving the new issue of TYR, one feels torn between wishing that each volume could appear more frequently, or at least more regularly, and on the other hand, appreciation for the time and attention devoted to bringing out such unparalleled collections of articles, interviews and reviews of books and music devoted to the “Myth – Culture – Tradition” of the North by Messrs. Buckley and Moynihan.[1] (more…)
« L’histoire même de l’humanité tout entière est tragique. Mais le sacrilège du Faustien et son désastre surpassent tous les autres, allant au-delà de tout ce qu’Eschyle ou Shakespeare ont jamais imaginé. La créature se dresse contre son créateur. De la même façon que le microcosme Homme se révolta un jour contre la Nature, ainsi fait aujourd’hui le microcosme Machine se révoltant contre l’Homme Nordique. Le maître du Monde est en train de devenir l’esclave de la Machine qui le force – et nous force tous, que nous en soyons conscients ou pas – à en passer par où elle veut. Abattu, le triomphateur est traîné à mort par le char. » (Oswald Spengler, L’Homme et la Technique) (more…)
“The history of mankind as a whole is tragic. But the sacrilege and the catastrophe of the Faustian are greater than all others, greater than anything Æschylus or Shakespeare ever imagined. The creature is rising up against its creator. As once the microcosm Man against Nature, so now the microcosm Machine is revolting against Nordic Man. The lord of the World is becoming the slave of the Machine, which is forcing him — forcing us all, whether we are aware of it or not — to follow its course. The victor, crashed, is dragged to death by the team.” — Oswald Spengler, Man and Technics (more…)
We can say that the plot of the Ring is simply this: Western man, in the person of Wotan, finally awakens to the destructiveness of his thumotic nature, and wills his own end. (See my review of Duchesne’s Uniqueness of Western Civilization for a discussion of how Western man is preeminently thumotic man.) (more…)
If Wotan is the main character of the Ring, Siegfried is its hero. However, in dealing with the character of Siegfried we do not depart from our discussion of Wotan at all. This is because Siegfried, like many of the other characters in the Ring, is a kind of hypostatization of an aspect of Wotan himself. (more…)
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