Tag: existentialism

1,367 words

Yukio Mishima (1925–1970) was one of the giants of Japanese letters as well as an outspoken Right-wing nationalist. Mishima shocked the world on November 25, 1970, when he and members of his private militia, the Tatenokai or Shield Society, took hostage the commander of the Japan Self-Defense Force’s Ichigaya Camp. Mishima then delivered a speech to the assembled soldiers and press, exhorting the Japanese to turn away from American-imposed consumerism back to their traditional aristocratic culture, which prized honor above life and comfort. (more…)

7,981 words

Colin Wilson
The Age of Defeat
London: Aristeia Press, 2018 (reprint; original edition 1959)

“You get to be a superhero by believing in the hero within you and summoning him or her forth by an act of will. Believing in yourself and your own potential is the first step to realizing that potential. (more…)

6,580 words

The following review was published in The European, a journal owned and published by Sir Oswald Mosley and his wife, Diana, between 1953 and 1959, in its February 1957 issue. (more…)

4,188 words / 26:20

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As I have written about previously for Counter-Currents (as well as in a considerably revised and expanded version of this same essay that was included in North American New Right, vol. 2), the English philosopher, novelist, and compiler of eclectic knowledge of all kinds, Colin Wilson (1932-2013), is one of the most unjustly forgotten writers of our time. (more…)

Neville Goddard

4,337 words

Part 2 of 2; part 1 here

Earlier, I noted Wilson’s second thoughts, 45 years later, about Religion and the Rebel as an “overstuffed pillow”; he specifically felt that the early biographical material on Rilke was “unnecessary.” But actually, it supplies us with a remarkable parallel to Neville’s method, as well as a hint of Wilson’s future development.

Wilson says if Rilke had died at age twenty-five, no one would have remembered him. Instead, he willed himself to be a poet. (more…)

6,326 words

Colin Wilson

Part 1 of 2

“What was needed was not some new religious cult but some simple way of accessing religious or mystical experience, of the sort that must have been known to the monks and cathedral-builders of the Middle Ages.”–Colin Wilson[1]

“The serpent said that every dream could be willed into creation by those strong enough to believe in it.”–Eve to Adam, in Shaw’s Back to Methuselah  (more…)

107 words / 63:58

Audio version: To listen in a player, use the one above or click here. To download the mp3, right-click here and choose “save link as” or “save target as.” To subscribe to the CC podcast RSS feed, click here.

Greg Johnson and John Morgan convene another episode of Counter-Currents Weekly. (more…)

6,580 words

The following review was published in The European, a journal owned and published by Sir Oswald Mosley and his wife, Diana, between 1953 and 1959, in its February 1957 issue. (more…)

2,599 words

Czech translation here

Ridley Scott’s 1982 movie Blade Runner is a science fiction classic and surely the director’s finest work. Blade Runner excels on all levels. It is a highly imaginative vision of the future realized with a stunning visual style. The script is intelligent, even poetic. The cast is uniformly strong, with a number of powerful performances, particularly Rutger Hauer as Roy Batty. The gripping action sequences are acrobatic, balletic, and brutal. But the key to the film’s unsettling emotional power is its deep mythic subtext. (more…)

Alexandre Kojève in 1922

6,558 words

Editor’s Note:

The following text is the transcript by V. S. of my conversation with F. Roger Devlin about Alexandre Kojève (1902–1968) and the end of history. To listen to the audio in a player, click here. To download the mp3, right-click here and choose “save target or link as.” To subscribe to our podcasts, click here.  (more…)

2,640 words

English original here

Film Ridleyho Scotta z roku 1982 Blade Runner se řadí mezi klasická díla sci-fi žánru a představuje vrchol tvorby slavného britského režiséra. Blade Runner vyniká ve všech ohledech. Jedná se o velice nápaditou vizi budoucnosti, uskutečněnou v dechberoucím vizuálním provedení. Herci předvádí solidní výkony, někteří pak až výjimečné – především Rutger Hauer jako Roy Batty. Napínavé akční scény jsou akrobatické, baletní a brutální. Klíč k pochopení znepokojivé emocionální působivosti díla však spočívá v jeho hlubokém mytickém podtextu. (more…)

391 words

Editor’s Note:

Although Instauration pieces are not signed, based on style and content, I believe this obituary for Martin Heidegger was written by Wilmot Robertson.

Martin Heidegger (1889-1976)

As far as we know there is only one atheistic philosopher whose thought ever triggered religious resonances in the soul of his readers. (more…)