In 1977, the year of the Queen’s Silver Jubilee celebrations, Derek Jarman’s film Jubilee seemed to epitomize the seismic shift that punk had caused to the cultural landscape. Violent, nihilistic, and filthy, Jubilee raised the aesthetic potential of punk to a higher artistic form.
In the film, Elizabeth I is transported to the England of the late 1970s by the angel Aerial who is evoked by her astrologer-magician John Dee. (more…)