Counter-Currents
  • Private Events
  • T&C
  • Rss
  • DLive
  • Telegram
  • Gab
  • Entropy
  • Rss
  • DLive
  • Telegram
  • Gab
  • Entropy
  • Webzine
  • Books
  • Podcasts
  • Donate
  • Paywall
  • Crypto
  • Mailing List
  • About
  • Contact
  • RSS
    • Main feed
    • Comments feed
    • Podcast feed

LEVEL2

  • Webzine
  • Books
  • Podcasts
  • Donate
  • Paywall
  • Crypto
  • Mailing List
  • About
  • Contact
  • RSS
    • Main feed
    • Comments feed
    • Podcast feed
  • Private Events
  • T&C
  • Rss
  • DLive
  • Telegram
  • Gab
  • Entropy
Print September 23, 2021 9 comments

The Designated Drinker

Nicholas R. Jeelvy

The Critical Drinker

1,307 words

As autumn creeps closer, I find myself staying indoors more and more often. As the dreaded date of my birthday approaches, I shed much of my natural vim and vigor and run the risk of giving in to despair as an aspect of sloth, a sin I’ve not yet learned to overcome. Modern technology has many temptations, but the temptation to just sit there and “veg out” — which apparently means to attain the mentality of a vegetable — in front of the computer or television is one of its most insidious, as it usurps what should be the brain’s downtime and uses it to insert programming of various types when we’re too tired to activate our skepticism. They’ve invaded what should be our relaxation time and are using it to poison us. For this reason, I only really “veg out” with either really old music or ‘80s and ‘90s anime.

Recently, however, I’ve been watching something different: a stereotypically drink-sodden violent Glaswegian podcaster who calls himself The Critical Drinker. He drinks and then talks about movies. He’s got that winning combination of exotic charm, cantankerous cynicism barely concealing a romantic disposition, a believable and beloved persona (everyone loves a drunken Scotsman), and even a snazzy catchphrase (“That’s all for today, go away now”). There’s the sense that you could run into this guy in a pub and he’d harangue you about the way modern movies stink with the implied threat of a violent altercation involving knives should you attempt to pick yourself up from your barstool and leave before he’s finished. To alienated Westerners living via their computer screens, there’s something about the image of the hard-drinking, down-to-earth chap from the British north that’s more authentic. (For another, explicitly dissident example of the charming lads oop norf, go no further than the Geordie himself, Morgoth of Morgoth’s Review.)

Sometimes, The Critical Drinker will rewatch a classic film and recommend it. Here he is reviewing Event Horizon, declaring it an excellent movie. I tend to agree with him, and compounding my sloth with pride, as soon as I saw that video, I rushed to reread my very own review of Event Horizon. In the comments, I found a recommendation to check out The Critical Drinker’s review of the same film. Had I listened to my erstwhile audience, I might have discovered The Drinker a year earlier.

On other occasions, The Drinker will eviscerate a modern movie, criticizing them not just for woke content but also for their sloppy writing, overwrought CGI and action scenes, and their formulaic nature. He does a good job outlining what he believes is wrong with modern storytelling in this video. Rarely, he’ll declare a modern movie good and admit he likes it. Here he is gushing over Joker.

From the asides, jokes, and groans about wokies inserting politics into entertainment, we can tell that while he is not entirely with the dissident program, The Drinker is probably not anti-white or anti-male, and could be considered a potential fellow traveler. Furthermore, he’s invited Count Dankula on his stream, which to a Leftoid antifa journalist makes him a literal Nazi fascist, but it’s good to keep in mind that Count Dankula is a regular on Milenniyule who’s proven himself to be not at all allergic to dissident thought, even if he is himself a libertarian. In this sense, The Drinker is a mere two degrees away from literally Hitler (Millennial Woes). I don’t want to read too much into that, but it’s nice to have a prominent media figure who doesn’t throw rocks at us.

You can buy Trevor Lynch’s White Nationalist Guide to the Movies here

All in all, it’s a happy story, more or less: Aging millennial Nick Jeelvy takes time out of his busy schedule to sit in an armchair, watch The Critical Drinker on a cool day in early fall, and “veg out,” as the kids say, allowing the dulcet tones of the Glaswegian dialect to wash over him as he edges ever closer to the dreaded age of 30. He chuckles as The Drinker makes a quip about being an alcoholic, remembering that he was a pretty heavy drinker himself not six months ago. But why am I bringing it up in this august publication, and how is it relevant to the dissident cause?

If you listen to The Drinker long enough, you find that despite his entertaining and insightful way of thinking about, analyzing, and critiquing film, there’s a sort of futility to what he does. Yes, what he does is beautiful to watch, and the art of just taking the piss out of something is a rare one these days. I’m sure he makes a pretty penny from his online presence. But what is the greater benefit, both to society and to The Drinker’s personal self-actualization, in doing so? You get the feeling that sometimes he’s not joking about drinking himself to death, because that’s increasingly the only way out. Movies are bad and they’re gonna get worse. The culture is toxic and it’s gonna get worse. Dumb-ass monster movies from 30 years ago look profound by comparison. Our civilization seems to have lost its ability to tell stories. There’s nothing original in Hollywood; it’s endless reboots and formulaic capeshit. Besides which they can’t even paint by numbers right. Modern cinema is simply crap. Modern music is worse. Every other art form is complete wankery. And all The Drinker and his compatriots can do is document the decline, complain about it, and drink. To keep watching these movies, even as they get worse, even if it is only to criticize them, is to lead a life of constant humiliation, because ultimately, it’s your culture being dissolved, mocked, inverted, and made toxic before your very eyes. The only thing that you can do to keep your sanity is disengage.

I wrote “In Defense of Echo Chambers” to refer to political ideas, but cultural production also requires an echo chamber. If we are to produce good and healthy culture, we must abandon the degenerated and empty forms of modernity. Indeed, a good artist must find himself insulated from them lest they disrupt and pollute his creative process (and modern culture seems almost designed to disrupt and pollute the creative process). A mere critique of modern culture is no longer necessary for us; everyone knows it’s shite, even the bugmen pretending to enjoy it. The problem is that culture, especially movies, cannot be changed from the demand side. The suppliers dictate what shall be consumed, and consumed it is, because there is no alternative (they’ve blacklisted everyone who can provide an alternative). If we are to claw our way out of this hole, we have to stop being angry at Hollywood’s excreta, and we can only do that by disengaging from it entirely.

However, this does not apply to The Drinker himself. I would keep him where he is, because someone needs to keep an eye on the mainstream and point out that it’s all fake and gay. Someone needs to wear the jade-colored glasses and barely conceal the sadness and rage that the modern culture of wankery has made inevitable. Someone needs to point at the steaming pile of shite we’re told is high art and say, “This is a steaming pile of shite” in a raspy Glasgow growl. Someone has to eat the sorrow of the dying culture and wash it down with cheap whisky, as the old sin eaters took the burdens of the village upon them.

The Drinker is that guy. He’ll likely drink himself into an early grave for it, but there is something genuinely tragic and heroic about being the rearguard who remains trapped behind enemy lines so that the rest of us can disengage and start creating something beautiful. I can only hope that one day we are strong enough to come back for him.

*  *  *

Counter-Currents has extended special privileges to those who donate $120 or more per year.

  • First, donor comments will appear immediately instead of waiting in a moderation queue. (People who abuse this privilege will lose it.)
  • Second, donors will have immediate access to all Counter-Currents posts. Non-donors will find that one post a day, five posts a week will be behind a “paywall” and will be available to the general public after 30 days.

To get full access to all content behind the paywall, sign up here:

Related

  • Against the Negative Approach in Politics

  • “Should War Be Criminalized?”

  • Counter-Currents Radio Podcast No. 445
    The Writers’ Bloc with Kathryn S. on Mircea Eliade

  • Extremities:
    A Film from Long Ago that Anticipated Today’s Woke Hollywood

  • Counter-Currents Radio Podcast No. 444
    Ask Me Anything with Greg Johnson

  • Counter-Currents Radio Podcast No. 443
    Interview with Jim Goad

  • If I Lost Hope

  • Babette’s Feast

Tags

cultural declinedespairHollywoodmovie reviewersNicholas R. JeelvypaywallpessimismThe Critical Drinker

Previous

« Is America First Cracking Up?

Next

» The New Normal is Abnormal

9 comments

  1. DissesMyIsland says:
    September 24, 2021 at 2:49 am

     

    Critical Drinker = Gateway?

    Thanks for this Nick. I just recently discovered the Critical Drinker and the more watch the more i think hes one of us.   He can get away with eviscerating the woke left because his criticisms are always against the bad writing and storytelling of woke movies, not necessarily the woke message itself.

    Lets hope he doesnt get the banhammer on youtube.

     

     

  2. Desert Flower says:
    September 24, 2021 at 10:02 am

    I have never heard of this guy, but I think I’d like anyone who drinks JD from the bottle and wears sunglasses indoors.

     

  3. DarkPlato says:
    September 24, 2021 at 10:09 am

    That’s interesting.  Modern film is terrible.  Don’t even see the recent Gawain and green knight.  I don’t understand the reason for the decline.  Chuck klosterman hypothesizes that all the talented people are working in the tech industry now.  And I would say, finance, and the intersection of those two.  That may be part of it, but I don’t think so.  Artsy types don’t stop and make a decision at some point: gee? Would I make more money in computers or script writing?  It’s a visceral choice.  I think it has to do with the destruction of the education system, particularly related to classic western art and lit, and cartel formation in the industries.

    what anime does Nick like?  I like ninja scroll, grave of the fireflies, vampire hunter d and bloodlust, and transformers the movie(1986).

     

    1. Nick Jeelvy says:
      September 24, 2021 at 11:13 am

      I’m gonna disappoint some people but I like Akira, Future Boy Conan and Digimon.

       

      1. DarkPlato says:
        September 24, 2021 at 11:31 am

        I’ve been meaning to watch Akira again.  I take it your more a sci-fi than fantasy type.

         

  4. Richard Chance says:
    September 24, 2021 at 6:27 pm

    “as he edges ever closer to the dreaded age of 30”

     

    Oh, boo-hoo.

    Anyway, enjoy TCD whilst you can.  Once they are done deplatforming the explicitly racially conscious white folk and the anti-woke (i.e. truly woke) crowd, the neutral “critical thinkers” are next.  Interesting ideas, criticism, culture, etc. is all about to become an underground thing.  Hell, most of it already is.

     

    1. Nick Jeelvy says:
      September 25, 2021 at 2:08 am

      I don’t wanna be old!

       

      1. Richard Chance says:
        September 25, 2021 at 10:19 am

        Ha!  I’m just giving you shit.  Consider it the rumblings of a grumpy old X’er.

         

  5. threestars says:
    October 25, 2021 at 9:03 am

    Liking Event Horizon is nothing to be proud of, Mr. Jeelvy.

    Here’s something else to check out:

    https://www.youtube.com/watch?v=QXAPdwOza9U

    You welcome!

     

Comments are closed.

If you have Paywall access,
simply login first to see your comment auto-approved.

Note on comments privacy & moderation

Your email is never published nor shared.

Comments are moderated. If you don't see your comment, please be patient. If approved, it will appear here soon. Do not post your comment a second time.

  • Recent posts

    • The Counter-Currents 2022 Fundraiser
      Every Man an Editor

      Greg Johnson

      4

    • Against the Negative Approach in Politics

      Nicholas R. Jeelvy

    • What Christian Nationalism Looks Like in Current-Year America

      Robert Hampton

      12

    • “Should War Be Criminalized?”

      Greg Johnson

      2

    • O Manifesto Nacionalista Branco:
      Parte 2, Extinção Branca

      Greg Johnson

    • Morálka lidské mysli Jonathana Haidta, část druhá

      Collin Cleary

    • Animals & Children First

      Jim Goad

      40

    • The Great Replacement Prize

      Greg Johnson

    • Remembering Julius Evola
      (May 19, 1898–June 11, 1974)

      Greg Johnson

    • Counter-Currents Radio Podcast No. 445
      The Writers’ Bloc with Kathryn S. on Mircea Eliade

      Counter-Currents Radio

      2

    • O Manifesto Nacionalista Branco:
      Parte 1, Introdução

      Greg Johnson

    • Extremities:
      A Film from Long Ago that Anticipated Today’s Woke Hollywood

      Stephen Paul Foster

      8

    • The National Health Service:
      My Part in Its Downfall

      Mark Gullick

      10

    • Male Supremacism in the United States?

      Margot Metroland

      2

    • Counter-Currents Radio Podcast No. 444
      Ask Me Anything with Greg Johnson

      Counter-Currents Radio

      1

    • Fallen Castes

      Thomas Steuben

      18

    • Work to Be Such a Man

      Morris van de Camp

      6

    • Be a Medici:
      New Patrons for a New Renaissance

      Robert Wallace

      17

    • Counter-Currents Radio Podcast No. 443
      Interview with Jim Goad

      Counter-Currents Radio

    • Das Manifest des weißen Nationalismus:
      Teil 5, Die Wiederherstellung Unserer Weissen Heimatländer

      Greg Johnson

    • Where Do We Go from Buffalo?

      Jim Goad

      42

    • Rammstein’s Deutschland

      Ondrej Mann

      7

    • If I Lost Hope

      Greg Johnson

      5

    • Das Manifest des weißen Nationalismus:
      Teil 4, Wie Können Wir den Weissen Genozid Beenden?

      Greg Johnson

    • Payton Gendron & the Buffalo Massacre

      Greg Johnson

      63

    • The Counter-Currents 2022 Fundraiser
      Between Now and May 20th, Give a New Monthly Gift and Receive a New Book!

      Cyan Quinn

    • This Weekend’s Livestreams
      Jim Goad on Counter-Currents Radio & Kathryn S. on The Writers’ Bloc

      Greg Johnson

    • Remembering Hinton Rowan Helper

      Spencer J. Quinn

      11

    • Make Art Great Again:
      The Good Optics of Salvador Dalí, Part 3

      James J. O'Meara

    • Babette’s Feast

      Nicholas R. Jeelvy

      1

    • Das Manifest des weißen Nationalismus:
      Teil 3, Weisser Völkermord

      Greg Johnson

    • Hey, Portland Synagogue Vandal — Whatcha Doin’?

      Jim Goad

      26

    • The Pro-Dysgenics Agenda

      Robert Hampton

      29

    • Make Art Great Again:
      The Good Optics of Salvador Dalí, Part 2

      James J. O'Meara

      4

    • Das Manifest des weißen Nationalismus:
      Teil 2, Weisses Aussterben

      Greg Johnson

    • Now Available!
      The Enemy of Europe

      Francis Parker Yockey

    • Now Available!
      Trevor Lynch’s Classics of Right-Wing Cinema

      Trevor Lynch

      1

    • Now Available!
      Jonathan Bowden’s Reactionary Modernism

      Jonathan Bowden

    • Why the Central European Elites Love War

      Petr Hampl

      34

    • Make Art Great Again:
      The Good Optics of Salvador Dalí, Part 1

      James J. O'Meara

      1

    • Memelord Dalí
      Remembering Salvador Dalí
      (May 11, 1904–January 23, 1989)

      Nicholas R. Jeelvy

    • Morality Death Match:
      Lecter vs. Chigurh

      Mark Gullick

      2

    • Why I Write, Part II:
      Farewell to My Friend Robin

      Richard Houck

      16

    • Put Many Tools into the Toolbox

      Morris van de Camp

      4

    • Counter-Currents Radio Podcast No. 442
      Ask Me Anything with Greg Johnson

      Counter-Currents Radio

      2

    • Das Manifest des weißen Nationalismus:
      Teil 1, Einführung

      Greg Johnson

    • The Worst Week Yet:
      May 1-7, 2022

      Jim Goad

      39

    • Counter-Currents Radio Podcast No. 441
      Interview with Richard Houck on Roe v. Wade

      Counter-Currents Radio

    • Some Thoughts on the Hume-Rousseau “Philosopher’s Quarrel”

      Stephen Paul Foster

      5

    • My Midlife Crisis

      Greg Johnson

      10

  • Recent comments

    • Nick Jeelvy What Christian Nationalism Looks Like in Current-Year America Not necessarily. The kind of ideology that Fox News and evangelicalism spread tends to attract...
    • Scott The Counter-Currents 2022 Fundraiser
      Every Man an Editor
      Very nice feature. Thanks.I’ve already tried it out. Editing your own posts after posting works...
    • Robbie Animals & Children First How about just get the hell out of the city and the ten thousand niggers living there?  ...
    • Scott Fallen Castes << @ Sepp<< Oh wow totally edgy Boomer found who just can’t get beyond LARPing Neo-...
    • DarkPlato The Counter-Currents 2022 Fundraiser
      Every Man an Editor
      Shoot, now I’ll have no excuse!😉
    • DP84 What Christian Nationalism Looks Like in Current-Year America I’m not gonna dispute that the kind of Evangelical Christianity represented in that gathering with...
    • Nick Jeelvy What Christian Nationalism Looks Like in Current-Year America Ah, well, that is unfortunate. But it reinforces the point of the article - Christian nationalism...
    • Nicolas Bourbaki Animals & Children First I don't know Jim, but I think you might've micro-aggressed that sweet 'lil Black child.  You...
    • Greg Johnson The Counter-Currents 2022 Fundraiser
      Every Man an Editor
      The Edit option ends when comment threads close. Currently, that is in 100 days. You can't...
    • Vagrant Rightsit What Christian Nationalism Looks Like in Current-Year America Well I don't think that's quite what Torba represents or how all strands of a Christian Right,...
    • Oliwier Saikowski The Counter-Currents 2022 Fundraiser
      Every Man an Editor
      Another reason to get behind the wall. It grows more tempting each day... We are allowed to 'eat'...
    • John Morgan What Christian Nationalism Looks Like in Current-Year America Actually Orbán has made it clear that Hungary is a haven for Christians of all nationalities,...
    • Calg What Christian Nationalism Looks Like in Current-Year America If we're going to scrap entire millennia-old concepts based on the fact that the way boomers do it...
    • Sepp Fallen Castes Oh wow totally edgy Boomer found who just can’t get beyond LARPing Neo-Nazism. The mass Jewish...
    • Nick Jeelvy What Christian Nationalism Looks Like in Current-Year America Orban is himself a Protestant (reform Calvinist, I believe) as are about a fifth of Hungarians, but...
    • asierabadroa What Christian Nationalism Looks Like in Current-Year America Sure, good point. Not exactly a demographic block with a future, maybe except for the Amish, who may...
    • Sinope Cynic What Christian Nationalism Looks Like in Current-Year America I think of Evangelicalism as distinct from Christian nationalism: the former being that which is...
    • Shift Animals & Children First Yeah, what's with Spanish-types and bulls?  Bull-"fighting" and that "running of the bulls"...
    • Magnus What Christian Nationalism Looks Like in Current-Year America I think this happens because something I am coming to realize is this silly theory of natural...
    • James J. O'Meara What Christian Nationalism Looks Like in Current-Year America Cazart! That's exactly how Bro. Stair, whom I written about several times on this very site, opens...
  • Books

    • Kerry Bolton
    • Jonathan Bowden
    • Buttercup Dew
    • Collin Cleary
    • Jef Costello
    • F. Roger Devlin
    • Julius Evola
    • Gregory Hood
    • Juleigh Howard-Hobson
    • Greg Johnson
    • Jason Jorjani
    • Ward Kendall
    • Anthony M. Ludovici
    • Trevor Lynch
    • H. L. Mencken
    • J. A. Nicholl
    • Andy Nowicki
    • James J. O'Meara
    • Michael O'Meara
    • Christopher Pankhurst
    • Tito Perdue
    • Michael Polignano
    • Spencer J. Quinn
    • Savitri Devi
    • Fenek Solère
    • Irmin Vinson
    • Leo Yankevich
    • Francis Parker Yockey
  • Webzine Authors

    Contemporary authors

    • Howe Abbott-Hiss
    • Beau Albrecht
    • Aquilonius
    • Anthony Bavaria
    • Michael Bell
    • Alain de Benoist
    • Kerry Bolton
    • Jonathan Bowden
    • Buttercup Dew
    • Collin Cleary
    • Giles Corey
    • Jef Costello
    • Morris V. de Camp
    • F. Roger Devlin
    • Bain Dewitt
    • Jack Donovan
    • Ricardo Duchesne
    • Émile Durand
    • Guillaume Durocher
    • Mark Dyal
    • Guillaume Faye
    • Stephen Paul Foster
    • Fullmoon Ancestry
    • Jim Goad
    • Tom Goodrich
    • Alex Graham
    • Mark Gullick
    • Andrew Hamilton
    • Robert Hampton
    • Huntley Haverstock
    • Derek Hawthorne
    • Gregory Hood
    • Juleigh Howard-Hobson
    • Richard Houck
    • Alexander Jacob
    • Nicholas R. Jeelvy
    • Greg Johnson
    • Ruuben Kaalep
    • Tobias Langdon
    • Julian Langness
    • Travis LeBlanc
    • Patrick Le Brun
    • Trevor Lynch
    • Kevin MacDonald
    • G. A. Malvicini
    • John Michael McCloughlin
    • Margot Metroland
    • Millennial Woes
    • John Morgan
    • James J. O'Meara
    • Michael O'Meara
    • Christopher Pankhurst
    • Michael Polignano
    • J. J. Przybylski
    • Spencer J. Quinn
    • Quintilian
    • Edouard Rix
    • C. B. Robertson
    • C. F. Robinson
    • Hervé Ryssen
    • Kathryn S.
    • Alan Smithee
    • Fenek Solère
    • Ann Sterzinger
    • Thomas Steuben
    • Robert Steuckers
    • Tomislav Sunić
    • Donald Thoresen
    • Marian Van Court
    • Dominique Venner
    • Irmin Vinson
    • Michael Walker
    • Aylmer Wedgwood
    • Scott Weisswald
    • Leo Yankevich

    Classic Authors

    • Maurice Bardèche
    • Julius Evola
    • Ernst Jünger
    • D. H. Lawrence
    • Charles Lindbergh
    • Jack London
    • H. P. Lovecraft
    • Anthony M. Ludovici
    • Sir Oswald Mosley
    • National Vanguard
    • Friedrich Nietzsche
    • Revilo Oliver
    • William Pierce
    • Ezra Pound
    • Saint-Loup
    • Savitri Devi
    • Carl Schmitt
    • Miguel Serrano
    • Oswald Spengler
    • P. R. Stephensen
    • Jean Thiriart
    • John Tyndall
    • Francis Parker Yockey
  • Departments

    • Book Reviews
    • Movie Reviews
    • TV Reviews
    • Music Reviews
    • Art Criticism
    • Graphic Novels & Comics
    • Video Game Reviews
    • Fiction
    • Poems
    • Interviews
    • Videos
    • English Translations
    • Other Languages
      • Arabic
      • Bulgarian
      • Croatian
      • Czech
      • Danish
      • Dutch
      • Estonian
      • Finnish
      • French
      • German
      • Greek
      • Hungarian
      • Italian
      • Lithuanian
      • Norwegian
      • Polish
      • Portuguese
      • Romanian
      • Russian
      • Slovak
      • Spanish
      • Swedish
      • Ukrainian
    • Commemorations
    • Why We Write
  • Archives
  • Top 100 Commenters
Sponsored Links
Alaska Chaga Antelope Hill Publishing Imperium Press American Renaissance A Dissident’s Guide to Blacks and Africa The Patrick Ryan Show Jim Goad The Occidental Observer
Editor-in-Chief
Greg Johnson
Books for sale
  • Trevor Lynch’s Classics of Right-Wing Cinema
  • The Enemy of Europe
  • Imperium
  • Reactionary Modernism
  • Manifesto del Nazionalismo Bianco
  • O Manifesto Nacionalista Branco
  • Vade Mecum
  • Whiteness: The Original Sin
  • Space Vixen Trek Episode 17: Tomorrow the Stars
  • The Year America Died
  • Passing the Buck
  • Mysticism After Modernism
  • Gold in the Furnace
  • Defiance
  • Forever & Ever
  • Wagner’s Ring & the Germanic Tradition
  • Resistance
  • Materials for All Future Historians
  • Love Song of the Australopiths
  • White Identity Politics
  • Here’s the Thing
  • Trevor Lynch: Part Four of the Trilogy
  • Graduate School with Heidegger
  • It’s Okay to Be White
  • The World in Flames
  • The White Nationalist Manifesto
  • From Plato to Postmodernism
  • The Gizmo
  • Return of the Son of Trevor Lynch’s CENSORED Guide to the Movies
  • Toward a New Nationalism
  • The Smut Book
  • The Alternative Right
  • My Nationalist Pony
  • Dark Right: Batman Viewed From the Right
  • The Philatelist
  • Confessions of an Anti-Feminist
  • East and West
  • Though We Be Dead, Yet Our Day Will Come
  • White Like You
  • Numinous Machines
  • Venus and Her Thugs
  • Cynosura
  • North American New Right, vol. 2
  • You Asked For It
  • More Artists of the Right
  • Extremists: Studies in Metapolitics
  • The Homo & the Negro
  • Rising
  • The Importance of James Bond
  • In Defense of Prejudice
  • Confessions of a Reluctant Hater (2nd ed.)
  • The Hypocrisies of Heaven
  • Waking Up from the American Dream
  • Green Nazis in Space!
  • Truth, Justice, and a Nice White Country
  • Heidegger in Chicago
  • The End of an Era
  • Sexual Utopia in Power
  • What is a Rune? & Other Essays
  • Son of Trevor Lynch’s White Nationalist Guide to the Movies
  • The Lightning & the Sun
  • The Eldritch Evola
  • Western Civilization Bites Back
  • New Right vs. Old Right
  • Journey Late at Night: Poems and Translations
  • The Non-Hindu Indians & Indian Unity
  • Baader Meinhof ceramic pistol, Charles Kraaft 2013
  • Pulp Fascism
  • The Lost Philosopher, Second Expanded Edition
  • Trevor Lynch’s A White Nationalist Guide to the Movies
  • And Time Rolls On
  • Artists of the Right
  • North American New Right, Vol. 1
  • Some Thoughts on Hitler
  • Tikkun Olam and Other Poems
  • Summoning the Gods
  • Taking Our Own Side
  • Reuben
  • The Node
  • The New Austerities
  • Morning Crafts
  • The Passing of a Profit & Other Forgotten Stories
  • Rss
  • DLive
  • Telegram
  • Gab
  • Entropy
Copyright © 2022 Counter-Currents Publishing, Ltd.

Paywall Access





Please enter your email address. You will receive mail with link to set new password.

Edit your comment