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Greg Johnson did a new solo Ask Me Anything on the latest broadcast of Counter-Currents Radio, and it is now available for download and online listening. (more…)
Counter-Currents
Tag: the occult
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3,456 wordsThe poets and dreamers wove their magic webs, and a world apart from the world of actual experience came to life. But it was not all myth, nor all fantasy; there was a basis of truth and reality at the foundation of the mystic growth . . . — Jessie Weston, From Ritual to Romance
My friend said, what are you doing these days? I said, I’m working for Killing Joke. He said, Killing Joke? Are you mad? They’re evil. They’re devil-worshippers. — Chris Kimsey, music producer (more…)
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Travis Scott
1,080 words
A rap festival ended in death last week. Eight people were fatally trampled and dozens more injured at “Astroworld,” a concert hosted by popular rapper Travis Scott. Videos of the chaos went viral on the internet, showing lifeless bodies being carted off while Scott carries on with the show. (more…)
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2,056 words
Ron McVan is an American white nationalist and Wotanist. He has followed a lifelong career in the fine arts as an oil painter, pen & ink illustrator, sculptor, poet, writer, stained glass artisan, jewelry craftsman, and musician. His extended interests have always been wide and varied, ranging foremost in the martial arts, philosophy, the ancient mysteries, mythology, European history and heritage, comparative religions, and spiritual studies, most particularly in Gnostic Wotanism and Druidism. (more…)
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George Burdi
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George Burdi is the warhorse of the white nationalist scene. He first became famous with his symphonic metal band Rahowa through the unique album Cult Of The Holy War, and later he founded his own label, Resistance Records. (more…)
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5,945 wordsSympathy For The Devil: The True Story of The Process Church of the Final Judgment
Director: Neil Edwards
Appearing: Malachi McCormick, Timothy Wyllie, and other former members, along with George Clinton, Lucien Greaves, John Waters, Genesis P-Orridge, and others.
1 hour, 46 minutes; 2015“What about the Process?” I said. “Don’t they have a place here? Maybe a delicatessen or something? With a few tables in the back? (more…)
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Alan Moore’s The League of Extraordinary Gentlemen: a modern take on the motifs of the weird nineteenth century.
5,476 words
It’s ill to loose the bands that God decreed to bind;
Still we be the children of the heather and the wind.
Far away from home, O it’s still for you and me
That the broom is blowing bonnie in the north countrie. [1]Even below the Missouri-Compromise Line, the mornings now have a delicious coolness, faltering on the edge of a “chill,” and I found myself yearning for an old-fashioned, nineteenth-century ghost story. (more…)
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1,423 wordsThe most bizarre cultural battle of 2020 emerged last week. Frederick Joseph, a semi-prominent black author and Democratic surrogate, shared with Twitter his horrifying ordeal with an Airbnb rental over Labor Day weekend. Mr. Joseph booked a home in an allegedly rural area. When he arrived at the property he found all kinds of Satanic (more…)
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Robert Plant (left) and Jimmy Page (right), Chicago, 1977.
2,100 words
Someone told me there’s a girl out there
With love in her eyes and flowers in her hair— “Going to California”
Led Zeppelin’s back catalog already includes songs like “Ramble On” from the rocky Led Zeppelin II and the melancholic classic “Tangerine” from the flower-powered III. (more…)
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1,444 words
The Peoples Temple, the utopian death cult best known for the Jonestown Massacre, recorded a gospel album under the name of the People’s Temple Choir in 1973. Far from an amateurish production, the album He’s Able features slick studio trickery and a surprisingly talented backing band for the choir to swing cuts of pop songs, (more…)
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1,627 words
Changes can be considered the very first example of a neofolk band. Formed in 1969 by cousins Robert N. Taylor and Nicholas Tesluk, Changes has its roots in the earliest days of the folk revival and hippie scenes in the United States. (more…)
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1,507 words
Aleister Crowley’s essay “Cocaine” is not among his most-discussed works, being overshadowed by those more esoteric, salacious, or dense. Nonetheless, “Cocaine” is an entry worth noting in the Crowley catalog on account of its prophetic nature and as an insight into Crowley’s personal philosophy and mental state.
Crowley begins with a tantalizing weave spun about the seemingly supernatural powers of cocaine; referring to it as an “herb,” he describes its capacity to provide man with near-immediate self-satisfaction and thumos-imbued energy. (more…)
