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Tag: New Music Friday

  • March 20, 2020 Scott Weisswald 6
    comments
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    Morrissey’s I Am Not a Dog on a Chain

    1,926 words

    How many times do we have to teach you this lesson, old man?

    Morrissey, our favorite gay (postulated) racist (dismissed) vegan (confirmed), released his 13th solo album today, March 20th, 2020. It is called I Am Not a Dog on a Chain, which is a fantastic example of just how kneecapped the self-awareness of the rich and famous can be. (more…)

  • March 13, 2020 Scott Weisswald 9
    comments
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    Burzum’s Thulêan Mysteries

    2,232 words

    Thulêan Mysteries is the 13th album released by infamous Varg Vikernes under his working name Burzum. Mysteries comes after Vikernes previously stated that he was finished recording under the Burzum name. To that effect, Mysteries is a collection of tracks that Vikernes has been working on since his last album that were not intended for release as a cohesive unit. (more…)

  • March 6, 2020 Scott Weisswald 4
    comments
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    50 Years of “Cat Food”

    705 words

    King Crimson’s “Cat Food” was originally released in 1970. It’s a chaotic, piano-centric slice of pop fun that helped cement King Crimson’s image in the eyes of the public as being capable of more than dreary ruminations on dying or losing your mind, as their highly-acclaimed 1969 album In the Court of the Crimson King mostly focused on. (more…)

  • February 28, 2020 Scott Weisswald 1
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    Real Estate’s The Main Thing

    1,536 words

    The Main Thing, the fifth studio album from the corduroy indie band Real Estate, was released today, February 28, 2020. It contains some of their most mature work yet, coupled with a healthy attitude towards introducing more complex synthesizer work and poetic lyricism for an album that can be beautiful in its feather-lightness. (more…)

  • February 21, 2020 Scott Weisswald 5
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    Grimes’ Miss Anthropocene

    1,683 words

    Miss Anthropocene is the fifth full-length release of Canadian avant-pop songstress Claire Boucher, known professionally as Grimes, and it’s considerably darker than much of her previous work. This is fitting — Grimes has stated that the concept of Miss Anthropocene, a triple-entendre, is that of an “anthropomorphic goddess of climate change.” If this sounds like a bunch of woo nonsense to you, you’d be (mostly) correct. (more…)

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