Tag: Gnosticism

6,102 words

Part 1 of 2 (Part 2 here)

Alain de Benoist
L’Homme qui n’avait pas de Père: Le Dossier Jésus
Paris: Krisis, 2021
964 pages

All translations of quotations from the book in this review are the author’s. Passages from the Bible are from the King James Version. (more…)

5,383 words

Robert M. Price
Judaizing Jesus: How New Testament Scholars Created the Ecumenical Golem
Durham, N.C.: Pitchstone Publishing, 2021

“[The] Christian faith, sprung from the wisdom of India,[1] overspreads the old trunk of rude Judaism, a tree of alien growth; the original form must in part remain, but it suffers a complete change and becomes full of life and truth, so that it appears to be the same tree, but is really another.” — Schopenhauer, “The Christian System” (more…)

11,114 words

Mr. Reagan is not going to make it to the year 1987, I can tell you that much. Now you mark that down.

— Brother Stair, 1987

We don’t reckon time the same way, do we, Clarice?

— Silence of the Lambs

(more…)

1,876 words

Give me racist liberalism, or give me death!

— Patrick Henry, probably.

To be in the Dissident Right is to be part of an informal initiatic society. There are various levels of being with it — there’s always another redpill to take. (more…)

3,373 words

David Lynch’s first movie Eraserhead (1977) combines surrealism, low-budget horror, and black comedy. It rapidly became a staple of the midnight movie circuit and provided endless fodder for coffee-house intellectuals and academic film theorists.

Eraserhead is quite simply a gnostic anti-sex film. The film is premised on a gnostic dualism, which holds that the material world—including sex and childbearing—is fundamentally evil, (more…)

2,398 words

Philip K. Dick’s 1968 science fiction novel Do Androids Dream of Electric Sheep? is far less famous than Ridley Scott’s 1982 movie Blade Runner, which is loosely based on the novel. A few of the novel’s characters and dramatic situations, as well as bits of dialogue, found their way into Blade Runner, often shorn of the context in which they made sense. But the movie and novel dramatically diverge on the fundamental question of what makes human beings different from androids, and in terms of the “myths” that provide the deep structure of their stories.  (more…)

63:54 / 88 words

Part 1 of 2

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Greg Johnson and John Morgan discuss the films of David Lynch. (more…)

3,654 words

Day of the Arrow (1964)
By “Philip Loraine” [Robin Estridge]
UK: Collins, 1964; US: Morrow, 1964
US reissue: Valancourt, 2015

Eye of the Devil (1966); aka 13
Directed by J. Lee Thompson and others
Screenplay by Robin Estridge
Starring David Niven, Deborah Kerr, Donald Pleasance, David Hemmings, Edward Mulhare, and “introducing” Sharon Tate.  (more…)

1,957 words

English original here

Sci-fi román Philipa K. Dicka z roku 1968 Sní androidi o elektrických ovečkách? se těší mnohem menší proslulosti než jím volně inspirovaný kultovní film Ridleyho Scotta z roku 1982 Blade Runner. Některé postavy, dramatické situace či útržky dialogů z knihy si našly cestu i do filmu, často vytržené z kontextu v němž dávaly smysl. Kniha a film se však dramaticky rozcházejí ve stěžejní otázce, čím se liší lidé od androidů a také v povaze „mýtu“, dodávajícího příběhům hlubší strukturu.  (more…)

4,485 words

The Human Bible New Testament
Translated and introduced by Robert M. Price
Cranford, N.J.: American Atheist Press, 2015

(more…)

4,840 words

Luis Varady
A Life Beyond Change: The Gnostic System of Carpocrates
Amazon Kindle, 2015

As with many ancient teachers of whom we only know about through their accusers, we must read between the lines in examining his system.

— Luis Varady  (more…)

2,398 words

Philip K. Dick’s 1968 science fiction novel Do Androids Dream of Electric Sheep? is far less famous than Ridley Scott’s 1982 movie Blade Runner, which is loosely based on the novel. A few of the novel’s characters and dramatic situations, as well as bits of dialogue, found their way into Blade Runner, often shorn of the context in which they made sense. But the movie and novel dramatically diverge on the fundamental question of what makes human beings different from androids, and in terms of the “myths” that provide the deep structure of their stories.  (more…)