Arnold Schwarzenegger as Mr. Freeze in the Fourth Age of the last Batman cycle
Arnold Schwarzenegger as Mr. Freeze in the Fourth Age of the last Batman cycle
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Reviewers of the new Batman movie on various alt-Right sites have been reasonably led to ask why comic books — excuse me, “graphic novels” — have come to dominate Hollywood. Since both industries were founded by and are dominated by You Know Who, the answer seems easy — ethnic networking — why pay royalties to the goyim?
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MAJOR SPOILERS BELOW. DO NOT READ THIS BEFORE SEEING THE MOVIE.
The Dark Knight Rises is beyond Left and Right, beyond good and evil, beyond any frame of reference that this society can understand. Christopher Nolan’s Batman trilogy closes with a vision of weaponized Traditionalism certain to be misunderstood by movie reviewers and talking heads who think in terms of Republicans versus Democrats. (more…)
Christopher Nolan
Christopher Nolan
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Editor’s Note:
Unless you’re living in Tora Bora, you probably know that Christopher Nolan’s third Batman movie, The Dark Knight Rises, is coming out this week. (more…)
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Arkham Asylum: A Serious House on Serious Earth
Story by Grant Morrison, art by Dave McKean
DC Comics, October 1989
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The Brave and the Bold
A Team-up comic featuring Batman and the Joker
D.C. Comics, #111, March 1974
This comic was published in 1974 by DC comics or National Periodical Publications. It retailed for twenty cents, and I bought it in the United Kingdom for eight new pence. The author was the veteran scripter Bob Haney, and it was drawn by Jim Aparo. None of the other contributors—the inker, colorist, letterer, or editor—is recorded. (more…)
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In my review of Christoper Nolan’s Batman Begins, I argued that the movie generates a dramatic conflict around the highest of stakes: the destruction of the modern world (epitomized by Gotham City) by the Traditionalist “League of Shadows” versus its preservation and “progressive” improvement by Batman.
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French translation here
After being blown away by director Christopher Nolan’s Inception, I decided to give his Batman Begins (2005) another chance. The first time I saw this film, I did not like it. Not one bit. I must have been distracted, because this time I loved it. Nolan breaks with the campy style of earlier Batman films, focusing on character development and motivations, which makes Batman Begins and its sequel The Dark Knight both psychologically dark and intellectually and emotionally compelling.
