I want to maintain that after a hundred years of romanticism, we are in for a classical revival, and that the particular weapon of this new classical spirit, when it works in verse, will be fancy.[1] And in this I imply the superiority of fancy—not superior generally or absolutely, for that would be obvious nonsense, but superior in the sense that we use the word good in empirical ethics—good for something, superior for something. (more…)
Counter-Currents