Counter-Currents
  • Private Events
  • T&C
  • Rss
  • DLive
  • Telegram
  • Gab
  • Entropy
  • Rss
  • DLive
  • Telegram
  • Gab
  • Entropy
  • Webzine
  • Books
  • Podcasts
  • Donate
  • Paywall
  • Crypto
  • Mailing List
  • About
  • Contact
  • RSS
    • Main feed
    • Comments feed
    • Podcast feed

LEVEL2

  • Webzine
  • Books
  • Podcasts
  • Donate
  • Paywall
  • Crypto
  • Mailing List
  • About
  • Contact
  • RSS
    • Main feed
    • Comments feed
    • Podcast feed
  • Private Events
  • T&C
  • Rss
  • DLive
  • Telegram
  • Gab
  • Entropy
Print December 16, 2013 11 comments

The Hobbit: The Desolation of Smaug

Trevor Lynch

smaug576 words

I was hoping that the first installment of The Hobbit trilogy would be merely a Phantom Menace moment, and that Peter Jackson would produce leaner, tighter sequels that would pull this ill-conceived trilogy out of the crapper. But no. I am saddened to report that The Desolation of Smaug is freighted with the same problems as the first movie, and more.

Jackson’s first mistake, of course, was to puff up J. R. R. Tolkien’s slender book into a trilogy at all. The whole story could have been told in a single, two-hour movie. This decision was, of course, based simply on greed, and it necessitated a great deal of dramatic fluffing and padding. Hence new characters, new scenes, and especially new thrills, chills, and battles, have been added.

Jackson’s second mistake was to give reign to his very unattractive penchant for megalomania and cinematic one-upmanship, which first emerged in King Kong. (Jurassic Park has dinosaurs? I’ll show you dinosaurs!) The sad truth is that even as a trilogy, The Hobbit could have been good if Jackson were not trying to one-up The Lord of the Rings.

Of course, to outdo The Lord of the Rings, Jackson also has to re-do it in part, which means that a lot of the new material stuck in here feels derivative of The Lord of the Rings. So we have an elf maiden like Arwen, who, like Arwen, heals a poisoned wound (from a Morgul arrow, this time), and who flirts with a non-elf (the cute dwarf), etc., etc.

This lethal combination of derivativeness and one-upmanship gives vast stretches of The Hobbit the feel of nothing more than a parody of The Lord of the Rings. (Perhaps Jackson’s next project will be nine three-hour films based on Bored of the Rings.)

Jackson’s third error is the farcical cartoonishness of the action sequences. I admit that I enjoyed the elves and orcs battling it out as the dwarves made their escape in barrels. But when the dwarves do battle with Smaug in their underground city, the sequence is so overly busy and absurdly implausible that the net effect is rather uninvolving.

But it gets worse. As the greedy, scheming master of Laketown (played by the Jew Stephen Fry) addresses his people, the camera pans over the audience. At first, I thought some Uruk-hai had crept in. But no, when the camera returned again and again, it became clear that Laketown is afflicted with dark, vibrant, nappy racial diversity.

Peter Jackson endured more than a decade of kvetching about the “racism” of his faithful adaptation of The Lord of the Rings, in which the races of Middle Earth are portrayed as white and their enemies dark. But now he has caved. The first Hobbit movie pullulates with pasty orcs and goblins. And now we have Negroes and Papuans in frigid Laketown.

This movie is an insult to the taste and intelligence of its audience and to the memory of J. R. R. Tolkien. I can’t recommend it, and it will only be out of a sense of duty to you, my audience, that I will rouse myself to see the final film next December.

The supreme irony of this exercise in wretched excess is that the character of Smaug is, of course, a parable on the dangers of greed and megalomania. It is rather amazing that Peter Jackson could work on this project for years without ever glimpsing himself in it.

 

Related

  • Extremities:
    A Film from Long Ago that Anticipated Today’s Woke Hollywood

  • Babette’s Feast

  • Fail-Safe & Today’s Nuclear Crisis

  • The Northman

  • The Batman

  • Killing Joke’s The Death & Resurrection Show

  • Lemon Popsicle

  • Mortal Instruments:
    Mapping the Geomythologies of Western Fantasy, Part II

Tags

fantasy literatureJ. R. R. Tolkienmovie reviewsPeter JacksonTrevor Lynch

Previous

« Christmas Reading at Counter-Currents

Next

» Counter-Currents Radio Podcast No. 74  
The Myths of Plato, Part 2

11 comments

  1. Theodosius says:
    December 16, 2013 at 9:59 pm

    PJ ruined LOTR and now he ruined The Hobbit. Tolkien must be break dancing in his grave.

    1. Greg Johnson says:
      December 16, 2013 at 10:11 pm

      I think his LOTR films are magnificent.

      1. Theodosius says:
        December 16, 2013 at 10:52 pm

        As films they are good, but as adaptations they are awful. Many of the characters are so different that the only thing they have in common with their book counterparts is their name. And there other problems as well but it would take me a while to list them.

        The best and most faithful adaptation to date is the 1988 BBC2 radio dramatization.
        I highly recommend you get it. I think you can get it from Amazon for not too much. It’s 13 1-hour episodes and it comes with a great sountrack.

      2. reiner arischer Tor says:
        December 17, 2013 at 6:46 pm

        The LOTR movies are very good. Cinema is a different art form, and it is impossible to remain totally faithful to a book. It’s like opera adaptations of Shakespeare plays, most of them don’t work so well, and the ones that do, are actually rather edited versions, like Verdi’s Othello – a magnificent piece and nice drama, but a bit different from Shakespeare’s original.

      3. reiner arischer Tor says:
        December 17, 2013 at 6:57 pm

        A good example is David Lynch’s Dune, which is superb (and was liked by Frank Herbert as well) even though it is as different from the book as possible.

  2. NBG says:
    December 16, 2013 at 11:29 pm

    After seeing the first one I knew these movies would be incredibly bloated. However, I was hoping that when all three were released someone would cut out all the extra crap and edit it into a single good movie. Now I don’t think that’s possible because the non-book, non-interesting and non-Bilbo parts are too integrated into the story to be cut out. I still might attempt it, though.

    That said, even if Jackson had attempted a straight adaptation of the Hobbit it would have not been on the level of his Rings movies because the story of Bilbo Baggins is so light and small by comparison.

    1. Greg Johnson says:
      December 16, 2013 at 11:54 pm

      The Hobbit is a very different kind of book, written in a fairy tale mode for young adults, whereas The Lord of the Rings is epic and written for adults. A proper film adaptation could have preserved these differences, instead of trying to torture The Hobbit into a trilogy of epic grandeur like The Lord of the Rings.

  3. Jaego says:
    December 17, 2013 at 6:08 pm

    Negroes in Laketown? I will boycott. What next? Having them hit on Elven maidens? Or Gay Hobbits cruising Rivendell?

  4. TruthAdvocate says:
    December 22, 2013 at 8:42 am

    Didn’t enjoy the second installment of The Hobbit. Very disappointed.

    Who is Tauriel?

    And yes, Peter Jackson, you cast some asian and black folk into the movies after many people complained your films weren’t multicultural enough (I think Dwarfs, Elves, Men, Hobbits, Orcs etc is multicultural enough if you ask me) but you don’t have to keep flicking your camera at them to make some kind of “I’m not racist” point.

    The book itself is no more than 350 pages long so I understand extra bits would needed to be added in order to make it more interesting to general movie goers.

    That being said, though. I just didn’t enjoy the film.

    Maybe it was the blatant addition of a pointless love triangle to satisfy people’s lust for “will they, won’t they” scenarios.
    Maybe it was the addition of a character because Jackson felt the story was missing Kate from Lost.

    Or maybe, and I’m going out on a limb here, maybe it was the dozey cock munchers sitting in eye shot of me playing on their fucking phones.

    Not impressed by many aspects of visiting the cinema and watching The Desolation of Smaug.

    Oh, and Stephen Fry is in it. Awful choice. A Tim Burton-esque choice.

    I wish Jackson would stay true to the original. I noticed the camera panning several times to the black people and I could see he was trying to make a point. It annoyed the hell out of me… They didn’t even look convincing as actors. The fact that they were there isnt lore friendly either.

    Visually, a spectacular film. The scene with the barrels and the orc chase was amazing.
    It was more the changes that ‘need’ to be made to classic literature to help the moronic public ‘get it’ is what annoys me. Which isn’t Peter Jackson’s fault necessarily. It’s not his issue the general moronic public, who don’t even know it was originally a book, crave the same mundane sub-plots to keep their attention.
    And the stupid white people in the cinema on facebook or texting, I just wanted to stand up and shout “this was written for you, and your kin. Appreciate it!”

    Worth for sure .. but you have to make border in your mind between movie and book (if you read it) .. I love Tolkien´s books the most, are masterpiece for me. Jackson´s movies are great (LOTR/HOBBIT), Hobbit with epic 3D HD qualiity .. but you have to accept some added parts which are not for lover of books acceptable. For me the worst thing about 2.nd part is too little time for “Beorn” and that “love triangle” about Tauriel/Legolas/Kili .. but for example Legolas character (not mentioned in book at all) was added by Jackson into plot quite well. (Sorry for my lame english )

    Worth a watch for the general film experience. But, if you’re a Tolkien elitist. It’s hard to get past the added shit to please the public

  5. Mr. Dithers says:
    December 22, 2013 at 9:14 am

    I just saw the movie and was sickened by Peter Jackson’s inclusion of blacks, mestizos, Asians and mystery meat people as inhabitants of Lake Town. Years ago I read that Jackson had taken some heat for the white vs. dark and pro-white racial overtones of LOTR, so I guess now he doesn’t have to defend himself from charges of racism and white supremacy at the next Hymiewood cocktail party. He now qualifies for membership in the Republican party since he has surrendered to the will cultural Marxism.

    Jackson has taken moderate artistic license with the novel which detracts from the original story (unlike with LOTR), such as the aforementioned Lake Town scene and recasting Azog the goblin as Azog the pale orc. In the book Azog had already expired and in the animated version the goblins were black, ugly and hairy not semi-human with milky white skin as Azog in Jackson’s new movies.

    Still, “The Hobbit” trilogy is still worth seeing as long as one can keep all this in mind.

  6. Gale Lett says:
    August 28, 2020 at 10:22 pm

    Mr. Lynch is quite the racist isn’t he? First he takes pains to make we all know Stephen Fry is a Jew, then complains about Negroes and Papuans in the film. Personally I don’t really care who was cast. I rather enjoyed the films. That’s possible because I didn’t watch them to pick them apart. Movies are supposed to be entertaining. Let’s face it, books can sometimes be dry in places. People expect to be entertained with movies and so changes must be made to appeal to audiences who have been fed a steady diet, of action, and gore. Shame on you Mr. Lynch.

Comments are closed.

If you have Paywall access,
simply login first to see your comment auto-approved.

Note on comments privacy & moderation

Your email is never published nor shared.

Comments are moderated. If you don't see your comment, please be patient. If approved, it will appear here soon. Do not post your comment a second time.

  • Recent posts

    • The US Spring Primaries are a Sign that White Identity Politics is Here to Stay

      Cyan Quinn

      1

    • The Union Jackal, May 2022

      Mark Gullick

      3

    • White Identity Nationalism, Part 1

      Neil Kumar

      1

    • Counter-Currents Radio Podcast No. 447
      New Ask Me Anything with Greg Johnson

      Counter-Currents Radio

      2

    • On Racial Humor

      Spencer J. Quinn

      23

    • Facts on the Ground

      Hamilton T. Burger

      4

    • Counter-Currents Radio Podcast No. 446
      James J. O’Meara on Hunter S. Thompson

      Counter-Currents Radio

      2

    • O Manifesto Nacionalista Branco:
      Parte 3, Genocídio Branco

      Greg Johnson

    • The Worst Week Yet:
      May 15-21, 2022

      Jim Goad

      22

    • Lauren Oyler’s Fake Accounts

      Anthony Bavaria

      6

    • The Copypasta Apocalypse
      From Jesus to Gendron, via Brother Stair

      James J. O'Meara

    • The Life & Death of a Patriot:
      Personal Reflections on the Great Replacement

      Veiko Hessler

      2

    • Remembering Richard Wagner
      (May 22, 1813–February 13, 1883)

      Greg Johnson

    • This Weekend’s Livestreams
      James O’Meara on Counter-Currents Radio & Karl Thorburn on The Writers’ Bloc

      Greg Johnson

      4

    • The Counter-Currents 2022 Fundraiser
      Every Man an Editor

      Greg Johnson

      6

    • Against the Negative Approach in Politics

      Nicholas R. Jeelvy

      6

    • What Christian Nationalism Looks Like in Current-Year America

      Robert Hampton

      25

    • “Should War Be Criminalized?”

      Greg Johnson

      5

    • O Manifesto Nacionalista Branco:
      Parte 2, Extinção Branca

      Greg Johnson

    • Morálka lidské mysli Jonathana Haidta, část druhá

      Collin Cleary

    • Animals & Children First

      Jim Goad

      41

    • The Great Replacement Prize

      Greg Johnson

    • Remembering Julius Evola
      (May 19, 1898–June 11, 1974)

      Greg Johnson

    • Counter-Currents Radio Podcast No. 445
      The Writers’ Bloc with Kathryn S. on Mircea Eliade

      Counter-Currents Radio

      2

    • O Manifesto Nacionalista Branco:
      Parte 1, Introdução

      Greg Johnson

    • Extremities:
      A Film from Long Ago that Anticipated Today’s Woke Hollywood

      Stephen Paul Foster

      9

    • The National Health Service:
      My Part in Its Downfall

      Mark Gullick

      10

    • Male Supremacism in the United States?

      Margot Metroland

      2

    • Counter-Currents Radio Podcast No. 444
      Ask Me Anything with Greg Johnson

      Counter-Currents Radio

      1

    • Fallen Castes

      Thomas Steuben

      18

    • Work to Be Such a Man

      Morris van de Camp

      6

    • Be a Medici:
      New Patrons for a New Renaissance

      Robert Wallace

      19

    • Counter-Currents Radio Podcast No. 443
      Interview with Jim Goad

      Counter-Currents Radio

    • Das Manifest des weißen Nationalismus:
      Teil 5, Die Wiederherstellung Unserer Weissen Heimatländer

      Greg Johnson

    • Where Do We Go from Buffalo?

      Jim Goad

      42

    • Rammstein’s Deutschland

      Ondrej Mann

      8

    • If I Lost Hope

      Greg Johnson

      5

    • Das Manifest des weißen Nationalismus:
      Teil 4, Wie Können Wir den Weissen Genozid Beenden?

      Greg Johnson

    • Payton Gendron & the Buffalo Massacre

      Greg Johnson

      65

    • The Counter-Currents 2022 Fundraiser
      Between Now and May 20th, Give a New Monthly Gift and Receive a New Book!

      Cyan Quinn

    • This Weekend’s Livestreams
      Jim Goad on Counter-Currents Radio & Kathryn S. on The Writers’ Bloc

      Greg Johnson

    • Remembering Hinton Rowan Helper

      Spencer J. Quinn

      11

    • Make Art Great Again:
      The Good Optics of Salvador Dalí, Part 3

      James J. O'Meara

    • Babette’s Feast

      Nicholas R. Jeelvy

      2

    • Das Manifest des weißen Nationalismus:
      Teil 3, Weisser Völkermord

      Greg Johnson

    • Hey, Portland Synagogue Vandal — Whatcha Doin’?

      Jim Goad

      26

    • The Pro-Dysgenics Agenda

      Robert Hampton

      29

    • Make Art Great Again:
      The Good Optics of Salvador Dalí, Part 2

      James J. O'Meara

      4

    • Das Manifest des weißen Nationalismus:
      Teil 2, Weisses Aussterben

      Greg Johnson

    • Now Available!
      The Enemy of Europe

      Francis Parker Yockey

  • Recent comments

    • Marvin Hunterson The US Spring Primaries are a Sign that White Identity Politics is Here to Stay Agree with most Kumar’s policies with the exception of Ukraine. Kumar supports Russia and Putin and...
    • Nick Jeelvy Counter-Currents Radio Podcast No. 446
      James J. O’Meara on Hunter S. Thompson
      Personally, I found The Great Gatsby unbelievably boring.
    • Mark Gullick PhD The Union Jackal, May 2022 Extraordinary. Everything is linked to everything else. I knew Pankhurst was controversial due to...
    • The Love Song of J. Alfred Roland On Racial Humor I thought you also might enjoy my parody of transgenderism, Mr. Quinn, given your familiarity with...
    • Lord Snooty The Union Jackal, May 2022 I used to live around the corner from Arsenal's stadium in Highbury, but hadn't realized the team's...
    • Trollope White Identity Nationalism, Part 1 I want to offer Neil Kumar my profound congratulations on running an excellent race for the Third CD...
    • Jud Jackson On Racial Humor No, you are not wrong. You are right. Archie Bunker could not say "nigger".
    • Greg Johnson Counter-Currents Radio Podcast No. 447
      New Ask Me Anything with Greg Johnson
      Thank you. I will definitely treat this suggestion seriously.
    • Thomas Rockford Counter-Currents Radio Podcast No. 447
      New Ask Me Anything with Greg Johnson
      Dr. Johnson, I thought your segment on "what's the matter with liberalism?" was excellent. It...
    • The Love Song of J. Alfred Roland On Racial Humor Here's something you might enjoy. It's one of my info-parodies (in this case on the madness that is...
    • Cody On Racial Humor Dave Gardner started out his entertainment career as a drummer.  He also had a good voice and...
    • Enoch Powell The Worst Week Yet:
      May 15-21, 2022
      Stop giving your hard earned money to those that despise white people. I am appalled when I go to...
    • danno On Racial Humor Carlin did a full skit that used the word several times. https://www.youtube.com/watch?v=4FUpttuzlxA
    • Uncle Semantic On Racial Humor I've no interest in the book or movie but if the newest Dune is nauseatingly diversified it should'...
    • Gnillik Yot The Union Jackal, May 2022 Will there be an article about Neil Kumar's defeat last night?
    • DarkPlato Counter-Currents Radio Podcast No. 446
      James J. O’Meara on Hunter S. Thompson
      That was entertaining and informative.  I read that Thompson wanted tambourine man and spirit in the...
    • Jeffrey A Freeman On Racial Humor “Ya gimme some jewjee fruits and uh… The nigger here’s gonna pay for it.” Eddie Murphy on...
    • Jud Jackson Facts on the Ground I love your pseudonym.  Loved the Old Perry Mason show.  But poor old Hamilton always lost. I think...
    • ncleapyear On Racial Humor My memory may be playing tricks, but I do indeed recall Carroll O'Connor as Archie Bunker calling...
    • Goy DeMeo “Should War Be Criminalized?” "Good article, well argued. War cannot always be avoided, although we should try. It can only be...
  • Books

    • Kerry Bolton
    • Jonathan Bowden
    • Buttercup Dew
    • Collin Cleary
    • Jef Costello
    • F. Roger Devlin
    • Julius Evola
    • Gregory Hood
    • Juleigh Howard-Hobson
    • Greg Johnson
    • Jason Jorjani
    • Ward Kendall
    • Anthony M. Ludovici
    • Trevor Lynch
    • H. L. Mencken
    • J. A. Nicholl
    • Andy Nowicki
    • James J. O'Meara
    • Michael O'Meara
    • Christopher Pankhurst
    • Tito Perdue
    • Michael Polignano
    • Spencer J. Quinn
    • Savitri Devi
    • Fenek Solère
    • Irmin Vinson
    • Leo Yankevich
    • Francis Parker Yockey
  • Webzine Authors

    Contemporary authors

    • Howe Abbott-Hiss
    • Beau Albrecht
    • Aquilonius
    • Anthony Bavaria
    • Michael Bell
    • Alain de Benoist
    • Kerry Bolton
    • Jonathan Bowden
    • Buttercup Dew
    • Collin Cleary
    • Giles Corey
    • Jef Costello
    • Morris V. de Camp
    • F. Roger Devlin
    • Bain Dewitt
    • Jack Donovan
    • Ricardo Duchesne
    • Émile Durand
    • Guillaume Durocher
    • Mark Dyal
    • Guillaume Faye
    • Stephen Paul Foster
    • Fullmoon Ancestry
    • Jim Goad
    • Tom Goodrich
    • Alex Graham
    • Mark Gullick
    • Andrew Hamilton
    • Robert Hampton
    • Huntley Haverstock
    • Derek Hawthorne
    • Gregory Hood
    • Juleigh Howard-Hobson
    • Richard Houck
    • Alexander Jacob
    • Nicholas R. Jeelvy
    • Greg Johnson
    • Ruuben Kaalep
    • Tobias Langdon
    • Julian Langness
    • Travis LeBlanc
    • Patrick Le Brun
    • Trevor Lynch
    • Kevin MacDonald
    • G. A. Malvicini
    • John Michael McCloughlin
    • Margot Metroland
    • Millennial Woes
    • John Morgan
    • James J. O'Meara
    • Michael O'Meara
    • Christopher Pankhurst
    • Michael Polignano
    • J. J. Przybylski
    • Spencer J. Quinn
    • Quintilian
    • Edouard Rix
    • C. B. Robertson
    • C. F. Robinson
    • Hervé Ryssen
    • Kathryn S.
    • Alan Smithee
    • Fenek Solère
    • Ann Sterzinger
    • Thomas Steuben
    • Robert Steuckers
    • Tomislav Sunić
    • Donald Thoresen
    • Marian Van Court
    • Dominique Venner
    • Irmin Vinson
    • Michael Walker
    • Aylmer Wedgwood
    • Scott Weisswald
    • Leo Yankevich

    Classic Authors

    • Maurice Bardèche
    • Julius Evola
    • Ernst Jünger
    • D. H. Lawrence
    • Charles Lindbergh
    • Jack London
    • H. P. Lovecraft
    • Anthony M. Ludovici
    • Sir Oswald Mosley
    • National Vanguard
    • Friedrich Nietzsche
    • Revilo Oliver
    • William Pierce
    • Ezra Pound
    • Saint-Loup
    • Savitri Devi
    • Carl Schmitt
    • Miguel Serrano
    • Oswald Spengler
    • P. R. Stephensen
    • Jean Thiriart
    • John Tyndall
    • Francis Parker Yockey
  • Departments

    • Book Reviews
    • Movie Reviews
    • TV Reviews
    • Music Reviews
    • Art Criticism
    • Graphic Novels & Comics
    • Video Game Reviews
    • Fiction
    • Poems
    • Interviews
    • Videos
    • English Translations
    • Other Languages
      • Arabic
      • Bulgarian
      • Croatian
      • Czech
      • Danish
      • Dutch
      • Estonian
      • Finnish
      • French
      • German
      • Greek
      • Hungarian
      • Italian
      • Lithuanian
      • Norwegian
      • Polish
      • Portuguese
      • Romanian
      • Russian
      • Slovak
      • Spanish
      • Swedish
      • Ukrainian
    • Commemorations
    • Why We Write
  • Archives
  • Top 100 Commenters
Sponsored Links
Alaska Chaga Antelope Hill Publishing Imperium Press American Renaissance A Dissident’s Guide to Blacks and Africa The Patrick Ryan Show Jim Goad The Occidental Observer
Editor-in-Chief
Greg Johnson
Books for sale
  • Trevor Lynch’s Classics of Right-Wing Cinema
  • The Enemy of Europe
  • Imperium
  • Reactionary Modernism
  • Manifesto del Nazionalismo Bianco
  • O Manifesto Nacionalista Branco
  • Vade Mecum
  • Whiteness: The Original Sin
  • Space Vixen Trek Episode 17: Tomorrow the Stars
  • The Year America Died
  • Passing the Buck
  • Mysticism After Modernism
  • Gold in the Furnace
  • Defiance
  • Forever & Ever
  • Wagner’s Ring & the Germanic Tradition
  • Resistance
  • Materials for All Future Historians
  • Love Song of the Australopiths
  • White Identity Politics
  • Here’s the Thing
  • Trevor Lynch: Part Four of the Trilogy
  • Graduate School with Heidegger
  • It’s Okay to Be White
  • The World in Flames
  • The White Nationalist Manifesto
  • From Plato to Postmodernism
  • The Gizmo
  • Return of the Son of Trevor Lynch’s CENSORED Guide to the Movies
  • Toward a New Nationalism
  • The Smut Book
  • The Alternative Right
  • My Nationalist Pony
  • Dark Right: Batman Viewed From the Right
  • The Philatelist
  • Confessions of an Anti-Feminist
  • East and West
  • Though We Be Dead, Yet Our Day Will Come
  • White Like You
  • Numinous Machines
  • Venus and Her Thugs
  • Cynosura
  • North American New Right, vol. 2
  • You Asked For It
  • More Artists of the Right
  • Extremists: Studies in Metapolitics
  • The Homo & the Negro
  • Rising
  • The Importance of James Bond
  • In Defense of Prejudice
  • Confessions of a Reluctant Hater (2nd ed.)
  • The Hypocrisies of Heaven
  • Waking Up from the American Dream
  • Green Nazis in Space!
  • Truth, Justice, and a Nice White Country
  • Heidegger in Chicago
  • The End of an Era
  • Sexual Utopia in Power
  • What is a Rune? & Other Essays
  • Son of Trevor Lynch’s White Nationalist Guide to the Movies
  • The Lightning & the Sun
  • The Eldritch Evola
  • Western Civilization Bites Back
  • New Right vs. Old Right
  • Journey Late at Night: Poems and Translations
  • The Non-Hindu Indians & Indian Unity
  • Baader Meinhof ceramic pistol, Charles Kraaft 2013
  • Pulp Fascism
  • The Lost Philosopher, Second Expanded Edition
  • Trevor Lynch’s A White Nationalist Guide to the Movies
  • And Time Rolls On
  • Artists of the Right
  • North American New Right, Vol. 1
  • Some Thoughts on Hitler
  • Tikkun Olam and Other Poems
  • Summoning the Gods
  • Taking Our Own Side
  • Reuben
  • The Node
  • The New Austerities
  • Morning Crafts
  • The Passing of a Profit & Other Forgotten Stories
  • Rss
  • DLive
  • Telegram
  • Gab
  • Entropy
Copyright © 2022 Counter-Currents Publishing, Ltd.

Paywall Access





Please enter your email address. You will receive mail with link to set new password.

Edit your comment