Counter-Currents
  • Private Events
  • T&C
  • Rss
  • DLive
  • Telegram
  • Gab
  • Entropy
  • Rss
  • DLive
  • Telegram
  • Gab
  • Entropy
  • Webzine
  • Books
  • Podcasts
  • Donate
  • Paywall
  • Crypto
  • Mailing List
  • About
  • Contact
  • RSS
    • Main feed
    • Comments feed
    • Podcast feed
  • Advertise

LEVEL2

  • Webzine
  • Books
  • Podcasts
  • Donate
  • Paywall
  • Crypto
  • Mailing List
  • About
  • Contact
  • RSS
    • Main feed
    • Comments feed
    • Podcast feed
  • Advertise
  • Private Events
  • T&C
  • Rss
  • DLive
  • Telegram
  • Gab
  • Entropy
Print October 22, 2010 3 comments

Coco Chanel & Igor Stravinsky

Trevor Lynch

1,137 words

Coco Chanel & Igor Stravinsky is a 2009 French film directed by Jan Kounen, starring Anna Mouglalis as French couturier Gabrielle Bonheur “Coco” Chanel (1883–1971) and Mads Mikkelsen as Russian composer Igor Stravinsky (1882–1971). Based on the novel Coco & Igor by Chris Greenhalgh, this movie tells the story of a reputed affair that took place in 1920.

The plot is fairly simple: In 1913, Coco Chanel attended the premier of The Rite of Spring: Pictures from Pagan Russia at Serge Diaghilev’s Ballets Russes in Paris. Stravinsky composed the music. Nicholas Roerich painted the sets and designed the costumes. And Vaslav Nijinsky was choreographer. The ballet represented a human sacrifice in pagan Russia to gain the favor of the god of spring. The music’s complex rhythms, innovative tonality, unusual orchestration, and barbaric, brutal emotional power are challenging even today. In 1913, The Rite caused a riot. The recreation of the premier of The Rite of Spring was the main reason I went to this movie, and it did not disappoint.

In 1920, Stravinsky and his family are living in poverty as exiles from the Bolshevik Revolution. Chanel, who is in mourning for her lover Arthur Capel, meets Stravinsky again. A friendship develops, and she invites him to stay at her villa outside of Paris, where he could compose, his wife Catherine, who suffered from tuberculosis, could convalesce, and his four children could enjoy fresh air and sunshine. Stravinsky accepts her offer.

Stravinsky settles in, but there is an air of sexual tension that finally explodes into an affair. While the affair is going on, Chanel works with perfumer Ernest Beaux to create Chanel No. 5.

Stravinsky’s wife grows suspicious and finally takes the children to Switzerland. Torn between Coco and his family, Stravinsky finally breaks off the affair.

Even though their affair is over, Chanel still serves as an anonymous patron for Stravinsky’s art, paying for a revival of The Rite of Spring to an audience that has finally caught up to Stravinsky’s music and is much more receptive.

The movie ends with a poetic fizzle in 1971, the year both Chanel and Stravinsky died, portraying each of them in separate silent scenes, perhaps reminiscing about one another. Who can say?

Coco Chanel & Igor Stravinsky is a beautifully crafted, well-acted, but ultimately rather empty film. It is a must-see movie only if one admires Chanel or Stravinsky or both and wishes to see their worlds in 1913 and 1920 reconstructed.

Igor Stravinsky

That was enough for me. I like both Stravinsky and Chanel, so I found this movie worthwhile. They were both highly talented individuals in their own rights, but they also interest me because they combined avant-garde aesthetics with archaic, conservative, even reactionary tastes and convictions.

The aesthetics of The Rite of Spring have meaningful parallels with Italian futurism and Guillaume Faye’s Archeofuturism. The same can even be said of Chanel’s menswear inspired fashions, which were designed for mobility and comfort in an age of automobiles and aviatrixes, yet wedded these functions to the beauty of classical and traditional forms.

Stravinsky’s early music is so uncompromisingly avant-garde that many people just assume that he was leftist and a Jew. But Stravinsky was a devout Russian Orthodox Christian and patriot who had no illusions about what was being done in Russia and by whom. He was also a devoted family man (albeit one with a reputation for philandering).

(It took me many years to “grow into” an appreciation of Stravinsky, but you owe it to yourself to try. Begin with The Rite of Spring. There are many recordings, but I particularly recommend the Pierre Boulez/Cleveland Orchestra recording on Deutsche Grammophone, which also contains the ballet Petrouchka. Stravinsky’s later “neo-classical” works long struck me as abstract and emotionally repressed, with a false, superficial geniality. His Violin Concerto, however, is a work of great beauty and genuine passion. I recommend the Deutsche Grammophone recording by Anne-Sophie von Mutter. For the price of both of these recordings, one can get Stravinsky conducting these works himself — along with 20 more discs of self-conducted works — in Sony’s boxed set Works of Igor Stravinsky — surely one of the great bargains in the history of recorded music!)

The child of illiterate French proles, Chanel began as a seamstress and hat maker and rose through her talents as a designer and shrewd businesswoman to become a famous (and immensely rich) arbiter of taste. She was named one of the 100 most influential people of the 20th century — the only designer in the bunch.

The movie I would really love to see about Chanel would begin in 1925, when she became friends with Vera Bate Lombardi, a reputed illegitimate daughter of the Marquess of Cambridge. Chanel turned Lombardi’s personal style into the famous “English look” and through her was introduced to many of Europe’s royal and aristocratic families.

In 1939, at the beginning of the Second World War, Chanel closed her shops. She said that it was not a time for fashion, but I think that she had more important business in mind.

During the German Occupation, she lived on at the Hôtel Ritz Paris, where in 1940 she began an affair with Hans Günther von Dincklage, a German officer and spy who was 13 years her junior (although she would only admit to three years difference).

Chanel was also linked to Walter Kutschmann, an SS man who was assigned to Paris in 1943. Chanel and Kutschmann are said to have made frequent trips together to Spain, and large sums of money passed between them.

Coco Chanel

Chanel’s most important Nazi contact, however, was SS-Brigadeführer Walter Schellenberg, who rose to become head of foreign intelligence in 1944. According to Wikipedia:

In 1943, after four years of professional separation, Chanel contacted Lombardi, who was living in Rome. She invited Lombardi to come to Paris and renew their work together. This was actually a cover for “Operation Modellhut,” an attempt by Nazi spymaster Walter Schellenberg to make secret contact with Lombardi’s relative Winston Churchill. When Lombardi refused, she was arrested as a British spy by the Gestapo.

The aim of Operation Modellhut was to bring about a negotiated end to the war. If it had succeeded, Coco Chanel might have been instrumental in saving millions of lives, and we would probably be living in a very different world.

Chanel maintained her friendship with Schellenberg after the war. She even paid for his funeral when he died in Turin of cancer in 1952.

After the war, Chanel was charged as a collaborator, but she was mysteriously released. It is rumored that the British Royal family intervened on her behalf. In 1945, Chanel moved to Switzerland joining Dincklage—they remained together until 1950, her longest relationship. She returned to Paris only in 1954, when she re-launched her fashion career.

The French panned her first collection, but in England and America, she was bigger than ever. And she never apologized, never explained.

Related

  • The Journey:
    Russian Views, Part One

  • Remembering Knut Hamsun
    (August 4, 1859–February 19, 1952)

  • Význam starej pravice

  • Serviam: The Political Ideology of Adrien Arcand

  • ماهية المرأة

  • Top Goy: Maverick

  • Rough Riders:
    The Last Movie about Real Americans?

  • Counter-Currents Radio Podcast No. 459
    Rich Houck Discusses Mishima’s My Friend Hitler on The Writers’ Bloc

Tags

classical musicespionagefashionIgor Stravinskymovie reviewsNational SocialismTrevor Lynchwomen's fashionWorld War II

3 comments

  1. Petronius says:
    October 22, 2010 at 1:25 am

    Stravinsky was also quite pro-Italian fascism.

  2. James J. O'Meara says:
    October 23, 2010 at 10:05 am

    “Stravinsky’s early music is so uncompromisingly avant-garde that many people just assume that he was leftist and a Jew. But Stravinsky was a devout Russian Orthodox Christian ”

    I was just reading Brian Keeble’s book of interviews with John Tavener, and he reveals a lifelong enthusiasm for Stravinsky — even, as a child, helped him down off a stage. Tavener of course himself converted to Greek Orthodoxy, but presumably not inspired by Igor.

    Thus I was happy to find a cut-out copy of Sony’s Essential Stravisky, a 2 disc collection, including some, like the first part of the Rite, conducted by IG. It’s only 6 bucks at Amazon!

    http://tinyurl.com/29lap4z

    1. Greg Johnson says:
      October 23, 2010 at 12:01 pm

      For 18 bucks more, through Amazon Marketplace, one can get the 22 disc Sony box of all of Stravinsky conducting his own work. It is an amazing treasure trove. The Kali Yuga isn’t all dark!

      Artists like Stravinsky, the Futurists, Dali, Pound, and the list goes on an on are proof that artistic “modernism” is an organically Western phenomenon, whether for good or ill; that modernists are not necessarily decadents, but people who in their own ways are deeply rooted in Western artistic traditions and seeking the renewal of our civilization; and that the Jewish promotion of artistic modernism needs to be appreciated in that context. That Jews see an angle in it does not mean that we cannot as well.

Comments are closed.

If you have Paywall access,
simply login first to see your comment auto-approved.

Note on comments privacy & moderation

Your email is never published nor shared.

Comments are moderated. If you don't see your comment, please be patient. If approved, it will appear here soon. Do not post your comment a second time.

  • Recent posts

    • Remembering Philip Larkin:
      August 9, 1922–December 2, 1985

      Greg Johnson

      5

    • The Selfie Poet

      Margot Metroland

      6

    • Philip Larkin on Jazz:
      Invigorating Disagreeableness

      Frank Allen

      2

    • Quidditch By Any Other Name

      Beau Albrecht

    • صحفي أسترالي وجحر الأرانب الفلسطينية

      Morris van de Camp

    • The Worst Week Yet:
      July 31-August 6, 2022

      Jim Goad

      23

    • Hunter S. Thompson:
      The Father of Fake News, Part 6

      James J. O'Meara

      2

    • The Journey:
      Russian Views, Part One

      Steven Clark

      4

    • Counter-Currents Radio Podcast No. 473
      Ask Me Anything with Greg Johnson

      Counter-Currents Radio

    • This Weekend’s Livestreams
      Ask Me Anything on Counter-Currents Radio & Anthony Bavaria on The Writers’ Bloc

      Greg Johnson

      1

    • The Counter-Currents 2022 Fundraiser
      Raising Our Spirits

      Howe Abbott-Hiss

      6

    • Hunter S. Thompson:
      The Father of Fake News, Part 5

      James J. O'Meara

      11

    • The Freedom Convoy & Its Enemies

      Gunnar Alfredsson

      3

    • The China Question

      Nicholas R. Jeelvy

      52

    • Rozhovor s Alainom de Benoistom o kresťanstve

      Greg Johnson

    • Your Donations at Work
      New Improvements at Counter-Currents

      Greg Johnson

      13

    • Mau-Mauing the Theme-Park Mascots

      Jim Goad

      18

    • The Overload

      Mark Gullick

      13

    • Knut Hamsun’s The Women at the Pump

      Spencer J. Quinn

      3

    • Remembering Knut Hamsun
      (August 4, 1859–February 19, 1952)

      Greg Johnson

      8

    • Tito Perdue’s Cynosura

      Anthony Bavaria

    • Hunter S. Thompson:
      The Father of Fake News, Part 4

      James J. O'Meara

      4

    • Counter-Currents Radio Podcast No. 472
      Hwitgeard on The Writers’ Bloc

      Counter-Currents Radio

    • Ask A. Wyatt Nationalist
      Is it Rational for Blacks to Distrust Whites?

      Greg Johnson

      29

    • سكوت هوارد مجمع المتحولين جنسياً الصناعي لسكوت هوار

      Kenneth Vinther

    • Europa Esoterica

      Veiko Hessler

      21

    • Hunter S. Thompson:
      The Father of Fake News, Part 3

      James J. O'Meara

      4

    • Yarvin the (((Elf)))

      Aquilonius

      12

    • Counter-Currents Radio Podcast No. 471
      Ask Me Anything with Greg Johnson & Mark Collett

      Counter-Currents Radio

      1

    • The Worst Week Yet:
      July 23-30, 2022

      Jim Goad

      37

    • Hunter S. Thompson:
      The Father of Fake News, Part 2

      James J. O'Meara

      2

    • Real Team-Building

      Nicholas R. Jeelvy

      10

    • Counter-Currents Radio Podcast No. 470
      Greg Johnson Interviews Bubba Kate Paris

      Counter-Currents Radio

    • This Weekend’s Livestreams
      Bubba Kate Paris followed by Mark Collett on Counter-Currents Radio & Hwitgeard on The Writers’ Bloc

      Greg Johnson

      2

    • Význam starej pravice

      Greg Johnson

    • The Counter-Currents 2022 Fundraiser
      Reasons to Give to Counter-Currents Now

      Karl Thorburn

      1

    • Hunter S. Thompson:
      The Father of Fake News, Part 1

      James J. O'Meara

      16

    • I Dream of Djinni:
      Orientalist Manias in Western Lands, Part Two

      Kathryn S.

      31

    • مأساة الأولاد المزيفين

      Morris van de Camp

    • Announcing Another Paywall Perk:
      The Counter-Currents Telegram Chat

      Cyan Quinn

    • I Dream of Djinni:
      Orientalist Manias in Western Lands, Part One

      Kathryn S.

      34

    • The Great White Bird

      Jim Goad

      43

    • Memoirs of a Jewish German Apologist

      Beau Albrecht

      8

    • Je biely nacionalizmus „nenávistný“?

      Greg Johnson

    • The Union Jackal, July 2022

      Mark Gullick

      11

    • Normies are the Real Schizos

      Nicholas R. Jeelvy

      24

    • The West Has Moved to Central Europe

      Viktor Orbán

      28

    • Counter-Currents Radio Podcast No. 469
      Pox Populi & the Dutch Farmer Protests on The Writers’ Bloc

      Counter-Currents Radio

    • Serviam: The Political Ideology of Adrien Arcand

      Kerry Bolton

      10

    • An Uncomfortable Conversation about Race

      Aquilonius

      24

  • Classics Corner

    • Now in Audio Version
      In Defense of Prejudice

      Greg Johnson

      31

    • Blaming Your Parents

      Greg Johnson

      29

    • No Time to Die:
      Bond’s Essential Whiteness Affirmed

      Buttercup Dew

      14

    • Lawrence of Arabia

      Trevor Lynch

      16

    • Notes on Schmitt’s Crisis & Ours

      Greg Johnson

      8

    • “Death My Bride”
      David Lynch’s Lost Highway

      Trevor Lynch

      9

    • Whiteness

      Greg Johnson

      30

    • What is American Nationalism?

      Greg Johnson

      39

    • Notes on the Ethnostate

      Greg Johnson

      16

    • Heidegger & Ethnic Nationalism

      Greg Johnson

      14

    • To a Reluctant Bridegroom

      Greg Johnson

      26

    • Lessing’s Ideal Conservative Freemasonry

      Greg Johnson

      16

    • Restoring White Homelands

      Greg Johnson

      34

    • Introduction to Plato’s Republic, Parts 1 & 2

      Greg Johnson

      2

    • White Nationalist Delusions About Russia

      Émile Durand

      116

    • Batman Begins

      Trevor Lynch

    • The Dark Knight

      Trevor Lynch

    • Leo Strauss, the Conservative Revolution, & National Socialism, Part 1

      Greg Johnson

      22

    • The Dark Knight Rises

      Trevor Lynch

      22

    • Introduction to Aristotle’s Politics

      Greg Johnson

      16

    • Hegemony

      Greg Johnson

      11

    • Pulp Fiction

      Trevor Lynch

      46

    • Reflections on Carl Schmitt’s The Concept of the Political

      Greg Johnson

      14

  • Paroled from the Paywall

    • What Is the Ideology of Sameness?
      Part 2

      Alain de Benoist

    • On the Use & Abuse of Language in Debates

      Spencer J. Quinn

      26

    • Counter-Currents Radio Podcast No. 462
      The Best Month Ever on The Writers’ Bloc with Cyan Quinn

      Counter-Currents Radio

    • A White Golden Age Descending into Exotic Dystopian Consumerism

      James Dunphy

      1

    • Counter-Currents Radio Podcast No. 460
      American Krogan on Repatriation, Democracy, Populism, & America’s Finest Hour

      Counter-Currents Radio

      2

    • Cryptocurrency:
      A Faustian Solution to a Faustian Problem

      Thomas Steuben

      1

    • Counter-Currents Radio Podcast No. 458
      Gregory Hood & Greg Johnson on Burnham & Machiavellianism

      Counter-Currents Radio

      3

    • Brokeback Mountain

      Beau Albrecht

      10

    • Counter-Currents Radio Podcast No. 457
      Greg Johnson & Millennial Woes on Common Mistakes in English

      Counter-Currents Radio

      12

    • Deconstructing Our Own Religion to Own the Libs

      Aquilonius

      20

    • Counter-Currents Radio Podcast No. 456
      A Special Juneteenth Episode of The Writers’ Bloc with Jim Goad

      Counter-Currents Radio

      2

    • “I Write About Communist Space Goths”:
      An Interview with Beau Albrecht

      Ondrej Mann

      6

    • Christianity is a Vast Reservoir of Potential White Allies

      Joshua Lawrence

      42

    • Counter-Currents Radio Podcast No. 455
      The Counter-Currents 12th Birthday Celebration, Part 2

      Counter-Currents Radio

    • Counter-Currents Radio Podcast No. 454
      Muhammad Aryan on The Writers’ Bloc

      Counter-Currents Radio

      8

    • Counter-Currents Radio Podcast No. 453
      The Counter-Currents 12th Birthday Celebration, Part 1

      Counter-Currents Radio

      3

    • Look What You Made Me Do:
      Dead Man’s Shoes

      Mark Gullick

      4

    • Rome’s Le Ceneri di Heliodoro

      Ondrej Mann

      8

    • Anti-Semitic Zionism

      Nicholas R. Jeelvy

      11

    • Counter-Currents Radio Podcast No. 452
      The Best Month Ever on The Writers’ Bloc with Stephen Paul Foster

      Counter-Currents Radio

    • No More Brother Wars?

      Veiko Hessler

    • After the Empire of Nothing

      Morris van de Camp

      2

    • Counter-Currents Radio Podcast No. 451
      The Writers’ Bloc with Josh Neal on Political Ponerology

      Counter-Currents Radio

    • Counter-Currents Radio Podcast No. 450
      The Latest Ask Me Anything with Greg Johnson

      Counter-Currents Radio

      3

    • Counter-Currents Radio Podcast No. 449
      Greg Johnson & Gregory Hood on The Northman

      Counter-Currents Radio

      2

    • Paying for Veils:
      1979 as a Watershed for Islamic Revivalists

      Morris van de Camp

      3

    • Céline vs. Houellebecq

      Margot Metroland

      2

    • Counter-Currents Radio Podcast No. 448
      The Writers’ Bloc with Karl Thorburn on Mutually Assured Destruction

      Counter-Currents Radio

      1

    • Counter-Currents Radio Podcast No. 447
      New Ask Me Anything with Greg Johnson

      Counter-Currents Radio

      3

    • Counter-Currents Radio Podcast No. 446
      James J. O’Meara on Hunter S. Thompson

      Counter-Currents Radio

      3

  • Recent comments

    • DarkPlato Remembering Philip Larkin:
      August 9, 1922–December 2, 1985
      Yeah, I don’t approve of flogging though, at least not in the judicial system.
    • Kök Böri Memoirs of a Jewish German Apologist https://ia802608.us.archive.org/12/items/UnderTwoFlagsByHeinzWeichardt/UnderTwoFlags-HeinzWeichardt....
    • Kök Böri Remembering Philip Larkin:
      August 9, 1922–December 2, 1985
      The reference to the cat, refers to cat of nine tails ie flogging.   Thanks, thus I have...
    • Greg Johnson The Worst Week Yet:
      July 31-August 6, 2022
      You are being dishonest both about women and about abortion.
    • Greg Johnson Remembering Philip Larkin:
      August 9, 1922–December 2, 1985
      Thanks Margot, I loved your tribute too. I have yet to explore the Monica Jones correspondence or...
    • nineofclubs The Overload ‘..essentially.. you should know whether you’re a creature of the right or left’ Well. I don’t...
    • Margot Metroland Remembering Philip Larkin:
      August 9, 1922–December 2, 1985
      A really wonderful top-down introduction to PL, Greg. You cover all the key bases. Maybe academic...
    • Lars The Worst Week Yet:
      July 31-August 6, 2022
      I really hate how much feminism has influenced what remains of the Alt-Right. First it was the e-...
    • J Wilcox The Worst Week Yet:
      July 31-August 6, 2022
      I remember someone once writing that Goad has some issues with fatness. Then I looked at the webpage...
    • Uncle Semantic The Selfie Poet In Wolf of Wall Street when DiCaprio and his Stratton Oakmont hedonist co-workers are celebrating...
    • Vehmgericht The Selfie Poet Daljit Nagra over at the New Statesman chides Larkin his inexplicable failure to celebrate “Postwar...
    • DarkPlato Remembering Philip Larkin:
      August 9, 1922–December 2, 1985
      Hey great tribute!  Once upon a time I posted the entire version of that little poem come and I will...
    • RickMcHale The Worst Week Yet:
      July 31-August 6, 2022
      "Coontastic" ?!?  Killer !  Goad, your DelCo roots are showing !  Yeah, I'm still there, along with...
    • DarkPlato The Selfie Poet I don’t understand what you refer to
    • Uncle Semantic The Selfie Poet “Twenty-six thousand dollars worth of sides?! What do these sides do, they cure cancer?!”
    • Bob Roberts The Worst Week Yet:
      July 31-August 6, 2022
      And let us not forget that it was the American Indians who started the cycle of conflict with the...
    • Edward The Worst Week Yet:
      July 31-August 6, 2022
      How brave of Christopher Forth to be in the vanguard of such a cutting-edge topic like Angry White...
    • Davidcito The Worst Week Yet:
      July 31-August 6, 2022
      Christians werent 1/100th as violent as the savage cannibals that occupied this continent.  I’ve...
    • Edmund Philip Larkin on Jazz:
      Invigorating Disagreeableness
      Thanks for the thorough comment. It's strange how people who hate old things defend the formerly...
    • Vehmgericht The Selfie Poet The Left has noticed and Larkin is gradually being ‘cancelled’: a leading schools’ examination board...
  • Book Authors

    • Anthony M. Ludovici
    • Beau Albrecht
    • Buttercup Dew
    • Christopher Pankhurst
    • Collin Cleary
    • F. Roger Devlin
    • Fenek Solère
    • Francis Parker Yockey
    • Greg Johnson
    • Gregory Hood
    • H. L. Mencken
    • Irmin Vinson
    • J. A. Nicholl
    • James J. O’Meara
    • Jef Costello
    • Jim Goad
    • Jonathan Bowden
    • Juleigh Howard-Hobson
    • Julius Evola
    • Kerry Bolton
    • Leo Yankevich
    • Michael Polignano
    • Multiple authors
    • Savitri Devi
    • Spencer Quinn
    • Tito Perdue
    • Trevor Lynch
  • Webzine Authors

    Contemporary authors

    • Howe Abbott-Hiss
    • Beau Albrecht
    • Aquilonius
    • Anthony Bavaria
    • Michael Bell
    • Alain de Benoist
    • Kerry Bolton
    • Jonathan Bowden
    • Buttercup Dew
    • Collin Cleary
    • Giles Corey
    • Jef Costello
    • Morris V. de Camp
    • F. Roger Devlin
    • Bain Dewitt
    • Jack Donovan
    • Ricardo Duchesne
    • Émile Durand
    • Guillaume Durocher
    • Mark Dyal
    • Guillaume Faye
    • Stephen Paul Foster
    • Fullmoon Ancestry
    • Jim Goad
    • Tom Goodrich
    • Alex Graham
    • Mark Gullick
    • Andrew Hamilton
    • Robert Hampton
    • Huntley Haverstock
    • Derek Hawthorne
    • Gregory Hood
    • Juleigh Howard-Hobson
    • Richard Houck
    • Alexander Jacob
    • Nicholas R. Jeelvy
    • Greg Johnson
    • Ruuben Kaalep
    • Tobias Langdon
    • Julian Langness
    • Travis LeBlanc
    • Patrick Le Brun
    • Trevor Lynch
    • Kevin MacDonald
    • G. A. Malvicini
    • John Michael McCloughlin
    • Margot Metroland
    • Millennial Woes
    • John Morgan
    • James J. O'Meara
    • Michael O'Meara
    • Christopher Pankhurst
    • Michael Polignano
    • J. J. Przybylski
    • Spencer J. Quinn
    • Quintilian
    • Edouard Rix
    • C. B. Robertson
    • C. F. Robinson
    • Hervé Ryssen
    • Kathryn S.
    • Alan Smithee
    • Fenek Solère
    • Ann Sterzinger
    • Thomas Steuben
    • Robert Steuckers
    • Tomislav Sunić
    • Donald Thoresen
    • Marian Van Court
    • Dominique Venner
    • Irmin Vinson
    • Michael Walker
    • Aylmer Wedgwood
    • Scott Weisswald
    • Leo Yankevich

    Classic Authors

    • Maurice Bardèche
    • Julius Evola
    • Ernst Jünger
    • D. H. Lawrence
    • Charles Lindbergh
    • Jack London
    • H. P. Lovecraft
    • Anthony M. Ludovici
    • Sir Oswald Mosley
    • National Vanguard
    • Friedrich Nietzsche
    • Revilo Oliver
    • William Pierce
    • Ezra Pound
    • Saint-Loup
    • Savitri Devi
    • Carl Schmitt
    • Miguel Serrano
    • Oswald Spengler
    • P. R. Stephensen
    • Jean Thiriart
    • John Tyndall
    • Francis Parker Yockey
  • Departments

    • Book Reviews
    • Movie Reviews
    • TV Reviews
    • Music Reviews
    • Art Criticism
    • Graphic Novels & Comics
    • Video Game Reviews
    • Fiction
    • Poems
    • Interviews
    • Videos
    • English Translations
    • Other Languages
      • Arabic
      • Bulgarian
      • Croatian
      • Czech
      • Danish
      • Dutch
      • Estonian
      • Finnish
      • French
      • German
      • Greek
      • Hungarian
      • Italian
      • Lithuanian
      • Norwegian
      • Polish
      • Portuguese
      • Romanian
      • Russian
      • Slovak
      • Spanish
      • Swedish
      • Ukrainian
    • Commemorations
    • Why We Write
  • Archives
  • Top 100 Commenters
Sponsored Links
Alaska Chaga Antelope Hill Publishing Paul Waggener Breakey Imperium Press American Renaissance A Dissident’s Guide to Blacks and Africa The Patrick Ryan Show Jim Goad The Occidental Observer
Editor-in-Chief
Greg Johnson
Books for sale
  • Trevor Lynch’s Classics of Right-Wing Cinema
  • The Enemy of Europe
  • Imperium
  • Reactionary Modernism
  • Manifesto del Nazionalismo Bianco
  • O Manifesto Nacionalista Branco
  • Vade Mecum
  • Whiteness: The Original Sin
  • Space Vixen Trek Episode 17: Tomorrow the Stars
  • The Year America Died
  • Passing the Buck
  • Mysticism After Modernism
  • Gold in the Furnace
  • Defiance
  • Forever & Ever
  • Wagner’s Ring & the Germanic Tradition
  • Resistance
  • Materials for All Future Historians
  • Love Song of the Australopiths
  • White Identity Politics
  • Here’s the Thing
  • Trevor Lynch: Part Four of the Trilogy
  • Graduate School with Heidegger
  • It’s Okay to Be White
  • The World in Flames
  • The White Nationalist Manifesto
  • From Plato to Postmodernism
  • The Gizmo
  • Return of the Son of Trevor Lynch’s CENSORED Guide to the Movies
  • Toward a New Nationalism
  • The Smut Book
  • The Alternative Right
  • My Nationalist Pony
  • Dark Right: Batman Viewed From the Right
  • The Philatelist
  • Confessions of an Anti-Feminist
  • East and West
  • Though We Be Dead, Yet Our Day Will Come
  • White Like You
  • Numinous Machines
  • Venus and Her Thugs
  • Cynosura
  • North American New Right, vol. 2
  • You Asked For It
  • More Artists of the Right
  • Extremists: Studies in Metapolitics
  • The Homo & the Negro
  • Rising
  • The Importance of James Bond
  • In Defense of Prejudice
  • Confessions of a Reluctant Hater (2nd ed.)
  • The Hypocrisies of Heaven
  • Waking Up from the American Dream
  • Green Nazis in Space!
  • Truth, Justice, and a Nice White Country
  • Heidegger in Chicago
  • End of an Era: Mad Men & the Ordeal of Civility
  • Sexual Utopia in Power
  • What is a Rune? & Other Essays
  • Son of Trevor Lynch’s White Nationalist Guide to the Movies
  • The Lightning & the Sun
  • The Eldritch Evola
  • Western Civilization Bites Back
  • New Right vs. Old Right
  • Journey Late at Night: Poems and Translations
  • The Non-Hindu Indians & Indian Unity
  • I do not belong to the Baader-Meinhof Group
  • Pulp Fascism
  • The Lost Philosopher, Second Expanded Edition
  • Trevor Lynch’s A White Nationalist Guide to the Movies
  • And Time Rolls On
  • Artists of the Right: Resisting Decadence
  • North American New Right, Vol. 1
  • Some Thoughts on Hitler
  • Tikkun Olam and Other Poems
  • Summoning the Gods
  • Taking Our Own Side
  • Reuben
  • The Node
  • The New Austerities
  • Morning Crafts
  • The Passing of a Profit & Other Forgotten Stories
Sponsored Links
Alaska Chaga Antelope Hill Publishing Paul Waggener Breakey Imperium Press American Renaissance A Dissident’s Guide to Blacks and Africa The Patrick Ryan Show Jim Goad The Occidental Observer
  • Rss
  • DLive
  • Telegram
  • Gab
  • Entropy
Copyright © 2022 Counter-Currents Publishing, Ltd.

Paywall Access





Please enter your email address. You will receive mail with link to set new password.

Edit your comment