2,383 words
Part 7 of 7 (Part 1, Part 2, Part 3, Part 4, Part 5, Part 6)
Translated by Ondrej Mann
This post concludes the series of articles “We and Film,” “Neo-fascism in Film,” and “Sadonacism in Film,” which we have already published on Counter-Currents.
Despite the inflation of images, film is still for modern man what ritual, meditation, or prayer is for traditional man—it allows him to forget himself.
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