Tag Archives: Brenton Sanderson

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Wagner Bicentennial Symposium  
Evil Genius:
Constructing Wagner as Moral Pariah, Part 4

Brenton Sanderson
A night at the opera: Adolf Hitler with Winifred Wagner, the daughter-in-law of Richard Wagner

A night at the opera: Adolf Hitler with Winifred Wagner, the daughter-in-law of Richard Wagner

4,022 words

Part 4 of 4

Wagner and National Socialist Germany

Richard Wagner has long been reviled by Jews as the intellectual and spiritual precursor to Adolf Hitler who, according to William Shirer, once declared: “Whoever wants to understand National Socialist Germany must know Wagner.”[1] Read more …

Published: May 16, 2013 | Posted in North American New Right | Also tagged , , , , , , , , , , | 4 Responses
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Wagner Bicentennial Symposium  
Evil Genius:
Constructing Wagner as Moral Pariah, Part 3

Brenton Sanderson
Arno Breker, Bust of Richard Wagner

Arno Breker, Bust of Richard Wagner

2,360 words

Part 3 of 4

Wagner’s Music Dramas as Coded Anti-Semitism

T. W. Adorno and Wagner biographer Robert Gutman began a modern Jewish intellectual tradition Read more …

Published: May 15, 2013 | Posted in North American New Right | Also tagged , , , , , , , , , | Comments closed
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Wagner Bicentennial Symposium  
Evil Genius:
Constructing Wagner as Moral Pariah, Part 2

Brenton Sanderson

wagner-013,016 words

Part 2 of 4

Wagner’s Racial Thinking

In addition to his concern about the baleful Jewish influence on German culture, Wagner, under the influence of Darwinism and the French racial theorist Arthur de Gobineau, became increasingly concerned about the fate of the White race generally. Read more …

Published: May 14, 2013 | Posted in North American New Right | Also tagged , , , , , , , , , , , | Comments closed
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Wagner Bicentennial Symposium  
Evil Genius:
Constructing Wagner as Moral Pariah, Part 1

Brenton Sanderson
Richard Wagner, 1813-1883

Richard Wagner, 1813–1883

4,763 words

Part 1 of 4

Richard Wagner was a one man artistic and intellectual movement whose shadow fell across all of his contemporaries and most of his successors. Other composers had influence; Wagner had a way of thinking named after him. It has been claimed that “never since Orpheus has there been a musician whose music affected so vitally the life and art of generations.”[1]  Read more …

Published: May 13, 2013 | Posted in North American New Right | Also tagged , , , , , , , , , | 2 Responses

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