Editor’s Note:
What follows are selections from Confessions of an Anti-Feminist: The Autobiography of Anthony M. Ludovici, ed. John V. Day, ch. 4, “My Education, II (1910–1916).” (more…)
Editor’s Note:
What follows are selections from Confessions of an Anti-Feminist: The Autobiography of Anthony M. Ludovici, ed. John V. Day, ch. 4, “My Education, II (1910–1916).” (more…)
Editor’s Note:
What follows are selections from Anthony M. Ludovici, Confessions of an Anti-Feminist: The Autobiography of Anthony M. Ludovici, ed. John V. Day, ch. 3, “My Education, I (1882–1910).” The section headings are my creations. Unless otherwise indicated, all notes are by Ludovici. John V. Day’s notes are marked JVD, and additional notes are marked GJ. (more…)
1,503 words
Sculpture, as an art form, is not native to Northwest Europe. Northern Europeans excel in painting, graphics, drawing, music, and dance: aesthetic forms more individualistic than the grandiose formalism of monumental sculpture. Sculptural development needed large metropolitan areas, rich patrons, and masses of artisans. Thus, sculpture came to us through the Classical corridor of Egypt, Crete, Greece, and finally the Roman copies that diffused into Northern Europe.