This is the first in a series of film reviews wherein I’ll be looking at works of cinema that were made when subversion—whether of expectations, morals, facts, or source material—was not the filmmakers’ objective. The objective was simply to tell a story on celluloid. These will not be “classic” films, however. No one needs to read another review of Gone With The Wind or other famous, monumental movies from the past. In fact, many of the films in this series might even be light-hearted, middle-brow, pop culture entertainment. (more…)
Counter-Currents