Print this post Print this post

Video of the Day:
Drive:
Peak Fascist Aesthetic

152 words

In the latest episode of Guide to Kulchur, Ty E and Fróði Midjord discuss Nicolas Winding Refn’s Drive (2011), about the very Indo-European-looking “Driver” (Ryan Gosling) who is forced into a conflict with Jewish gangsters as he’s trying to help a, likewise blonde, single mom who has a child with a Mexican criminal. The film has stirred up so much controversy that one Jewish YouTuber named it “a new Mein Kampf” because of its portrayal of ethnic archetypes.

The episode is archived on BitChute (video) and Spreaker (audio only). Guide to Kulchur streams live on YouTube and DLive Tuesdays at 2:00 PM Eastern Time / 20:00 CET, and Ty E joins the show every fortnight to discuss cinema. Their next conversation will be focused on Come and See (1985).

Previous episodes of Guide to Kulchur are archived on BitChute. You can also follow them on Twitter and Telegram for regular updates about upcoming shows and guests.

 

This entry was posted in North American New Right and tagged , , , , , . Post a comment or leave a trackback: Trackback URL.

6 Comments

  1. Rob Bottom
    Posted August 7, 2020 at 5:04 am | Permalink

    Sure, it has a white hero. But he gets involved with a race traitor. It also seems like he’s probably going to die in the film’s ending, but we’re supposed to be happy because he saved the woman and her half-Mexican kid? lol… if these are the movies WNs think are good for our people, they’re really scraping the bottom of the barrel.

    • Trevor Goodchild
      Posted August 10, 2020 at 10:58 am | Permalink

      Very good pick up! I missed that. The two gangsters represent the two professional guys.

  2. Posted August 7, 2020 at 8:11 am | Permalink

    Note the Jewish Star which frames the brutal Jewish gangster Bernie before his kosher (ritual) slaughter of Bryan Cranston’s character.

    The legal entity behind Drive was sued by a woman who argued the film’s trailer was misleading, and hides the fact that (the lawsuit alleges) Drive is an anti-Semitic film. See here.

    Further complicating things is that the film is based on a screenplay by Hossein Amini, an Iranian-British screenwriter and film director. According to Wikipedia: Amini’s screenplay for the film “is a loose adaptation of the novel of the same name by James Sallis. During interviews, Refn noted that he and Amini cut out a lot of the content from Sallis’ book, resulting in the almost bare bones structure for the film, and the few lines of dialogue for the film’s star, Ryan Gosling.”

    • Irishtrad
      Posted August 9, 2020 at 8:25 am | Permalink

      The book is significantly different, less obvious in it’s ethic concerns. A much better example of Refns deep unease with clown world suicide, is Too Old to Die Young.

    • Trevor Goodchild
      Posted August 10, 2020 at 10:58 am | Permalink

      Very good pick up about the star! I missed that. The two gangsters represent the two professional guys.

  3. Trevor Goodchild
    Posted August 10, 2020 at 11:48 am | Permalink

    Did you guys think the other gangster, the worse of the two, looked a lot like Epstein? I did. They are very good at casting people who look like other people, I can certainly attest. This similarity may not have been coincidental.

Post a Comment

Your email is never published nor shared.
 
Comments are moderated. If you don't see your comment, please be patient. If approved, it will appear here soon. Do not post your comment a second time.
 
Required fields are marked *

You may use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <s> <strike> <strong>

*
*

This site uses Akismet to reduce spam. Learn how your comment data is processed.

  • Our Titles

    White Identity Politics

    The World in Flames

    The White Nationalist Manifesto

    From Plato to Postmodernism

    The Gizmo

    Return of the Son of Trevor Lynch's CENSORED Guide to the Movies

    Toward a New Nationalism

    The Smut Book

    The Alternative Right

    My Nationalist Pony

    Dark Right: Batman Viewed From the Right

    The Philatelist

    Novel Folklore

    Confessions of an Anti-Feminist

    East and West

    Though We Be Dead, Yet Our Day Will Come

    White Like You

    The Homo and the Negro, Second Edition

    Numinous Machines

    Venus and Her Thugs

    Cynosura

    North American New Right, vol. 2

    You Asked For It

    More Artists of the Right

    Extremists: Studies in Metapolitics

    Rising

    The Importance of James Bond

    In Defense of Prejudice

    Confessions of a Reluctant Hater (2nd ed.)

    The Hypocrisies of Heaven

    Waking Up from the American Dream

    Green Nazis in Space!

    Truth, Justice, and a Nice White Country

    Heidegger in Chicago

    The End of an Era

    Sexual Utopia in Power

    What is a Rune? & Other Essays

    Son of Trevor Lynch's White Nationalist Guide to the Movies

    The Lightning & the Sun

    The Eldritch Evola

    Western Civilization Bites Back

    New Right vs. Old Right

    Lost Violent Souls

    Journey Late at Night: Poems and Translations

    The Non-Hindu Indians & Indian Unity

    Baader Meinhof ceramic pistol, Charles Kraaft 2013

    Jonathan Bowden as Dirty Harry

    The Lost Philosopher, Second Expanded Edition

    Trevor Lynch's A White Nationalist Guide to the Movies

    And Time Rolls On

    The Homo & the Negro

    Artists of the Right

    North American New Right, Vol. 1

    Some Thoughts on Hitler

    Tikkun Olam and Other Poems

    Under the Nihil

    Summoning the Gods

    Hold Back This Day

    The Columbine Pilgrim

    Confessions of a Reluctant Hater

    Taking Our Own Side

    Toward the White Republic

    Distributed Titles

    Reuben

    The Node

    The New Austerities

    Morning Crafts

    The Passing of a Profit & Other Forgotten Stories

    Gold in the Furnace

    Defiance