Counter-Currents
  • Private Events
  • T&C
  • Rss
  • DLive
  • Telegram
  • Gab
  • Entropy
  • Rss
  • DLive
  • Telegram
  • Gab
  • Entropy
  • Webzine
  • Books
  • Podcasts
  • Donate
  • Paywall
  • Crypto
  • Mailing List
  • About
  • Contact
  • RSS
    • Main feed
    • Comments feed
    • Podcast feed

LEVEL2

  • Webzine
  • Books
  • Podcasts
  • Donate
  • Paywall
  • Crypto
  • Mailing List
  • About
  • Contact
  • RSS
    • Main feed
    • Comments feed
    • Podcast feed
  • Private Events
  • T&C
  • Rss
  • DLive
  • Telegram
  • Gab
  • Entropy
Print December 10, 2018

Musica Deo Sacra

Fenek Solère

Salisbury Cathedral, Dark into Light

1,656 words

Evensong drifted in wisps of blue incense down the shadow-columned nave as I cast my eye over the gold Garter Banner fluttering overhead. My attention was drawn to the apsidal chancel and fourteenth-century vaults, with their red and turquoise fronds that stare benignly down on the heads of the Schola Cantorum choristers, their angelic voices echoing off the chambered underbelly of the Romanesque cross tower. A mass of mesmeric candles flickered over the polished, bone-like surface of the reliquaries in the chantry chapels of the DeSpensers, Beauchamps, and de Clares.

There were stones that still held memories of Mercian Earls like Oddo and Doddo, or that made up Theoc’s missionary cell on the gravel spit at the confluence of the Severn and Avon rivers, or which had seen the Saxon Thegn Brictric’s dispossession by Matilda, the wife of The Bastard, William the Conqueror.

Before me, a veritable lattice forest of hand-carved oak was imbued with the sweat and screams of slaughtered Lancastrians, who had once sought sanctuary within the cloisters beyond the thin veil of the metal silhouette that was cast out before the Abbey’s gates, leaving those that mourned them to commemorate their violent passing by embedding battered shields and helmets in the sacristy door.

These bloody scenes were followed only a few hard centuries later by the melting of bells and the stripping of altars when Welsh Henry’s second son defied the Pope, leading to the cultural tsunami of the English Reformation, which swept away the ornate trappings of the old and ushered in the stern and somber face of the new. Wall hangings were slashed; idolatrous paintings torched; rood screens torn up by their roots; tombs with prayers to the dead etched upon their smooth surfaces smashed with hammers; and libraries like those of Worcester Abbey, the Friary at York, and Oxford University – where illuminated texts that had taken years of laborious and loving work to create, some no doubt as precious as the Lindisfarne Gospels – were turned to ash in a Taliban-type orgy of iconoclastic proportions.

Nevertheless, forever rising in defiance of plague, pestilence, and famine, the ageless responsorial and antiphonal Plainsong rose from the stalls in the choir. The castrato ensembles were parting their lips on Latin verse, open mouths sounding the rhythmical neumes from the Liber Usualis, the Salve Regina, and the Honor Virtus et Potestas. These were a mnemonic echo of the Missa de Angelis and Missa Deus Genitor Alma, sung in the Monastery of Metz in northeastern France, the Santa Sofia church in Benevento in southern Italy, the Blazen Muze performed by the Pravoslavnye Pevchie singers from faraway Moscow, and the Greek Kyrie chanters who follow the Byzantine tetrachord traditions of Isidore of Miletus’s Hagia Sophia and the Simon Karas school in Athens.

This is a living tradition that has lasted a thousand years, immortalized in works like the eleventh-century tonary of St. Benigne de Dijon, the Rosetta Stone of Plainchant, that enabled scholars like Jean-Louis Danjou to decipher the symbols on the parchments and in those dusty vellum volumes which had until then remained a mystery to all who studied them. So it was that, for the first time, the ductus of ancient neumes could be interpreted with a high degree of certainty, and so did the much-treasured text become, over time, the main source of the Rheims-Cambrai Graduate Romanum complectens missas of 1851.

Musicians like Franz Xavier Witt in Germany and Pietro Alfieri in Italy poured over the vida illuminations in books like the thirteenth-century Chansonnier, eucharists full of antiphons, psalms, and the Gloria Patri, filling our Western consciousness with thoughts of pious, sword-bearing Crusaders chanting the trobaire Marcabru’s songs while they rode in dusty columns into battle behind a burning cross:

Since the son of god summons you
to avenge him on the Pharaoh’s line . . .

to rescue Spain and Sepulchre,
you need to bear the brunt,
and drive the Saracens away
and crush their haughty pride . . .

Then, as now, we witness the treachery of the Holy See, with the thirteenth-century Languedogan jongleur and troubadour Guilhem Figuerra, who himself fell victim to the Albigensian Crusade, pointing out in his most famous hymn, Sirventes contra Roma, also known as D’un sirventes far, the short-sightedness of the Papacy’s internecine struggles against the Cathar heretics:

Treacherous Rome, avarice ensnares you
So that you shear too much wool from your sheep;
May the Holy Ghost who takes on human flesh
Hear my prayers
And break your beaks,
O Rome! You will never have truce with me,
Because you are false and perfidious
With us and with the Greeks!

Rome, to the Saracens
You do little damage
But to the Greeks and Latins
Massacre and carnage;

Rome, at the bottom of the abyss
You have your seat in hell

These were views and events that put me in mind of Charles Maurras’ pro-Catholic Action Francaise, which was proscribed by the Vatican in 1926; Pope Pius Xl’s pronouncement that “Catholic means universal”; Pius Xll’s declaration that “We are all one human race” in the Summi Pontifactus; the usurpation of the scriptures by the liberal-Left faction during Vatican ll in 1966; Protestant prelates like Rowan Williams, who attempted to appease the ever-zealous followers of Allah by suggesting that Sharia might be compatible with English Common Law; and Pope Francis going on one knee to wash the feet of so-called refugees.

These age-old self-defeating actions and contradictory sentiments caused me to ponder on the religious certainty of Corneliu Zelea Codreanu and his activism with the National-Christian Defense League, the Legion of the Archangel Michael, and The Brotherhood of the Cross in Romania; Joachim Hossenfelder’s Bewegung Deutscher Christen folk-church movement in pre-war Germany; the Catholicism of José Antonio Primo de Rivera in Spain and Jean Ousset in France; Franco’s column of death bulldozing Republicans in revenge for the murder of priests and nuns in the Asturias; Rosine de Bounevialle and her League of Empire loyalists in England; Julius Evola’s “pagan Imperialism”; Adrien Arcand’s love of liturgy in his little village of Lanorai in Canada; and claims by close friends and colleagues like Anthony Gannon, himself a graduate of the Brothers of St. Francis Xavier of the Jesuits, that Francis Parker Yockey considered himself a “Gothic Catholic” and often quoted the catechism.

And, so, turning to leave, the leather rosary cord slipping through my fingers, polished beads bouncing on the aisle’s colored tiles, my footsteps passed over the Latin memorial brass to Edward, Prince of Wales, set in the floor between the choir stalls under the tower, which reads:

Hic jacet
Edwardus
Princeps Wallie crude
Liter interfectus dum adhuc juvenis anno dni 1471 mense maie die quarto
Eheu hominum furore Matris
Tu sola lux es gregis
Ultima
Spes

(Here lies Edward, Prince of Wales, cruelly slain whilst but a youth. Anno Domini 1471, May fourth. Alas, the savagery of men. Thou art the sole light of thy Mother, and the last hope of thy race.)

I thought of James the First of Aragon, brought up by the Knights Templars, who wrote in his Llibre dels fets (Book of Deeds) of how a battle against the Muslims in Majorca went badly until the shouts of “Santa Maria! Santa Maria!” rang out across the field, energizing his troops with the spirit of Saint George to fight on for victory. He likewise relates that, after his triumph at a siege in Murcia, his troops were “thanking Our Lord God for the grace he had done us, and we knelt, crying and kissing the ground.”

As I walked forlornly past the seventeenth-century Milton organ of the amber-tinted sandstone abbey, I reminisced about the a cappellas that have washed over the royal blood below my feet. There was a cascade of vocal cadences that embodied the sacred synthesis of Carolingian and Gallican four-, eight-, and twelve-mode monophonic music, which has passed with the winds of time over the sarcophagi of historic figures like Charlemagne, buried under the pilasters of the west tower in Aachen; Richard the Lionheart in Fontevraud; Raymond of Burgundy in Santiago de Compostela; Peter the Hermit, who led the First Crusade and cleansed the Rhineland of usurers, in Neufmoustier Abbey; and Ferdinand and Isabella, joint conquerors over the Nasrid dynasty, the last Moorish kingdom of Al-Andalus, in the Royal Chapel in Granada.

These were monuments and music whose message transcends time, words and recitations that speak of heartache, devotion, and glimpses of the sublime. These were hexachords that whispered harmoniously across the face of icons like that of St. Nicolas in Radomsyl castle in Ukraine, the milky white marble of the Pieta in Saint Peter’s Basilica, the lichen-bearded serpent gargoyles that adorn the walls of Krakow’s Wawel cathedral, and the leering loll-tongued Green Man and eagle-hunting snake motifs in Canterbury cathedral. In their turn, they look down over the rook-nested rooftops of the college green and the bent, timbered alleyways of the old town. I peered inquisitively into cobbled corners that lie forever in mossy nooks and crannies, where the children of wealthy wool merchants once held hands and sang ring-a-ring of roses without really understanding the serious symbolism of the game they were playing.

My heart is forever searching for a religion that calls out to my race-soul and offers meaning to a people who still wander in the wilderness, one such that the sacrificial gunshot at the altar of Notre Dame de Paris by a brave and resolute martyr like Dominique Venner will not have been in vain. The true meaning of festivals like the Dark into Light annual procession in the precincts of Salisbury Cathedral will perhaps ignite into a towering beacon that will once again burst into flame, warning cities, towns, and villages across the length and breadth of this and other lands that the hordes of Hell are at our gates, and that this is no time to turn the other cheek – but rather to ring the church bells, buckle our armor, and prepare to chastise the infidel.

 

Related

  • The Black Johnny Depp

  • Deconstructing Dugin:
    An Interview with Charles Upton, Part 2

  • Deconstructing Our Own Religion to Own the Libs

  • Deconstructing Dugin:
    An Interview with Charles Upton, Part 1

  • Christianity is a Vast Reservoir of Potential White Allies

  • Christopher Pankhurst’s Numinous Machines

  • Counter-Currents Radio Podcast No. 454
    Muhammad Aryan on The Writers’ Bloc

  • Counter-Currents Radio Podcast No. 449
    Greg Johnson & Gregory Hood on The Northman

Tags

ChristianityChristianity and EuropeFenek Solère

Previous

« An Esoteric Commentary on the Volsung Saga, Part VI

Next

» Children of Men

  • Recent posts

    • Perilously Fair:
      Reflections on the Ladies of the Lake

      Kathryn S.

      1

    • We Apologize for Your Feral Behavior

      Gunnar Alfredsson

    • The Crossroads of Our Being:
      Civil War Commemorations During the “Civil Rights” Movement

      Morris van de Camp

      1

    • Counter-Currents Radio Podcast No. 458
      Gregory Hood & Greg Johnson on Burnham & Machiavellianism

      Counter-Currents Radio

      1

    • This Weekend’s Livestreams
      Gregory Hood on Counter-Currents Radio & Rich Houck on The Writers’ Bloc

      Greg Johnson

      5

    • Irreplaceable Communities

      Alain de Benoist

      6

    • Why the Concept of the Cathedral Is Nonsense

      Nicholas R. Jeelvy

      7

    • Brokeback Mountain

      Beau Albrecht

      6

    • O Manifesto Nacionalista Branco:
      Parte 10, O que Há de Errado com a Diversidade?

      Greg Johnson

    • Counter-Currents Radio Podcast No. 457
      Greg Johnson & Millennial Woes on Common Mistakes in English

      Counter-Currents Radio

      9

    • What Law Enforcement and First Responders Need to Know about White Nationalism

      Beau Albrecht

      6

    • Just Like a Woman

      Spencer J. Quinn

      3

    • The Black Johnny Depp

      Jim Goad

      27

    • Special Surprise Livestream
      Greg Johnson & Millennial Woes on Common Mistakes in English

      Greg Johnson

    • From “Equal Opportunity” to “Friend/Enemy”

      Stephen Paul Foster

      9

    • Deconstructing Dugin:
      An Interview with Charles Upton, Part 2

      Fróði Midjord

      2

    • Deconstructing Our Own Religion to Own the Libs

      Aquilonius

      18

    • O Manifesto Nacionalista Branco:
      Parte 9, Supremacismo

      Greg Johnson

    • Deconstructing Dugin:
      An Interview with Charles Upton, Part 1

      Fróði Midjord

      5

    • White Advocacy & Class Warfare

      Thomas Steuben

      9

    • The Tragedy of the Faux Boys

      Morris van de Camp

      34

    • Counter-Currents Radio Podcast No. 456
      A Special Juneteenth Episode of The Writers’ Bloc with Jim Goad

      Counter-Currents Radio

      2

    • The Worst Week Yet:
      June 12-18, 2022

      Jim Goad

      20

    • Booking Problems at Hotel Rwanda

      Mark Gullick

      7

    • What White Nationalists Should Know About Bitcoin

      Karl Thorburn

      19

    • “I Write About Communist Space Goths”:
      An Interview with Beau Albrecht

      Ondrej Mann

      6

    • This Weekend’s Livestreams
      Jim Goad Celebrates Juneteenth on The Writers’ Bloc

      Greg Johnson

      1

    • 2000 Mules
      The Smoking Gun of 2020 Election Fraud?

      Spencer J. Quinn

      39

    • Podcast with Robert Wallace & Gregory Hood
      Time for White Identity Politics

      Counter-Currents Radio

      11

    • Christianity is a Vast Reservoir of Potential White Allies

      Joshua Lawrence

      41

    • O Manifesto Nacionalista Branco:
      Parte 8, Raça Branca

      Greg Johnson

    • 2000 Fat Mules Laughing at Dinesh D’Souza

      Jim Goad

      63

    • Christopher Pankhurst’s Numinous Machines

      Anthony Bavaria

      3

    • When Florida Was French

      Morris van de Camp

      2

    • Counter-Currents Radio Podcast No. 455
      The Counter-Currents 12th Birthday Celebration, Part 2

      Counter-Currents Radio

    • White Fragility & Joseph Conrad’s The Nigger of the “Narcissus”

      Raymond E. Midge

      7

    • Our Prophet:
      Christopher Lasch’s The Revolt of the Elites, Part 2

      Greg Johnson

      3

    • Hockey Playoff Losses, Violent Carjackings, & Race in Toronto

      Gunnar Alfredsson

      3

    • Counter-Currents Radio Podcast No. 454
      Muhammad Aryan on The Writers’ Bloc

      Counter-Currents Radio

      2

    • Counter-Currents Radio Podcast No. 453
      The Counter-Currents 12th Birthday Celebration, Part 1

      Counter-Currents Radio

      3

    • Patrick Bateman is a Tranny

      Nicholas R. Jeelvy

      12

    • Our Prophet:
      Christopher Lasch’s The Revolt of the Elites, Part 1

      Greg Johnson

      13

    • The New Dissident Zeitgeist

      Aquilonius

      4

    • The Worst Week Yet:
      June 5-11, 2022

      Jim Goad

      20

    • How Belarus Uses Migrants as Weapons

      James A.

      29

    • Look What You Made Me Do:
      Dead Man’s Shoes

      Mark Gullick

      4

    • Remembering William Butler Yeats:
      June 13, 1865–January 28, 1939

      Greg Johnson

      5

    • Fundraiser Update
      Happy Birthday to Us!

      Greg Johnson

      2

    • This Weekend’s Livestreams
      Our Twelfth Anniversary Party on Counter-Currents Radio & Muhammad Aryan on The Writers’ Bloc

      Greg Johnson

      8

    • What is a Woman?

      Spencer J. Quinn

      58

  • Recent comments

    • Beau Sauvage Why the Concept of the Cathedral Is Nonsense Excellent. I see the Jee scribble thrives on the impetus of an agon. I always read the Bug's ex...
    • Vauquelin Perilously Fair:
      Reflections on the Ladies of the Lake
      When voices on both the left and right claim that no woman can truly be on our side, I am eager to...
    • Lost Pause The Crossroads of Our Being:
      Civil War Commemorations During the “Civil Rights” Movement
      They had Civil War bubblegum cards during the Centennial. https://sixtiescity.net/Lifestyle/...
    • Buttercup Deconstructing Our Own Religion to Own the Libs Joshua Lawrence: "If you find the idea of reaching out directly to white Christians distasteful,...
    • Dr ExCathedra Counter-Currents Radio Podcast No. 458
      Gregory Hood & Greg Johnson on Burnham & Machiavellianism
      I don't see abortion as anything other than a mother killing her own child. But since the...
    • Margot Metroland What Law Enforcement and First Responders Need to Know about White Nationalism I love this essay and adore the comments. Some serious effort-posting there from Francis XB (though...
    • DarkPlato Counter-Currents Radio Podcast No. 457
      Greg Johnson & Millennial Woes on Common Mistakes in English
      Another one like that—I’m not sure if they talked about it as I’m just about to listen—is “all’s...
    • DarkPlato Counter-Currents Radio Podcast No. 457
      Greg Johnson & Millennial Woes on Common Mistakes in English
      I get the impression that older generations were somehow smarter.  How many people under twenty...
    • Deetron Sassafrass The Black Johnny Depp I sincerely hope this is untrue and exposed as such. It would be another damaging blow that the...
    • Peter Why the Concept of the Cathedral Is Nonsense The point is that the problem is solvable. Consumer demand is the answer. Solvable doesn´t mean...
    • Greg Johnson This Weekend’s Livestreams
      Gregory Hood on Counter-Currents Radio & Rich Houck on The Writers’ Bloc
      Blue state secession is key. If New York or California left the union, we would have a much better...
    • Scott johnston Why the Concept of the Cathedral Is Nonsense "Its a demand based economy" So who's demanding every single add on the television feature an...
    • Hyacinth Bouquet The Life & Death of a Patriot:
      Personal Reflections on the Great Replacement
      The author, Veiko Hessler, has written above an eloquent and powerful document that I will be...
    • Moe This Weekend’s Livestreams
      Gregory Hood on Counter-Currents Radio & Rich Houck on The Writers’ Bloc
      Correction: FROM "what Judge Thomas said on Friday" (the article I read is from Friday) TO "...
    • Moe This Weekend’s Livestreams
      Gregory Hood on Counter-Currents Radio & Rich Houck on The Writers’ Bloc
      "Let’s look at the decision overturning of Roe vs Wade in Machiavellian terms, without any sentiment...
    • Francis XB This Weekend’s Livestreams
      Gregory Hood on Counter-Currents Radio & Rich Houck on The Writers’ Bloc
      Let's look at the decision overturning of Roe vs Wade in Machiavellian terms, without any sentiment...
    • WWWM 2000 Fat Mules Laughing at Dinesh D’Souza Clarence Thomas has been on the court since the 80s and only now got Roe overturned, with the help...
    • Moe Irreplaceable Communities "No individual can exist without belonging, even if only to distance himself from it." I would...
    • Hamburger Today Brokeback Mountain TGTB&TU is an epic film. And funny.
    • Hamburger Today 2000 Fat Mules Laughing at Dinesh D’Souza The recent SCOTUS decisions are not determinative of 'Trump's legacy'. The driving force seems to be...
  • Books

    • Kerry Bolton
    • Jonathan Bowden
    • Buttercup Dew
    • Collin Cleary
    • Jef Costello
    • F. Roger Devlin
    • Julius Evola
    • Gregory Hood
    • Juleigh Howard-Hobson
    • Greg Johnson
    • Jason Jorjani
    • Ward Kendall
    • Anthony M. Ludovici
    • Trevor Lynch
    • H. L. Mencken
    • J. A. Nicholl
    • Andy Nowicki
    • James J. O'Meara
    • Michael O'Meara
    • Christopher Pankhurst
    • Tito Perdue
    • Michael Polignano
    • Spencer J. Quinn
    • Savitri Devi
    • Fenek Solère
    • Irmin Vinson
    • Leo Yankevich
    • Francis Parker Yockey
  • Webzine Authors

    Contemporary authors

    • Howe Abbott-Hiss
    • Beau Albrecht
    • Aquilonius
    • Anthony Bavaria
    • Michael Bell
    • Alain de Benoist
    • Kerry Bolton
    • Jonathan Bowden
    • Buttercup Dew
    • Collin Cleary
    • Giles Corey
    • Jef Costello
    • Morris V. de Camp
    • F. Roger Devlin
    • Bain Dewitt
    • Jack Donovan
    • Ricardo Duchesne
    • Émile Durand
    • Guillaume Durocher
    • Mark Dyal
    • Guillaume Faye
    • Stephen Paul Foster
    • Fullmoon Ancestry
    • Jim Goad
    • Tom Goodrich
    • Alex Graham
    • Mark Gullick
    • Andrew Hamilton
    • Robert Hampton
    • Huntley Haverstock
    • Derek Hawthorne
    • Gregory Hood
    • Juleigh Howard-Hobson
    • Richard Houck
    • Alexander Jacob
    • Nicholas R. Jeelvy
    • Greg Johnson
    • Ruuben Kaalep
    • Tobias Langdon
    • Julian Langness
    • Travis LeBlanc
    • Patrick Le Brun
    • Trevor Lynch
    • Kevin MacDonald
    • G. A. Malvicini
    • John Michael McCloughlin
    • Margot Metroland
    • Millennial Woes
    • John Morgan
    • James J. O'Meara
    • Michael O'Meara
    • Christopher Pankhurst
    • Michael Polignano
    • J. J. Przybylski
    • Spencer J. Quinn
    • Quintilian
    • Edouard Rix
    • C. B. Robertson
    • C. F. Robinson
    • Hervé Ryssen
    • Kathryn S.
    • Alan Smithee
    • Fenek Solère
    • Ann Sterzinger
    • Thomas Steuben
    • Robert Steuckers
    • Tomislav Sunić
    • Donald Thoresen
    • Marian Van Court
    • Dominique Venner
    • Irmin Vinson
    • Michael Walker
    • Aylmer Wedgwood
    • Scott Weisswald
    • Leo Yankevich

    Classic Authors

    • Maurice Bardèche
    • Julius Evola
    • Ernst Jünger
    • D. H. Lawrence
    • Charles Lindbergh
    • Jack London
    • H. P. Lovecraft
    • Anthony M. Ludovici
    • Sir Oswald Mosley
    • National Vanguard
    • Friedrich Nietzsche
    • Revilo Oliver
    • William Pierce
    • Ezra Pound
    • Saint-Loup
    • Savitri Devi
    • Carl Schmitt
    • Miguel Serrano
    • Oswald Spengler
    • P. R. Stephensen
    • Jean Thiriart
    • John Tyndall
    • Francis Parker Yockey
  • Departments

    • Book Reviews
    • Movie Reviews
    • TV Reviews
    • Music Reviews
    • Art Criticism
    • Graphic Novels & Comics
    • Video Game Reviews
    • Fiction
    • Poems
    • Interviews
    • Videos
    • English Translations
    • Other Languages
      • Arabic
      • Bulgarian
      • Croatian
      • Czech
      • Danish
      • Dutch
      • Estonian
      • Finnish
      • French
      • German
      • Greek
      • Hungarian
      • Italian
      • Lithuanian
      • Norwegian
      • Polish
      • Portuguese
      • Romanian
      • Russian
      • Slovak
      • Spanish
      • Swedish
      • Ukrainian
    • Commemorations
    • Why We Write
  • Archives
  • Top 100 Commenters
Sponsored Links
Alaska Chaga Antelope Hill Publishing Imperium Press American Renaissance A Dissident’s Guide to Blacks and Africa The Patrick Ryan Show Jim Goad The Occidental Observer
Editor-in-Chief
Greg Johnson
Books for sale
  • Trevor Lynch’s Classics of Right-Wing Cinema
  • The Enemy of Europe
  • Imperium
  • Reactionary Modernism
  • Manifesto del Nazionalismo Bianco
  • O Manifesto Nacionalista Branco
  • Vade Mecum
  • Whiteness: The Original Sin
  • Space Vixen Trek Episode 17: Tomorrow the Stars
  • The Year America Died
  • Passing the Buck
  • Mysticism After Modernism
  • Gold in the Furnace
  • Defiance
  • Forever & Ever
  • Wagner’s Ring & the Germanic Tradition
  • Resistance
  • Materials for All Future Historians
  • Love Song of the Australopiths
  • White Identity Politics
  • Here’s the Thing
  • Trevor Lynch: Part Four of the Trilogy
  • Graduate School with Heidegger
  • It’s Okay to Be White
  • The World in Flames
  • The White Nationalist Manifesto
  • From Plato to Postmodernism
  • The Gizmo
  • Return of the Son of Trevor Lynch’s CENSORED Guide to the Movies
  • Toward a New Nationalism
  • The Smut Book
  • The Alternative Right
  • My Nationalist Pony
  • Dark Right: Batman Viewed From the Right
  • The Philatelist
  • Confessions of an Anti-Feminist
  • East and West
  • Though We Be Dead, Yet Our Day Will Come
  • White Like You
  • Numinous Machines
  • Venus and Her Thugs
  • Cynosura
  • North American New Right, vol. 2
  • You Asked For It
  • More Artists of the Right
  • Extremists: Studies in Metapolitics
  • The Homo & the Negro
  • Rising
  • The Importance of James Bond
  • In Defense of Prejudice
  • Confessions of a Reluctant Hater (2nd ed.)
  • The Hypocrisies of Heaven
  • Waking Up from the American Dream
  • Green Nazis in Space!
  • Truth, Justice, and a Nice White Country
  • Heidegger in Chicago
  • End of an Era: Mad Men & the Ordeal of Civility
  • Sexual Utopia in Power
  • What is a Rune? & Other Essays
  • Son of Trevor Lynch’s White Nationalist Guide to the Movies
  • The Lightning & the Sun
  • The Eldritch Evola
  • Western Civilization Bites Back
  • New Right vs. Old Right
  • Journey Late at Night: Poems and Translations
  • The Non-Hindu Indians & Indian Unity
  • I do not belong to the Baader-Meinhof Group
  • Pulp Fascism
  • The Lost Philosopher, Second Expanded Edition
  • Trevor Lynch’s A White Nationalist Guide to the Movies
  • And Time Rolls On
  • Artists of the Right: Resisting Decadence
  • North American New Right, Vol. 1
  • Some Thoughts on Hitler
  • Tikkun Olam and Other Poems
  • Summoning the Gods
  • Taking Our Own Side
  • Reuben
  • The Node
  • The New Austerities
  • Morning Crafts
  • The Passing of a Profit & Other Forgotten Stories
  • Rss
  • DLive
  • Telegram
  • Gab
  • Entropy
Copyright © 2022 Counter-Currents Publishing, Ltd.

Paywall Access





Please enter your email address. You will receive mail with link to set new password.

Edit your comment